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And finally, what if I reduce the signal generator to -12dBFS and increase the volume knob to about 1 o'clock so that the levels match? Apparently nothing changes as well. So no worries about using up to 12dB of volume reduction in software that the outputs measure the same.
Before with multitone at full scale and volume at 10 o'clock.
After with multitone at -12dBFS and volume at 1 o'clock.
I am very impressed how much microphony picks up on an unbalanced cable. And here is a quite room. I can only imagine how much noise a guitar amplifiers picks from a guitar cable on a live concert!
This is why I love a nice and sturdy XLR connector. If everything was soldered properly and housed without strains with decent reliefs, seems like it would cut down on nonsense of this kind. Going starquad configuration seems not only would reduce EMI, but with how thick those configurations usually, microphonics as well I'd imagine in my cozy little ignorant bubble.
I guess the stuff you've went through here lately is what Amir means when he talks about how he's surprised RCA has survived to this day and considers it a literally broken electrical "standard" or whatnot.
I am very impressed how much microphony picks up on an unbalanced cable. And here is a quite room. I can only imagine how much noise a guitar amplifiers picks from a guitar cable on a live concert!
Tribolelectric noise can be a problem with high impedance sources. Was an issue when I used to use accelerometers on aero engine vibration testing. Shouldnt normally be too much of an issue with day to day domestic audio use.
However the unbalanced cables we manufacture do use Mogami 2524 which has an additional conductive PVC layer under the screen to minimise this noise.
Sorry disconsider noise captured by cable microphony I said earlier. It was my stupid mistake: I left a microphone connected. Literally. So there was the source of microphony.
Sorry disconsider noise captured by cable microphony I said earlier. It was my stupid mistake: I left a microphone connected. Literally. So there was the source of microphony.
Yes, it better be! Hahaha. Just to make sure people understand that microphony was due to an actual microphone, not the cable, and avoid any more misinformation.
My problem is (was) that when saving an SPL measurement from the RTA the SPL & Phase window shows some arbitrary number as peak level for a 0 dBFS signal in RTA, and not 0 dB. This is surely because I haven't done any calibration for SPL because I do not use a microphone in the first place for measuring distortion of electronics.
The only way to get rid of this is to add a corresponding SPL offset in the Controls dialog, see here:
Basic question - do you use ASIO drivers in REW? If not, REW with Java works only in 16-bit resolution and this highly worsens the noise and thus THD+N results.
No, you will get fundamental at 0dB. The distortion window in top left shows all the distortion components, just when you choose dBc the fundamental amplitude will be shifted to 0dB.
Basic question - do you use ASIO drivers in REW? If not, REW with Java works only in 16-bit resolution and this highly worsens the noise and thus THD+N results.
@JohnPM by the way my graphs are so much easier to read because I manually set the graph to red instead of the default black and white I see used around a lot. If I may suggest please use bright colors as default for these measurements. Thanks!