I say yes, of course.People can't have different aesthetic or other tastes?
But if sound is the one and only goal then only if it measures just as good. (If the statement that specs alone determines the sound quality is true.)
I say yes, of course.People can't have different aesthetic or other tastes?
That's the crux of this site for me. Confidence that I'm allocating whatever money I have wisely. And confidence that brands we'd never heard of a few years back are both trustworthy and of high performance.I haven't saved a dime from the site, but I've allocated my resources very differently.
I say yes, of course.
But if sound is the one and only goal then only if it measures just as good. (If the statement that specs alone determines the sound quality is true.)
I agreed, but to play devil's advocate, measurement doesn't say anything about the built quality, nor does it tell anything about the ownership experience.That's the crux of this site for me. Confidence that I'm allocating whatever money I have wisely. And confidence that brands we'd never heard of a few years back are both trustworthy and of high performance.
Absolutely invaluable.
I cheated and edited my post above, but not in time...
It doesn't have to measure just as well, it just has to be below audible levels. That's the thing...stuff has to be pretty bad before it's noticeable when listening to music. I can hear a very faint background hum on the Luxman when I turn it WAY up, but don't hear it at all under normal use, even in quiet parts.
I have never seen this after testing nearly 1000 products. Impairments are either not audible or degrade the sound. I think vast if not all of the people who think equipment has some flavor due to distortion are wrong. They are not performing controlled testing where all variables other than sound is removed. If they do this, the difference they think they hear disappears.2) Can a equipment sound good, if they don't measure as good as another equipment, especially you can't hear the diffrence if you hit a threshold of what human hearing can hear?
Don’t confuse measurement results and preference. You can prefer anything you like and, apart from a few ankle-biters around here, no one will have any issue with that. Our preferences are all unique. However, given that, the only way to assess equipment is through standardized, objective measurement.So my point is, can measurements alone be the judge of sound and preference?
Yeah, but now I know not to buy said SMSL units thanks to your wallet. See, I'm spending my money wisely. Unlike you. Thanks for that.Case in point, I have few SMSL units. Superb measuring gear, but the ones I have have quality issues. And. . .the ownership experience would have been shit if it wasn't for the fact that I got them at Apos.
I 100% get your point and I agree. Though I have no experience with any Hegel and my own experience with the Topping D90SE so far is flawless, no issues what so ever. But experience with the D70 was a different story.I would be careful purchasing solely based on measurements. The SINAD measurement doesn't tell you about the distracting pops the unit makes in your speakers when turning the unit on/off. Or the extra noise it generates in your speakers when switching between streaming albums. Or that the remote is so poor that it barely works if it's not laser focused on the DAC. Or how the optical or coax connections don't work with your TV. I experienced all these issues with the top rated D90SE and none of these issues with the poorly rated Hegel. And when I can't hear a difference - the usability of the device is more important to me. I would love to see these types of usability issues included in reviews, but they're not so I learn the hard way.
Yeah, but now I know not to buy said SMSL units thanks to your wallet. See, I'm spending my money wisely. Unlike you. Thanks for that.
Right, then I go back to my point, I personally, can't just look at measurements alone and be done. Even for solid state electronics.Don’t confuse measurement results and preference. You can prefer anything you like and, apart from a few ankle-biters around here, no one will have any issue with that. Our preferences are all unique. However, given that, the only way to assess equipment is through standardized, objective measurement.
Now, I have recently realized that I may prefer my speakers slightly bright. Therefore, I could go around and audition dozens of speakers to try to find ones to match my preferences, but the easier thing to do (in my opinion) is to buy something neutral and use DRC to match my personal preference. However, if my mate comes and sits in my chair and listens to my speakers, he is well within his right to tell me that they sound like crap, because to him (and perhaps to most people) they would. However, I prefer them like this.
I 100% get your point and I agree. Though I have no experience with any Hegel and my own experience with the Topping D90SE so far is flawless, no issues what so ever. But experience with the D70 was a different story.
Speaking of preamps and volume knobs, what's up with the Topping Pre90? It's volume knob makes a fairly loud click with each 1/2 dB step. You can hear it clicking 10 feet away when using the remote to change the volume. It's really annoying and the weirdest design flaw I have seen in awhile. Who wants to hear a clicking sound in their music each time you turn it up?So here we are talking about all the issues that have zero to do with sound quality.
I am all about exploring usability issues, as well as things like how a volume knob feels (best thing about the Luxman...as well as the Devialet remote.) We all have what floats our boats, and I can give up some measurement excellence, which I won't hear, for what I simply like.
Regarding the Yggy, might be interesting for you and your friend do do a real controlled AB/X. My *guess* is that the differences won't seem nearly as clear, but I may be surprised.
I have the Freya S, and like it a lot by the way. Bought it solely on the review here. Great preamp.
A controlled true ABX is hard. Here is why, 1) if have to make sure if you are using balanced both need to be balanced, many preamps and amp only have one set of balanced input. 2) you have to adjust the volume to be the same, so now you need a DBA meter. 3) by the time you do all of that, maybe 5 to 10 mins have passed? It's very hard to trust your brain to compare anything with that long passage of time.So here we are talking about all the issues that have zero to do with sound quality.
I am all about exploring usability issues, as well as things like how a volume knob feels (best thing about the Luxman...as well as the Devialet remote.) We all have what floats our boats, and I can give up some measurement excellence, which I won't hear, for what I simply like.
Regarding the Yggy, might be interesting for you and your friend do do a real controlled AB/X. My *guess* is that the differences won't seem nearly as clear, but I may be surprised.
I have the Freya S, and like it a lot by the way. Bought it solely on the review here. Great preamp.
We should have @amirm measure that too!Speaking of preamps and volume knobs, what's up with the Topping Pre90? It's volume knob makes a fairly loud click with each 1/2 dB step. You can hear it clicking 10 feet away when using the remote to change the volume. It's really annoying and the weirdest design flaw I have seen in awhile. Who wants to hear a clicking sound in their music each time you turn it up?
Speaking of preamps and volume knobs, what's up with the Topping Pre90? It's volume knob makes a fairly loud click with each 1/2 dB step. You can hear it clicking 10 feet away when using the remote to change the volume. It's really annoying and the weirdest design flaw I have seen in awhile. Who wants to hear a clicking sound in their music each time you turn it up?
You answered why there is room for many more companies. Features, price, availability, looks, cost, etc. all remain important.Here is why I say that. If that comment is true, then there is no need for anyone to audtion any amp, they simply just have to go online find the best spec'ed amp (in this case, it would be the Benchmark AHB2) and the sound will 100% sound the best when compared to any other amp. You are now done, nothing else to do. It also means all of these HiFi makers should just close their doors, because everyone should just buy the Benchmark preamp and amp, and the Topping DAC.
I understand your perspective. For me, there is a part of me, wanting and needing to audition to confirm and to hear it first hand. Features, looks, etc aside, it's hard for me (and for most) to just buy based on the measurements alone. Though the measurements should be respectable first before I give it time. However, for this Hegel, I might give it an chance only because there any many others who say good things about it. As an example, the Yggy example I used few post back, it had 3D soundstage that was super addictive to me (which is about all it has going for it when compared to my LKS) despite it's terrible measurements.You answered why there is room for many more companies. Features, price, availability, looks, cost, etc. all remain important.
For me personally, I like to have a more powerful amplifier than Benchmark. So I would sacrifice of some SINAD to get more power in the forum of Hypex NC400 for example.
Above aside, you would have a superb system in the form of Benchmark amp and DAC from Topping. You could buy them once and not worry again whether you are missing anything as far as performance. If something doesn't sound good, it is your speaker, lack of EQ, or your content.
Totally OT but what issues did you have with the D70? I've had no issues w/ it, but can't say the same w/ the E30 (pops w/ rate change).I 100% get your point and I agree. Though I have no experience with any Hegel and my own experience with the Topping D90SE so far is flawless, no issues what so ever. But experience with the D70 was a different story.