You weren't bothered by the light metallic 'sheen' in cymbals and other instruments with the (original) Utopia ?
To me they sounded very, very similar to my EQ'ed HD800 with the only exception being the 'metalic' treble which sometimes worked well but on other music didn't.
Too similar so I could not justify the price difference.
b.t.w. I don't like the original cable from the HD800 and replaced it quickly. Way too stiff.
Comfort on Beyers is great... Have you tried the DT1990 (needs some treble reducing) ?
Not at all! I could enjoy them without touching it in the slightest.
Witcher 3 Soundtrack sounded a lot cinematic.
Focal Utopia moreover introduced a bass emphasis on Songs ( coloring ) - which I could feel as it felt like a massage on this Song, specifically the drum n bass soundy part in the beginning before the instruments. At around 7 to 8 seconds
I cannot even hear that on my APS Klasik 2020. I think objectively that would be a flaw... Right?
It's not even the bass playing, it's that back and forth effect with that electronic element...
Vocals were astoundingly clear.
However, there is one thing I really missed in Focal Utopia is definitely intimacy to how close or far things are.
The minimum reachable distance was not as good in my opinion at what DT 770 / DT 990 Pro could deliver.
The max reachable distance was far better.
It's not an artificial distance / openness like in Beyerdynamic Amiron Home (which I really hated)
And I talk about recordings from a Neumann KU100.
Example: Somebody whispering into my ear, tapping my ear etc.
And I know this may be subjective.