Still have almost 2% of THD at 1 Khz 96 Db-m.the theaters that host these speakers are quite high-end and very expensive. It is for people who want the best and
I'd like to remind that even with huge discount they are competing with 8361A.
Still have almost 2% of THD at 1 Khz 96 Db-m.the theaters that host these speakers are quite high-end and very expensive. It is for people who want the best and
a junk digital projector that won't even do ten years at a cinema before hardware/software phases out and it ends up on ebay cheaply and no one would even touch it with barge pole . 35/70 projectors made decades ago was built to last and when maintained and kept cleaned and serviced have been in cinemas way longer than this 4/8k rubbish . then i don't care , i no longer go near a cinema anymore , cinema was dead the moment star wars 1999 was using DLP cinema was doomed from that day on .That's nothing. We (Madrona Digital) have done a number of theaters that cost $300,000+. A projector alone may be $100K.
But why would you start? Are you a qualified HT installer?That's a pretty serious room and installation. I would not know where to start with such a complex contract/job. Do you have draftspeople making mock ups and diagrams too?
I don't like cats either but I will look after my neighbours' cats when they are away.a junk digital projector that won't even do ten years at a cinema before hardware/software phases out and it ends up on ebay cheaply and no one would even touch it with barge pole . 35/70 projectors made decades ago was built to last and when maintained and kept cleaned and serviced have been in cinemas way longer than this 4/8k rubbish . then i don't care , i no longer go near a cinema anymore , cinema was dead the moment star wars 1999 was using DLP cinema was doomed from that day on .
video projectors have been around since the moon landings and in home cinemas since 1970's in few then a bit more during the 80's and much more in the 90's . then cinemas started to use them the digital cameras to make film budget cheaper yet picture quality is rubbish compared to actual film which is costly . cinema film industry wanted it cheaper so how comes the rubbish digital projectors cost 10 times more than a 35/70 projector then huh ?
I would be interested in the admin side. Too much hard work being the installer.But why would you start? Are you a qualified HT installer?
And you'll get a DSP amp thrown in for freethese speakers are they $8k per speaker ?
The reason why that genelec speaker (and most active monitors) aren't competitors to this speaker, is the inability to rack mount the amplification/DSP. Genelec does have the S360 monitor with the ability to remotely rack mount the amp/electronic components, but I'm not aware of any other models in their modern line with that feature.Still have almost 2% of THD at 1 Khz 96 Db-m.
I'd like to remind that even with huge discount they are competing with 8361A.
oh , sort like when i go chez fred's fish and chips restaurant with extra chips free on the house thrown in .And you'll get a DSP amp thrown in for free
1) when we talk about some i.e. 7.x.4 HT based on The Ones, I suppose some preliminary planning and adding conduits and power outlets is possibleWhile having large active monitors for the LCR behind a projection screen is relatively easy (ability to conceal the required mains power outlets), It becomes quite a challenge in multichannel configurations when each of the 8-12 timbre matched surround speakers requires it's own power outlet in strange places on the walls/in-ceiling,etc.
Would love to see Triad measurements as well. Seems a favorite in the CI world, but not sure if it's because they are good speakers, or if the margins are just that good!First time I see third party detailed measurements of Grimani speakers. I’m curious how Procella compare to this, probably the only home theater speakers that don’t have much measurements online. This Grimani and the JBL Synthesis SCL are not that impressive at all, at least the reviewed SCL-7
personally myself grimani speakers wouldn't be my first or last choice . they not been used in actual cinema . wouldn't touch them . JBL synthesis not even been used in actual cinema overrated overpriced . i keep the JBL professional cinema PA speakers , at least they where cheap used in good working order . look at all the synthesis on ebay , hardly anyone is touching them .First time I see third party detailed measurements of Grimani speakers. I’m curious how Procella compare to this, probably the only home theater speakers that don’t have much measurements online. This Grimani and the JBL Synthesis SCL are not that impressive at all, at least the reviewed SCL-7
It's my understanding that JBL pro and Meyer sound are two of the favorites most often used for many of the dub stages/mixing/ mastering facilities where content is created -especially out in California where both companies are headquartered.personally myself grimani speakers wouldn't be my first or last choice . they not been used in actual cinema . wouldn't touch them . JBL synthesis not even been used in actual cinema overrated overpriced . i keep the JBL professional cinema PA speakers , at least they where cheap used in good working order . look at all the synthesis on ebay , hardly anyone is touching them .
i doubt dub stages are ref standard , nor are the cinemas . the rooms are not all built the same . therefore the measurements will never be the same .1) when we talk about some i.e. 7.x.4 HT based on The Ones, I suppose some preliminary planning and adding conduits and power outlets is possible
2) I see no big difference between laying 2-3 pairs of speaker cable and power cable + balanced cable, just price
3) my main idea is such: if you go into the low-high-end price bracket (and our case is exactly not a mid-fi) and brave enough to be measured independently, your measurable performance must be flawless.
At least on par with cheaper competitor.
Otherwise you must be ready for criticism.
Yeah that’s rare too, bummer that we don’t have Triad in Europe, would be a great option.Would love to see Triad measurements as well. Seems a favorite in the CI world, but not sure if it's because they are good speakers, or if the margins are just that good!
Seems to me a little bit of cash grab, I really like Anthony Grimani when he’s talking about room acoustics but he’s a salesman when talking about his speakers.personally myself grimani speakers wouldn't be my first or last choice . they not been used in actual cinema . wouldn't touch them . JBL synthesis not even been used in actual cinema overrated overpriced . i keep the JBL professional cinema PA speakers , at least they where cheap used in good working order . look at all the synthesis on ebay , hardly anyone is touching them .
Just like there are standards for the measurements of in-home loudspeakers (CEA-2034/"spinorama"), There are standards that govern dubbing stages and other professional mix studios where content is created. Google search "ISO 2969:2015" and "SMPTE ST 202:2010" to read morei doubt dub stages are ref standard , nor are the cinemas . the rooms are not all built the same . therefore the measurements will never be the same .
i personally do not care about cinemas anymore or the atmos mixes that sound rubbish with overhead .
THX cinemas never all sounded felt the same .
all the new cinemas like typical small cinemas should have been same dimensions and build as at skywalker sound THX . too late for that now . THX ltd "razer" is no longer relevant . THX ultimate, i was thinking getting plane ride to just watch movie then fly back right after , yeah , that's expensive to watch a movie . but the hype with THX westwood village ? is it worth it and that is old cinema like Empire Leicester Square that had echo . the warner west end , was THX rubbish sounded felt nothing like Empire . UCI high wycombe had bass that pressed so hard against my body for cinema built from ground up , yet the sizes of all these THX cinemas wasn't the same therefore they all sounded/felt different ?
anyone's home theatre cinema isn't gonna be the same . there is no standard or reference that exists . does each can of coke cola have the exact same drink measured in ml ?theoretically it should ?
anyway THX is dead in the uk , half dead in europe and maybe almost dead in usa .
No, about $100k-$200k to watch movies if you are using these speakers (and the comparable electronics).8000$ to watch movies?
But, they are lacking in the fear of being there. Now, how do we add the realistic fear to cinema?No, about $100k-$200k to watch movies if you are using these speakers (and the comparable electronics).
Some people want to really feel like they are on the shores of Normandy when watching Saving Private Ryan.