And finally, it was...
the nuclear catastrophe-proof packing.
Obviously, the weight is a quarter of the Electrocompaniet's, which is much better for your back.
How did it sound to me? I should start by saying I only listened for about an hour, but my initial impressions were... well, imagine going to the eye doctor. Before they put in the lenses, everything's blurry, then suddenly, it's all crystal clear. That's the feeling I got.
Did I lose anything? Did I gain anything? Both, let me explain: I gained in the mid to high registers. I lost, or at least it seemed that way, in the low and very low frequencies.
I can't quite tell if it's a
more faithful reproduction – meaning if the bass is there, it comes out, but the Electrocompaniet had a deeper bass (maybe it wasn't real?). Now it seems the
woofers move more conservatively (like, if it's there, it's there; otherwise, nothing).
One other thing, and I think this is probably due to the Eversolo: when I turn up the volume, from -100dB to around -35dB, the volume seems to increase very little. Then, from -25dB to -18dB, it
grows exponentially. I didn't go any higher than that. It almost seems like the amplifier doesn't have the declared 250W, but much less.
I'll let you know in the coming days. A special shout-out to Microsim; they did an excellent job.
Oh, I forgot to mention, I've
never heard Pino Daniele's voice (the Italian/Neapolitan blues singer) sound so incredibly real. And don't even get me started on the
Tuba Mirum from Mozart's Requiem!
The
soundstage is noticeably deeper, and the
vocals are just stunning. Listening to
Lennox's "Strange Fruit" gave me goosebumps.