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ASR testing indicated the E-280 Accuphase had issues with their balanced input and was not recommended. Anyone know if Accusphase corrected on their new E series releases?
I have not read the review, what i know is that Accuphase historicly have inverted phase on balanced in/outputs.
But i do not know if it can effect the review also i do not know if the still invert the phase, my guess is Yes.
The issue on the reviewed unit was not with inverted phase. The balanced inputs introduced a lot of noise. If you're interested in an Accuphase then the best thing to do is just use the unbalanced input and not have to worry about it.
This is a review and detailed measurements of the Topping A50III balanced headphone amplifier. It was sent to me by the company and costs US$199. The A50 III is solidly built and is about as thin as you want it to be. User interface is simple: short press of the power button cycles through...
www.audiosciencereview.com
So this is not "issues" but expected behaviour. Balanced connctions are less prone to external noise, however.
This is a review and detailed measurements of the Topping A50III balanced headphone amplifier. It was sent to me by the company and costs US$199. The A50 III is solidly built and is about as thin as you want it to be. User interface is simple: short press of the power button cycles through...
Quite the contrary, the balanced input must be a tour de force of engineering. 111 dB(A) at 220 mV input equates to an EIN of -124 dBV(A). You're not doing that without a 3-opamp balanced receiver circuit using decidedly low-noise parts (say, OPA1612s) and sub-kOhm resistor values. If you want the gory details, read Douglas Self's Small Signal Audio Design.
Fun fact, a basic 1-opamp balanced receiver circuit of 40 kOhm input impedance could never achieve better than about 88.8 dB unweighted (~91 dB(A)) relative to 142 mV input, even when using an ideal noiseless opamp. So the E-3000 must already be sporting an above-average circuit topology.
And this is why (balanced) pro levels are higher than (unbalanced) consumer levels by anywhere from 6 to 18 dB. The most common balanced output circuit also sports 6 dB of gain. Why then hi-fi makers would include unity gain balanced inputs (instead of -6 dB at least) is a mystery to me, I can only attribute it to cluelessness from decades ago that has been dragged along all this time. Checkbox engineering at its finest.