Hmmm. By my arithmetic, a 40-Hz mode needs a linear dimension of 28 feet for the full waveform to develop and reflect in a self-reinforcing way. I'm not sure that's the problem most people have. I suspect greater problems are SBIR that causes nulls at higher frequencies, and subs are helpful in filling those so that the main speakers can be where the mids and tweeters need to be for sustaining the stereo image. My system has nulls at 53, 72 and 90 Hz, (in one channel or the other) because of reflective cancellation. There was little modal ring in my listening space, but if I had sufficiently large parallel reflecting surfaces, the lowest they could ring is 56 Hz, which is hard by a null in the orthogonal direction. People with 8-foot ceilings in typically small modern rooms might hearing ringing or echo at 140 Hz, but not at 40 Hz in most situations.
I like the idea of subs providing enough bass reinforcement that the smaller drivers in towers aren't pushed into distortion, though my towers retain pretty good linearity and fairly low distortion about as good as subs that could actually fit in my space.
And what recording these days has kick drums that aren't loaded down with digital reverb by the recording "engineer"?
Rick "has used subs when 1.) content needed it, 2.) main speakers couldn't play low, and 3.) they could physically coexist in the room with furniture and people" Denney