fpitas
Grand Contributor
I suppose if they appeal to you, you can EQ them somewhere near flat on-axis.
If you hear noticeable compression in your home audio system, at what SPL and frequencies does it occur? Some listeners don't go above, say, 70 dB, while others sometimes turn the volume up to over 100. Deep bass requires sufficient volume displacement. Mass-market subwoofers usually have a built-in compressor\limiter.The response linearity (how much SPL is lost (compression) or gained (enhancement; usually due to distortion) when the speaker is played at higher output volumes) seems much better than my Wharfedale Lintons. That's a good thing.
I've got to ask, after seeing the Czech review, why did you still go ahead and buy these? For me the uneven frequency response would have been a deal breaker regardless of other interesting factors. (Well, really the snake oil stuff you mentioned in your first post would have been... But the review too.) There are a lot of options at this price point so they must have some particular appeal for you.Well, I got me a pair of the F502S yesterday. I can return them within 14 days. We'll see how it goes. They are pretty heavy, almost 30 kg each. What's pretty startling for me is that there still exist loudspeaker companies in the 21st century that build speakers without using anechoic chamber or Klippel Near-Field Scanner 40 years after Dr. Floyd Toole showed the definite scientific importance of this.
My first listening impression:
Not particularly neutral/transparent, the mid frequencies are lifted. Bass extends down to 30-32 Hz at -6dB. The bass is not very coherent or clean deep down there. Ended up with HPF at 60 Hz to subwoofer. This relieved the pressure on the bass woofer and made the F502S sound more relaxed and accurate. I guess this goes to show that, if your not buying real full-range speakers like the KEF Blade Two Meta, you can stick with bookshelf/standmounts as you'll most likely need a subwoofer anyway, in most cases. The response linearity (how much SPL is lost (compression) or gained (enhancement; usually due to distortion) when the speaker is played at higher output volumes) seems much better than my Wharfedale Lintons. That's a good thing.
Duevel speakers from Germany look a lot like thatView attachment 553010
Ahh, they've borrowed from Stewart Hegeman's bag of tricks.
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source: https://www.worldradiohistory.com/Archive-Radio-Electronics/50s/1958/Radio-Electronics-1958-09.pdf
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EDIT: Or Zenith's
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Jesus, it's bad!For me the uneven frequency response would have been a deal breaker
I guess if you really like pounding bass, you can just EQ down the ear-killer at 1.2kHz.Jesus, it's bad!
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Taken from this review
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Fyne Audio F502S
Označení „500“ se stalo v čerstvě přepracovaném katalogu skotských Fyne Audio velmi populární – máme tu řadu F500E, nad ní F500S, poté F500 SP a to vůbec nepočítáme starší provedení. Každopádně série s přídomkem „S“ tvoří zlatý střed s kompletním vývojem ve Spojeném království a výrobou v...www.hifi-voice.com
Nicht!)) Duevel are real omni.Duevel speakers from Germany look a lot like that
I was very curious and wanted to see how far of the reality could be from What Hi-Fi and my retailers glowing recommendation they could be. Demo-room listening, including their measurements, can't be trusted. I want some full-range point source speakers at approximately 3-5k $. Will be returned after a week and I will try me some KEFs instead.I've got to ask, after seeing the Czech review, why did you still go ahead and buy these? For me the uneven frequency response would have been a deal breaker regardless of other interesting factors. (Well, really the snake oil stuff you mentioned in your first post would have been... But the review too.) There are a lot of options at this price point so they must have some particular appeal for you.
I'm 100% not asking this as a rhetorical question to imply you made a bad purchase, just curious what made these appealing enough to take the plunge.
That said your review is not exactly super glowing, do you plan on keeping these?
Perhaps a design even he could actually improve.Danny recently uploaded a video of his try to improve the Fyne Audio 500 and his stock measurements show quite a mess.
Totally makes sense. Well, it's a good investigation as long as returns are possible.I was very curious and wanted to see how far of the reality could be from What Hi-Fi and my retailers glowing recommendation they could be. Demo-room listening, including their measurements, can't be trusted. I want some full-range point source speakers at approximately 3-5k $. Will be returned after a week and I will try me some KEFs instead.
So funny to see those. Brings back many memories. Gad those things sounded awful.Fostex still makes (or, at least, made until fairly recently) a version of these, which offer (relatively) smooth ultrasonic response.
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RE: A Simple Question About Compression Drivers - Paul Joppa - High Efficiency Speaker Asylum
RE: A Simple Question About Compression Drivers - Paul Joppa - High Efficiency Speaker Asylumdb.audioasylum.com
source of all of the above (including original references) https://www.audiosciencereview.com/forum/index.php?threads/super-tweeters.20239/#post-666798
With proper filtering, Fostex tweeters (plus a few rare full-range ones) can work wonders. But they're expensive, even used, compared to JBLs like the 2402 or 2405; a good alternative is the Ciare CT 440 (a little over $100) which, in my opinion, happily replaces the Beyma CP 21 F (slightly less level in measurements between 12 and 20 kHz for the Italian).So funny to see those. Brings back many memories. Gad those things sounded awful.