Monoprice makes one. I have no personal experience with it. Some people found it to be OK, some didn't like its build quality.Do u have any brand recommendations?
Monoprice makes one. I have no personal experience with it. Some people found it to be OK, some didn't like its build quality.Do u have any brand recommendations?
That is one I actually tried with the Monolith 7x and Starke Fiera8 and it was not better than the RCA to RCA. In fact, I recall with the Monolith I had higher hiss with like a 1db less of output when measuring both setups which i found odd.Monoprice makes one. I have no personal experience with it. Some people found it to be OK, some didn't like its build quality.
The recommendation by Hypex (Bruno Putzeys) is based on sound engineering principles which are explained in the linked article.That is one I actually tried with the Monolith 7x and Starke Fiera8 and it was not better than the RCA to RCA. In fact, I recall with the Monolith I had higher hiss with like a 1db less of output when measuring both setups which i found odd.
Since RCA to XLR does not make it balanced, and I have short runs, I dont see the value on going with such a cable but I am always interested in other opinions.
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This is not a huge surprise. They will only have a benefit if:I have tried many rca to xlr cables and never found one that was actually any better than a high quality rca to rca
The monoprice one linked at the top of the page has three wires though yes?** many or most RCA to XLR just run two wires and connect negative terminal to ground inside the XLR cable.
not a good idea to stack the amps and then with the DAC on top. If you use all three vertically on two pieces of narrow stone or wood with the orange side pieces removed you will create a flow of air - conduction current. This will seriously lower the operating temperature and life of the components.I have the two monos on top of each other (the DAC on top). Yesterday, after the monos had to work for several hours while watching TV at normal room volume, both of them suddenly produced an unpleasant noise in parallel, in addition to the normal sound. First quietly and then gradually increasing to a certain level.
I touched the amplifiers and both were very warm, despite the low volume. Turning it off and on didn't help. The noise came back immediately, a little quieter than before but rose back to the previous level.
The noise is independent of the volume set on the DAC.
I use the RCA inputs at 25 dB gain and RCA outputs on the DAC.
Can someone help me with this problem. Has anyone else had this too?
The monoprice one linked at the top of the page has three wires though yes?
[Edit] However, the balanced input to the Fosi V3 Mono has only 20 dB gain (whereas the unbalanced input can be as high as 31 dB). Depending on the output level of your source, you may not be able to drive the V3 Mono to full output power.
Type | 2 ½-Way, Bass Reflex |
---|---|
Woofer | 2 × 150 mm Ø, AS-XR Cone |
Tweeter | JET 6 |
Magnetic Shielding | No |
Crossover Frequency | 450 | 2400 Hz |
Frequency Range (IEC 268-5) | 30 - 50000 Hz |
Sensitivity | 88 dB at 2.83 V/m |
Suitable for amplifiers from | 4Ω - 8Ω |
Recommended Amplifier Power | 40 - 300 W/channel |
Nominal | Peak Power Handling | 130 W | 170 W |
Nominal | Minimum Impedance | 4Ω | 3.2Ω at 200 Hz |
Finishes | Black High Gloss, White High Gloss, Walnut High Gloss |
Accessories Included | Plate with Spikes and Washer |
Optional Accessory | Speaker Grilles |
Height x Width x Depth | 1000 x 229 x 266 mm |
Weight | 19.1 kg |
Yep. With 20 dB gain (= 10X voltage amplification), a 2 V max input can give a maximum 50 W into 8 ohm (= 20^2/8), or 100 W into 4 ohm, etc. The recent trend of imposing low gain by amplifier manufacturers limits the usefulness of the balanced inputs.Unless I have misunderstood, this is the issue, the signal level voltage, required to obtain full output from an XLR balanced input is double that that is normally available from unbalanced RCA. Connecting an unbalanced RCA output signal to a balanced XLR input will work but may limit the power output of the connected power amplifier.
Which might be a problem when driving from RCA outputs. But most balanced outputs can do 4V output (or more) which with 20dB will allow 4x the power you mention above.Yep. With 20 dB gain (= 10X voltage amplification), a 2 V max input can give a maximum 50 W into 8 ohm (= 20^2/8), or 100 W into 4 ohm, etc. The recent trend of imposing low gain by amplifier manufacturers limits the usefulness of the balanced inputs.
This is not a huge surprise. They will only have a benefit if:
1 - you have audible ground loop noise
2 - the cable is specifically constructed as described above by @NTK with separate ground wire and 0V/negative reference wire running the length of the cable**, so three wires in total. In which case you should get in the region of 30dB reduction in the ground noise.
** many or most RCA to XLR just run two wires and connect negative terminal to ground inside the XLR cable.
Ok thats good BUT then you replied that the monoprice cable has 3 wires and it still didnt do anything positive when I tested it, in fact the opposite. Like I actually got more hiss and less spl when I tested it with the Monolith 7x.
The SPL makes sense if your monolith (as is common) has less gain on the balanced input.Like I actually got more hiss and less spl when I tested it with the Monolith 7x.
Ok but my point is, why I got more hiss and one db less of output with that rca to xlr monolith vs my rca to rca Blue Jeans LC-1.The SPL makes sense if your monolith (as is common) has less gain on the balanced input.
Hiss could make sense if the hiss is Monolith amp hiss - and nothing to do with the cable, except that you have to turn the amp volume up to compensate for the lower gain on the balanced input.
LIke I said above. Balanced cables are only a solution to noise picked up on the cable (or generated in the cable earth as a result of ground currents). They can do nothing for other sources of noise.
Not possible to say categorically in your specific case without specifically examining your gear to work out where the noise in the system is, and what the gain structure is.Ok but my point is, why I got more hiss and one db less of output with that rca to xlr monolith vs my rca to rca Blue Jeans LC-1.
That was my point. So I literally gained nothing but more hiss and less output at least with the Monolith amp. So your thought is the XLR on the Monolith has an issue?
+1 - Topping I understand have been 'canny' about gain for best measurement results - lower gain for better measurements in the amps, and then (having just been reading about their Centaurus DAC) they have switchable balanced outputs to increase a typical 4v up to 5v (or 2v to 2.5v in the case of RCA). So this seems a bit 'canny' too. I am pretty sure it was a youtube video about measurements by 'Goldensound' that he pointed out that the gain in a Topping was also optimized for the measurement equipment most often used for measuring such devices.Yep. With 20 dB gain (= 10X voltage amplification), a 2 V max input can give a maximum 50 W into 8 ohm (= 20^2/8), or 100 W into 4 ohm, etc. The recent trend of imposing low gain by amplifier manufacturers limits the usefulness of the balanced inputs.
Does the Fosi V3 match well with the LRS+? I have the original LRS and am looking for a good amp to combine it with. At least the original LRS habe somewhat exaggerated mids, which can be annoying if the amp sounds too harsh. Yes I know some people don't believe amps can sound different, but to some extent for me they seem to do...If there is, I haven’t seen it. My dad listens a few hours a day with the V3 Monos I gave him, driving Maggie LRS+ to levels a good bit higher than I listen to, and has had zero issues so far.
-Ed
The V3 Mono pair wonderfully with the LRS+!Does the Fosi V3 match well with the LRS+? I have the original LRS and am looking for a good amp to combine it with. At least the original LRS habe somewhat exaggerated mids, which can be annoying if the amp sounds too harsh. Yes I know some people don't believe amps can sound different, but to some extent for me they seem to do...
I remember you also had the b100 from topping which has far less power, but did you try those with the LRS as well? If so, how do they compare.
The only thing I might be concerned about is the big magnets on the speaker drivers. It's the only thing I can think of which could alter normal operationI’m currently soldering the shortest speaker cables that I have ever made :0)