atomicmist
New Member
- Joined
- May 5, 2026
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I know GR-Research has a loyal following, and apparently all it takes to become a loudspeaker design savior is a camera, a bunch of fancy looking crossover parts, and the ability to look disappointed at factory capacitors.
Somehow, we are expected to believe that some very established loudspeaker companies, many with anechoic chambers, Klippel systems, trained engineers, and decades of design experience, all tragically forgot how to design crossovers.
Danny does not appear to have measurement facilities comparable to a Klippel NFS system, like the type used by Erin Hardison at Erin’s Audio Corner, or the advanced facilities used by major manufacturers. Without full before-and-after data, including off-axis response, sound power, distortion, impedance, and compression behavior, these “upgrades” look more like boutique parts marketing than serious engineering.
That does not mean DIY crossover work has no value. Experimentation is part of the hobby, and alternative voicing can be fun. But changing the voicing of a speaker is not the same as improving it.
My concern is that GR-Research often presents parts-based modifications as objective improvements to proven loudspeaker designs and often implies that manufacturers are either incompetent or cheap. From what I have seen, and in a few cases heard, his so-called upgrades often appear to compromise performance rather than improve it, especially when the original design had already been optimized within its intended engineering and cost constraints.
People can spend their money however they like. But let’s not pretend every speaker is broken until it receives the sacred crossover spa treatment.
Somehow, we are expected to believe that some very established loudspeaker companies, many with anechoic chambers, Klippel systems, trained engineers, and decades of design experience, all tragically forgot how to design crossovers.
Danny does not appear to have measurement facilities comparable to a Klippel NFS system, like the type used by Erin Hardison at Erin’s Audio Corner, or the advanced facilities used by major manufacturers. Without full before-and-after data, including off-axis response, sound power, distortion, impedance, and compression behavior, these “upgrades” look more like boutique parts marketing than serious engineering.
That does not mean DIY crossover work has no value. Experimentation is part of the hobby, and alternative voicing can be fun. But changing the voicing of a speaker is not the same as improving it.
My concern is that GR-Research often presents parts-based modifications as objective improvements to proven loudspeaker designs and often implies that manufacturers are either incompetent or cheap. From what I have seen, and in a few cases heard, his so-called upgrades often appear to compromise performance rather than improve it, especially when the original design had already been optimized within its intended engineering and cost constraints.
People can spend their money however they like. But let’s not pretend every speaker is broken until it receives the sacred crossover spa treatment.