Don’t recall I’ve seen both tracks compared using the JVC and Clearaudio TRS1007. @JP ? @Balle Clorin ?
some more data on the effect of changing mat.... never seen so much effect before, is it the VTA change or the extreme sticky properties of Sorbothane that effect the vinyl resonance? But the sticky mat is against the platter, the record and mat have a plastfilm in between.. so that leaves 2mm VTA difference as explanationView attachment 480695
I was quite surprised to see response change with the new sorbothane mat. I thought first it was RIAA difference but even with the same RIAA I get er a lower amplitude on the high frequency resonance with the new thinner( 3mm vs 5mm) Sorbothane mat form Isolate IT. Plot below without clamp(weight)
Is it the Sorbothane or the 2mm height difference, hard to tell, I cannot go back the sticky mat is stuck. It woul be nice if somebody could repeat and verify the observation
View attachment 480698
My experince with VTA change by cartridge tilt is no change whatsoever. A bit suprising result you have. I use double mats, rubber+felt. I have never tested the response using either of them or double. Have you tested more mats? Red curve is a bit more wavy as well.some more data on the effect of changing mat.... never seen so much effect before, is it the VTA change or the extreme sticky properties of Sorbothane that effect the vinyl resonance? But the sticky mat is against the platter, the record and mat have a plastfilm in between.. so that leaves 2mm VTA difference as explanation
View attachment 482109
Try remove and insert again. I’ve occasionally had some issues with channel imbalance that was fixed by refitting the stylus.What could have happened is something when I removed the stylus while I worked on the platter…
Am I correct in understanding that there are only two test records (JVC TRS-1007 & JVC TRS-1005) on which there is no drop in high frequencies on the internal tracks?
What could have happened is something when I removed the stylus while I worked on the platter…
I don't quite agree with you about anti-skating... 50um... 12dB... that's already pretty high... not to be exceeded in my opinion... ;-) 80um..is big...!Looks good I think. Anti-skate 50-80um is OK I think, every non-defective cartridge can track 50um even without AS , so no use in getting lower, setting Anti-Skate for 90-100 will be overkill/overcompensating. Only thing missing is a frequency response , could have been sweep, or pink noise for normal folks
Unfortunately, I see this picture only on a very small percentage of releases (when comparing LP vs. CD), and even on the test disc CA-TRS-1007 we see a drop in the high-frequency region on the inner track, and it is very difficult to believe that this can be explained by mastering or an error.No. Almost without fail test records that weren't intended to measure RIAA response are cut CV. Being down ~20dB at 20kHz compared to a RIAA cut isn't that difficult a hurdle in playback, and we shouldn't forget that signals can be cut that no current stylus could ever manage to trace. For any practical consideration the problem isn't one of cutting, it's one of playback. Frequency, amplitude, and groove diameter together are the parameters that matter on the record.
Below is a plot of the outer (~132mm) and inner (~68m) left channel sweep tracks of TRS-1005 taken with styli of r 2.5μm, 6μm, and 10μm. The first being an MM has a steep HF roll off - at some point I should do these again with an MC MR, or an MM MR of very low inductance. Also keep in mind that there's a "cutting" tolerance here and we don't know the actual cut levels for a given frequency. IOW, the variations of the MR response are more likely to be of record tolerance than having to with diameter influence.
View attachment 482166
View attachment 482167
Unfortunately, I see this picture only on a very small percentage of releases (when comparing LP vs. CD), and even on the test disc CA-TRS-1007 we see a drop in the high-frequency region on the inner track, and it is very difficult to believe that this can be explained by mastering or an error.
@JP , you are right.
≈0.5 dB 10-20 kHz drop for the MR is a bit less vs. the CA-TRS1007 tracks(1-2 dB). Which is not outer vs. inner track but closer to outer vs. middle track. Using my previous CD track as reference track I get around 1 dB less @10-20 kHz in track 4&5 vs track 2. I would say they are in the ballpark but the CA-TRS1007 shows highest drop. Again a bit curious if the JVC TRS1007 is the same or if this is a Clearaudio specific issue.No. Almost without fail test records that weren't intended to measure RIAA response are cut CV. Being down ~20dB at 20kHz compared to a RIAA cut isn't that difficult a hurdle in playback, and we shouldn't forget that signals can be cut that no current stylus could ever manage to trace. For any practical consideration the problem isn't one of cutting, it's one of playback. Frequency, amplitude, and groove diameter together are the parameters that matter on the record.
Below is a plot of the outer (~132mm) and inner (~68m) left channel sweep tracks of TRS-1005 taken with styli of r 2.5μm, 6μm, and 10μm. The first being an MM has a steep HF roll off - at some point I should do these again with an MC MR, or an MM MR of very low inductance. Also keep in mind that there's a "cutting" tolerance here and we don't know the actual cut levels for a given frequency. IOW, the variations of the MR response are more likely to be of record tolerance than having to with diameter influence.
View attachment 482166
View attachment 482167
≈0.5 dB 10-20 kHz drop for the MR is a bit less vs. the CA-TRS1007 tracks(1-2 dB). Which is not outer vs. inner track but closer to outer vs. middle track. Using my previous CD track as reference track I get around 1 dB less @10-20 kHz in track 4&5 vs track 2. I would say they are in the ballpark but the CA-TRS1007 shows highest drop. Again a bit curious if the JVC TRS1007 is the same or if this is a Clearaudio specific issue.