To be fair I have a very meh sub that will eventually be updated. I may change my mind then but right now I prefer a mostly full range two channel set up.
We have tools now for sub integration (software DSP based) that no one dreamt of 20 years ago...
When it comes to music, you also need a sub which is not so much focused on high SPL at infrasonic frequencies (sub 20Hz) - but rather a sub that is very low distortion, and focuses on giving you very clean 20hz to 60Hz (assuming you have full range speakers).
My Gallo TR1 isn't high powered, but it is low distortion, and can stretch down to 24Hz (-3db according to specs) - but actually has a gentle roll off (typical of true sealed designs) which means it is still providing meaningfull bass below 20Hz
I am by no means a bass head - and for years I could not get subs to integrate properly with my electrostatic speakers (Quad 63's, and 989's) - but what can be achieved today bears no resemblance to what was possible only 15 years ago...
With a music focus - I would definitely focus on sealed sub designs... coincidentally, they will work well with movies.... but the higher output, higher distortion ported designs, although they do well with movie effects (who cares what the distortion is on an explosion?!) - they often do a lot less well with music - particularly, well recorded acoustic instruments...
The Gallo TR1, TR3 are exemplary examples of "musical" subs. (not that they lack competition, but they were originally designed by Anthony Gallo, for music, not for movie effects...)
The primary market for subs now, is movies and electronic music, where low distortion, high fidelity, is less obvious...
(putting on flame resistant suit, and running for cover)