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Hi would adding a external DAC to the wiim ultra streamer make a difference/improve sound?

Going to a 2.5-way design isn't a cure all. It can sometimes make the response messier. Even in good designs it doesn't seem to be a major improvement to the directivity; you're still generally looking at around +/- 20-degrees from on-axis before lobing becomes a problem. In any case it's a more complex crossover and therefore will be more expensive.

I'm confused - based on my understanding which is arguably limited if you read my previous comments, a 2.5 way speaker plays bass from 2 woofers, mid-range from 1 of the woofers, and treble for a tweeter.

Does that not make it a WMTW design? (the MT part depends on which way you place the speaker as there is no defined top or bottom at least for my center).
 
Does that not make it a WMTW design?
No, that's describing the driver configuration. If there are two woofers flanking a tweeter, it's still MTM. 2.5-way just means that different (but overlapping) frequency ranges are getting covered by the two woofers, rather than the woofers playing the same frequency range as in a 2-way.
 
No, that's describing the driver configuration. If there are two woofers flanking a tweeter, it's still MTM. 2.5-way just means that different (but overlapping) frequency ranges are getting covered by the two woofers, rather than the woofers playing the same frequency range as in a 2-way.
The point is that this is way down in frequency, which also pushes down the lobing, and if done right, can eliminate it. Just look at almost any of those MTM centers below 400 or so Hz. Directivity is generally fine.
 
No, that's describing the driver configuration. If there are two woofers flanking a tweeter, it's still MTM. 2.5-way just means that different (but overlapping) frequency ranges are getting covered by the two woofers, rather than the woofers playing the same frequency range as in a 2-way.
Again, I'm at a loss :) Let's look at the HTM 71 S3

You have 2 parallel woofers playing bass. You have a midrange and above it a tweeter. This is usually the typical ideal 3-way Center channel.

shopping


In a 2.5 way MTM, the 2 M drivers act as bass drivers. The T is of no relevance. However, one of them also acts as a Midrange driver.

So how is this different?
 
The point is that this is way down in frequency, which also pushes down the lobing, and if done right, can eliminate it. Just look at almost any of those MTM centers below 400 or so Hz. Directivity is generally fine.
Can you show an example? There aren't a lot of measured 2.5-way centers that I can find. Amir reviewed the Revel C10, but as you can see the 2.5-way design isn't preventing the lobing there.

Edit: JBL HDI-4500 measured by Erin is another example, lobing still present (and that one actually gets really narrow, +/- 10-degrees around 2kHz).
 
Again, I'm at a loss :) Let's look at the HTM 71 S3

You have 2 parallel woofers playing bass. You have a midrange and above it a tweeter. This is usually the typical ideal 3-way Center channel.

shopping


In a 2.5 way MTM, the 2 M drivers act as bass drivers. The T is of no relevance. However, one of them also acts as a Midrange driver.

So how is this different?
I'm sorry I'm not understanding your confusion here.
 
Can you show an example? There aren't a lot of measured 2.5-way centers that I can find. Amir reviewed the Revel C10, but as you can see the 2.5-way design isn't preventing the lobing there.
That’s a fun one! Because:

1769624553672.png


It’s a special kind! The outer drivers play only bass, the inner 2 play mid and bass. So directivity wise, this half zero advantage! That is clearly evident from the measurements.
 
That’s a fun one! Because:

View attachment 507648

It’s a special kind! The outer drivers play only bass, the inner 2 play mid and bass. So directivity wise, this half zero advantage! That is clearly evident from the measurements.
Yeah that would also apply to the JBL example that I must have added just after you started replying. I'm having trouble finding any measured examples of 2.5-way speakers that aren't a "special kind".
 
Sure there is, just not in the nice graph you’re used to.
Ok can you please point to where we can see the lobing or lack thereof here:

1769627125126.png


Because if I look at a 2-way MTM that definitely lobes like the Revel C25:

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I don't see where on the DI we can see the narrow directivity from 1kHz to 3kHz.
 
Ok can you please point to where we can see the lobing or lack thereof here:

View attachment 507656

Because if I look at a 2-way MTM that definitely lobes like the Revel C25:

index.php

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I don't see where on the DI we can see the narrow directivity from 1kHz to 3kHz.
You’re correct, I mistook the second plot for off-axis data, but it’s not.
 
No directivity information though?


Right but I'm looking for examples with measurement data where we can see the directivity that's at issue here.

But why would it matter? If only one driver is playing midrange, then the effect of the 2nd midrange would not exist, right?

I'm not sure why 2 bass drivers are fine but apparently you can't have enough of them (Perlisten S7c has 4).
 
Isnt the main miscommunication here that we are trying to talk about DAC differences which are clearly inaudible, when theres no reason to talk about that?

Whether something sounds better or worse will always be subjective so the only thing we have to assess is whether there is any kind of difference at all, potentially even one for the worse which is perceived out of habit as better.

With that said, doesnt it make perfect sense that a modern AVR with XT32 like a 4800 sounds much different than some ancient marantz with completely different amps/circuit/software? And that it makes no sense to explain how the DACs between the 2 make no difference?

It would make sense to me that there is audible difference just because of like everything else. XT32 by itself should make a huge impact already.
 
Whether something sounds better or worse will always be subjective so the only thing we have to assess is whether there is any kind of difference at all, potentially even one for the worse which is perceived out of habit as better.

With that said, doesnt it make perfect sense that a modern AVR with XT32 like a 4800 sounds much different than some ancient marantz with completely different amps/circuit/software? And that it makes no sense to explain how the DACs between the 2 make no difference?

It would make sense to me that there is audible difference just because of like everything else. XT32 by itself should make a huge impact already.

I also had a Cinema 70 with the old version of Audyssey (MultEq) - same as the other AVR. If there's a huge difference between MultEq and XT32, I did not hear it. I didn't like the sound from either especially music. One person compared XT and XT32 and couldn't detect differences except for the subs.

Yeah it's ancient but it's also got the same toroidal as the SR8015 and delivers more power into 2 channels (180 watts) and a pretty respectable 110 watts into 7. The DAC was top tier at the time and I believe it's superior to the 4800H's.

Isnt the main miscommunication here that we are trying to talk about DAC differences which are clearly inaudible, when theres no reason to talk about that?
Circling back to DACs - I am not sold that they are all equal yet. DACs don't just convert - they also handle timing and jitter, not just conversion so they are multi-purpose devices.

I listened to a recording of 4 center channel speakers from the same manufacturer and the difference was huge - very audible even on my desktop speakers. Just different generation speakers with similar tech, same model and the sound was noticeably different. Now if they had been EQ'ed to the same curve, it may have been harder to tell them apart. There were REW measurements at the end for each and they were clearly different.

I'm stating that so we understand that differences can be huge even when those speakers are from the same manufacturer with similar components and materials. Whether it was better or worse is a different story - the comments did not reach a consensus although I was drawn to 2 of them and biased as I own one:)

I listened to a recording of 4 DACs (Delta-Sigma) in the sub-$1,000 range and I couldn't hear a difference but the recording played across the song switching DACs as opposed to playing the same piece over and over and the recording itself is less clear than other recordings so I feel it was not conclusive that all Delta-Sigma DACs are created equal, for me at least.

I also listened to a recording of 3 R2R DAC recordings and there were audible differences with headphones - I had to listen but a very fast-paced set of drums resolved differently with each DAC to the point that I couldn't tell if it was the same part of the song because they were resolving with different tempo almost. So everyone would hear that but definitely not as obvious as the 4 center channel speaker comparo.

If you know of any clear recordings that show DACs being the same, please point me to them.
 
If you know of any clear recordings that show DACs being the same, please point me to them.
We don't need a recording. The signal inside a DAC is just an electrical signal. We can measure it. We know if it is the same going out as it was going in. There isn't any timing information hidden from the measurements. We also have a lot of results from blind testing, people can't distinguish them when all they have to go on is the sound.

We don't need to prove DACs don't sound different (when they aren't flawed to the extent that we can easily measure the problem), the proof is already out there. If you have actual evidence to the contrary, the onus is on you to provide that. What you perceive in casual, subjective listening does not constitute evidence.
 
We don't need a recording. The signal inside a DAC is just an electrical signal. We can measure it. We know if it is the same going out as it was going in. There isn't any timing information hidden from the measurements. We also have a lot of results from blind testing, people can't distinguish them when all they have to go on is the sound.

We don't need to prove DACs don't sound different (when they aren't flawed to the extent that we can easily measure the problem), the proof is already out there. If you have actual evidence to the contrary, the onus is on you to provide that. What you perceive in casual, subjective listening does not constitute evidence.

Do R2R DACs sound the same?
 
I think I read a post here that explained how audyssey lesser than xt32 does more harm than good. Most of the seasoned experts here recommend to correct mainly/only the bass region and I had good luck with that with my wiim. I have profiles for 20-200/20-500/20-4000/full range and the 2 low profiles sound considerably better. Between the 2 I prefer the 20-500 it has absolutely pristine Bass. In the mids and highs I just let the speakers fly and do their thing.

Apparently only XT32 even corrects the bass region at all and the blend into the subwoofer. The lesser versions only correct the high stuff which you dont even want. Id try to experiment with the frequency range that you want the Denon to correct, I have very nice results with the wiim fixing only lower end.
 
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