Weighing the D1 as a potential successor to the HD 650 I’ve enjoyed for close to a decade now, but also strongly considering the DCA Noire X/XO. Not afraid of a bit of EQ, just want the most smiles per dollar. Any thoughts?
I own the HD600 and I wasn’t impressed by the Noire X and XO, even if they are great headphones. I found the HD600 more comfortable and relaxed sounding (take this with a grain of salt). I went to the store with the intention to buy a pair and I didn’t. So even if I admire their performance on paper, they didn’t persuade me. I would love to listen to the D1…Weighing the D1 as a potential successor to the HD 650 I’ve enjoyed for close to a decade now, but also strongly considering the DCA Noire X/XO. Not afraid of a bit of EQ, just want the most smiles per dollar. Any thoughts?
Any distortion measurements?
So... I could use those values in a topping dx5 ii blindly? The dx5 ii uses a slightly different format for q which is x.xxxx instead of x.xxx but 0.200 would translate into 0.2000, I assume (not 0.0200)? PK => Peaking Filter, Fc => Center Frequency.I wouldn't use that target for measurements done on the older KB0065 ear (which is what GadgetryTech uses). I would recommend using the 2013 target (warmer) or the 2015 target (brighter), both of which were actually made on that system.
View attachment 494641
Preamp: -4.5 dB
Filter 1: ON PK Fc 20 Hz Gain 4.0 dB Q 0.200
Filter 2: ON PK Fc 150 Hz Gain -3.0 dB Q 0.500
Filter 3: ON PK Fc 450 Hz Gain 1.0 dB Q 1.400
Filter 4: ON PK Fc 3200 Hz Gain -1.0 dB Q 3.000
Filter 5: ON PK Fc 4300 Hz Gain 5.0 dB Q 3.000
Filter 6: ON PK Fc 11500 Hz Gain -6.0 dB Q 1.800
There ya go! Try that. If you need more treble feel free to just boost with a high shelf filter of Q: 0.4 and frequency of 2500 Hz (to taste).
Is the peak real or is it a rig/HRTF difference?View attachment 495898
So... does this mean something? Some reviewers said the peak in the 11k is a problem on their head, and the senneiser 505 doesn't have it. Instead it has a more desirable elevation in the air region. The rest is the same.
Can be there for certain people. Didn't notice any mid treble grain from my demo thoughIs the peak real or is it a rig/HRTF difference?
I have no way to back what I am about to write with science and it's purely my subjective take:View attachment 495898
So... does this mean something? Some reviewers said the peak in the 11k is a problem on their head, and the senneiser 505 doesn't have it. Instead it has a more desirable elevation in the air region. The rest is the same.
I have no way to back what I am about to write with science and it's purely my subjective take:
I compared and A/B the 505 with the D1 and while the graph looks the same, my ears didn't hear the same at all.
So while I am all for measurements and science based reviews, I still think a single graph doesn't tell the full story.
100% !Yes, but it’s infinitely better to have that data point - or rather the five that Amir provides (FR, distortion, impedance, sensitivity, and group delay) - than to have nothing at all.![]()
100% !
But I still stugle to find in those data the correlation with for example impact and dynamic, or separation/layering. Two headphones can virtually have almost similar measurements and still have very different behaviour in those characteristics.
I am not saying it cannot be measured, just that I don't see it in the current set of measurements. Or maybe I dont interprete them well.
I read interesting theories but have no clue on the sientific research behind (bigger driver, angled driver, excursion...)
I use to think exactly like this until I started to try and compare headphones for myself.I think about it like this:
- FR measurements and target adherence matter most if you’re not using EQ.
- Distortion measurements matter if you use EQ and/or listen loudly, also for excursion limit of the driver
- Sensitivity matters if you don’t have a dedicated amp.
- Impedance matters if you don’t have a dedicated amp.
- Impact (as I understand it - punch/slam) is reflected in the FR (and can be improved with EQ).
- Dynamics (as I understand it - punch/scale/explosiveness/volume swings) are reflected in the distortion measurements and channel balance.
- Microdynamics detail - is reflected in the FR (and can be improved with EQ).
- Driver size and angle doesn't matter if FR and distortion measurements suck.
- Separation/layering - I think is just FR, distortion and channel balance.
Overall, the combination of all these measurements can give you a good indicator of which headphones might be worth trying BEFORE buying, because human ears are not measurement rigs.