OK - what do you mean by added harmonics.There’s an “and” in the sentence.
So both flat frequency response and added harmonics
He might be referring to added harmonic distortion, not that this validates his point.OK - what do you mean by added harmonics.
How do flat frequency response and added harmonics result in stronger harmonics.
Except for square waves above 7 KHz. The bandpass of the reconstruction filter will remove 3rd (and higher) harmonics simply because those harmonics are not in the audio range. Google 'Gibbs Effect' if interested.which is all well and good. But frequency response has nothing to do with harmoncs. And all the nonsense about "stripping harmonics" is just that : Nonsense.
Whether valid (lack of controls etc), you clearly have a very discerning ear and experience subtle differences between different audio equipment. I say experience because unless compared blind, you can’t prove the differences are real. In sighted comparisons I am able to “experience” differences between kit, even DACs. However, I know the differences between DACs would go away if compared blind.my general entry level of understanding… along with my exceptional listening skills no doubt due to being Earwax FREE for many years now.
Or laplaces point 200-300 years agonot that this validates his point.
That’s quite a vast distance between those time framestakes many hours or years of maths
I agree with the point you’re making, but I suppose if we’re being thorough we should state that we can remove harmonics using a low-pass filter. Of course it’s not “stripping” them out it’s just not reproducing any waveform that represents frequencies (whether fundamental or harmonic) above the low-pass cut-off.That’s quite a vast distance between those time frames
Really though. It’s not that hard to conceptually understand why removing harmonics is nonsense:
Any music signal already includes the harmonics of the instruments. They are baked in to the waveform. There is now no way to distinguish between what is a fundamental and what is a harmonic. So removing something that you cannot even distinguish, is simply impossible.
Except that has nothing to do with the original post - plus those harmonics won't exist in the original band limited recording. They are not there to be stripped.Except for square waves above 7 KHz. The bandpass of the reconstruction filter will remove 3rd (and higher) harmonics simply because those harmonics are not in the audio range. Google 'Gibbs Effect' if interested.
Guess it depends on what level you start reading math and how close you are to Laplace transformationsThat’s quite a vast distance between those time frames![]()
Alters the frequency response so it is no longer flat.low-pass filter
Yes I know it alters the frequency response. My point is that a LPF can remove harmonics if they are above the cut-off frequency. Obviously not only harmonics are removed.Alters the frequency response so it is no longer flat.
So then the whole math collapses and nothing can be predicted if it is not a fixed transfer function low pass filter
Removing harmonics per se is a complicated process that needs to be done in the frequency domain, and even today in 2025 I'm not sure if there are any tools that will do this in real time.
Well, this is more than amusing! For this to work with things like speakers, you would need to know the full dynamic behavior of the speaker to fully model the distortion, so you can then create an anti-distortion signal that works for any input. Very hard to do.I thought that was amusing.
Figuring out how to do it for music would be an interesting exercise.
Removing fixed distortion harmonics from a speakers output is one thing... Removing harmonics from musical content is something else entirely if you're not just talking about a lowpass. Like which harmonics are we even talking about removing, and from what part of the spectrum?I "removed" harmonics generated by a speaker playing a pure sine test tone:
Third Harmonic (not in the signal) created by JBL LSR 308
View attachment 466217
Add "anti-harmonic" to the signal
Using the Distortion controls, play with the numbers, then add third harmonic to the signal at -40 degree phase angle (depends on the phase of the harmonic).
View attachment 466218
The third from the speaker disappears.
I thought that was amusing.
Figuring out how to do it for music would be an interesting exercise.
As @torgiers mentions you can do stuff like this with ML / AI tools but just (say) removing the third harmonic from musical notes is not trivial like this.
Excellent experiment. I've wondered about this for decades, at which point will we have feedback loops (other than motion sensors) in loudspeakers.I "removed" harmonics generated by a speaker playing a pure sine test tone:
Third Harmonic (not in the signal) created by JBL LSR 308
View attachment 466217
Add "anti-harmonic" to the signal
Using the Distortion controls, play with the numbers, then add third harmonic to the signal at -40 degree phase angle (depends on the phase of the harmonic).
View attachment 466218
The third from the speaker disappears.
I thought that was amusing.
Figuring out how to do it for music would be an interesting exercise.