audiofooled
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The Hughes AK-100 and AK-50 SRS Retriever units (I still have the AK-50) created an impressive soundstage that extended well beyond the speakers, and did so without sounding overly processed.
QSound technology used on Roger Water's Amused to Death CD (and others) was also impressively effective adding depth and width to the soundstage.
I'm sure that additional processing can bring it up a notch, (I myself heard some QSound stuff) but here we are discussing systems that can do without it. So 3d sound with perceived qualities such as exceptional clarity, transient response, depth and width way beyond what would normally be setup or physical boundaries.
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