I would appreciate some help and opinions on selecting a class D amp or modules for a DYI project. Here are some system details:
Using Active crossovers using a DSP/DAC processor:
Speakers & Amps:
- Ribbon tweeters – 7 Khz and above driven by a SMSL DA-6 amp
- Planar magnetic mids – 110Hz-7000Khz currently driven by 100-watt tube amp
- DYI dipole subs – 170Hz and below driven by ICE Power 1200AS2
I am looking to replace the 100-watt tube amp. Per the manufacturer of the planar speakers, wattage should be limited to 200 watts. A massively powered amp is not needed, which limits my options.
In my view, the best options would include:
ICE Power 125AS2 – Conductor
Hypex NC122
Pascal Pro2S
Orchard Starkrimson 25 mono blocks
SMSL PA-X or PA400
My questions are:
1. Are there other amps I should consider and add to this list?
2. Is the general consensus that any perceived benefits of GAN are inaudible?
3. But do ICE/Hypex/Pascal have different sound characteristics? For what it is worth, I asked Grok: See the table below. Is the info in the table accurate?
Using Active crossovers using a DSP/DAC processor:
Speakers & Amps:
- Ribbon tweeters – 7 Khz and above driven by a SMSL DA-6 amp
- Planar magnetic mids – 110Hz-7000Khz currently driven by 100-watt tube amp
- DYI dipole subs – 170Hz and below driven by ICE Power 1200AS2
I am looking to replace the 100-watt tube amp. Per the manufacturer of the planar speakers, wattage should be limited to 200 watts. A massively powered amp is not needed, which limits my options.
In my view, the best options would include:
ICE Power 125AS2 – Conductor
Hypex NC122
Pascal Pro2S
Orchard Starkrimson 25 mono blocks
SMSL PA-X or PA400
My questions are:
1. Are there other amps I should consider and add to this list?
2. Is the general consensus that any perceived benefits of GAN are inaudible?
3. But do ICE/Hypex/Pascal have different sound characteristics? For what it is worth, I asked Grok: See the table below. Is the info in the table accurate?
| Company | Sound Character | Strength | Weakness |
| ICE | Transparent and neutral overall, with a slightly warm, tonally rich midrange that adds a touch of euphony without veiling details. Bass is controlled and extended, but some describe a minor "roughness" or elevated noise floor at low volumes, making it feel less refined in quiet passages. Dynamics are punchy but can sound a bit "messier" under complex loads compared to competitors. | Excellent for rock/jazz with natural timbre; low distortion enables "inaudible" amplification that lets speakers shine. | May run warmer and exhibit subtle grain in treble during high-resolution playback; outclassed in smoothness by some rivals. |
| Hypex | Extremely neutral and analytical, with exceptional clarity, resolution, and musicality that rivals (or surpasses) linear amps. Treble is detailed and extended without harshness; mids are precise; bass has a slight "colored" texture but massive power reserves for explosive transients. Soundstage is wide and immersive, emphasizing speed and control. | Handles peaks effortlessly for dynamic genres like metal or orchestral; low noise/distortion for "reference-level" accuracy. | Can seem "clinical" or grainy in bass/mids to some ears, especially in poor implementations; high loop gain demands quality buffering. |
| Pascal | Smooth and engaging, with airy, holographic mids where voices and instruments "stand out" vividly; bass is pleasant and non-invasive (tight but not aggressive); treble is detailed but can highlight transients with a bright edge. Overall, it evokes a "tube-like" warmth and precision without fatigue, creating an intimate, three-dimensional soundstage. | Holographic imaging and euphonic balance for vocals/acoustics; powerful yet refined, often preferred for long sessions. | Treble peak can make it "sterile" or overly revealing with bright speakers/sources; less "neutral" than Hypex in raw specs. |