@sq225917 @ArturoKiwi:
Thank you, both.
I am aware that both D90 and M400 use OPA1612. And they do measure better. Both of them are also more expensive than A18 and outside the range of what I could afford.
Back in November when I bought A18, it was the more expensive option compared to my alternative, SMSL M200. I ended up keeping the A18 because it sounded better to my ears and those of my wife.
(In case the Nobody-Can-Hear-Any-Difference police is watching: Yes, we did perform a series of level matched, filter matched ABX blind listening tests. And no, we didn't construct a special room for it, nor did we bring in 20 other listeners. We did it for our own sake, not to prove anything to anybody. )
So I am still very happy with the A18. It sounds wonderful to me, not too bright and analytical, not too bassy. It just effortlessly brings out the best in any music we throw at it.
That said, I too am wondering if OPA1612 might have performed better, particularly as we mostly use A18 with slight attenuation (-10db - 0dB range). But I understand OpAmps should be matched to caps, so just replacing the LME49860s isn't an option for me -- even if I were good with a soldering iron, and even if I were willing to sacrifice my warranty.
I have confidence in Gustard. No doubt they would recommend A22 instead with its discrete class-A output stage, and would say this is their low cost AKM option. But for me, being on a budget, A18 is the higher end choice, and one I hope to keep for a long time.
And I do appreciate Gustard's responsiveness and willingness to answer questions here on the forum!