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Fluid C35BT Budget Monitor Review

Rate this monitor speaker:

  • 1. Poor (headless panther)

    Votes: 23 16.4%
  • 2. Not terrible (postman panther)

    Votes: 73 52.1%
  • 3. Fine (happy panther)

    Votes: 41 29.3%
  • 4. Great (golfing panther)

    Votes: 3 2.1%

  • Total voters
    140

amirm

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This is a review, listening tests, EQ and detailed measurements of the Fluid Audio C35BT active monitor speaker. It was sent to me by the company and costs US $139 for a pair.
Fluid C35BT Active Studio Monitor Speaker Powered Desktop stereo music review.jpg

Despite its ultra low cost, the C35BT manages to look professional in its overall look of the drivers. The give away that it is also targeted toward consumer market is inclusion of Bluetooth, headphone and aux input jacks plus combo volume and source selector. This crossover marketing extends to the rear:
Fluid C35BT Active Studio Monitor Speaker Powered Desktop stereo music balanced rear back review.jpg

I was surprised to see both balanced and unbalanced inputs and such features as auto stand-by. And further by inclusion of the power supply so you don't have a big brick sitting outside.

Only a pair of wires transmit audio the slave channel, indicating that the speaker has passive crossover. Wouldn't expect more at this price point but is useful thing to look for in active monitors. Inclusion of amplification doesn't automatically mean bi-amping and active crossover.

Fluid Audio C35BT Speaker Measurements
The C35BT was subjected to my standard measurement system of Klippel NFS giving us standardized frequency response measurements among others. Let's start with our anechoic response:
Fluid C35BT Active Studio Monitor Speaker Powered Desktop anechoic frequency response Measurem...png


We seem to have a couple of major issues below 2 kHz. There is a highly pronounced resonance between 1 and 2 kHz and we have a dip in upper bass, midrange and lower treble. A look at the near-field response explains what is going on:
Fluid C35BT Active Studio Monitor Speaker Powered Desktop near field driver frequency response...png

The port is tuned rather high, causing the peaking. There is a very strong resonance coming out of the port as well which explains that peak. The woofer output seems to keep going making me wonder if it doesn't have a low pass filter. Surprisingly, that did not disturb the overall response much when combined with the tweeter.

Early window shows that the resonance is a pronounced issue:
Fluid C35BT Active Studio Monitor Speaker Powered Desktop early window frequency response Meas...png

As is the dip when combined with on axis:
Fluid C35BT Active Studio Monitor Speaker Powered Desktop predicted in-room frequency response...png


Horizontal directivity shows that the tweeter waveguide is helping some:
Fluid C35BT Active Studio Monitor Speaker Powered Desktop horizontal beamwidth Measurement.png

Fluid C35BT Active Studio Monitor Speaker Powered Desktop horizontal directivity Measurement.png


Vertical directivity is narrow so stay at tweeter axis:
Fluid C35BT Active Studio Monitor Speaker Powered Desktop vertical directivity Measurement.png


I was impressed by the power handling, showing little audible issues at 86 dBSPL and even 91:

Fluid C35BT Active Studio Monitor Speaker Powered Desktop Relative THD distortion Measurement.png


Fluid C35BT Active Studio Monitor Speaker Powered Desktop THD distortion Measurement.png


At 96 dBSPL, it had very audible artifacts so I chose to not continue testing at that level. Note that the best response was had with the front volume control set to max and adjusting the input level. The reverse would make the front end compress resulting in horrible artifacts even at low SPLs (a common signature among this class of monitors).

Waterfall naturally shows resonances:
Fluid C35BT Active Studio Monitor Speaker Powered Desktop CSD Waterfall Measurement.png


Fluid Audio C35BT Listening Tests and Equalization:
To be up front, my first reference track sound poor. I think this was accidental as later testing without EQ on other material sounded much better. Knowing the resonance needs fixing, I went after that first:
Fluid C35BT Active Studio Monitor Speaker Powered Desktop Equalization Filter.png

Being at such a specific frequency, it would naturally interfere with the right content. Taking that down helped some but I still did not like the sound until I looked at the PIR and realized that we have fair amount of spectrum attenuated. So I tuned the second filter around 300 Hz. Once there, nice amount of warmth came back and overall fidelity nicely crossed my threshold of what is a hi-fi speaker.

Mind you, the hump around 100 Hz would at times make the sound boomy. Optimizing that requires in-room measurements, not something I can do with just anechoic measurements. Trying anyway, I liked the attenuated response there with some content and not others. While the bass would become less boomy, it lost some of the impact that this little speaker can deliver.

Conclusions
Such low prices must put severe restrictions on what a speaker can do especially when it is loaded with useful features such as balanced inputs. I wish something was done to at least attenuate that strong resonance. And better tuning of the port. Despite how much the anechoic response bothered the eye, correction turned out to be quite easy and took only a couple of filters. This turned my opinion completely around.

Per above, I can only recommend the Fluid Audio C35BT if you use equalization. Without it, it doesn't sound offensive other than the 100 boost. So maybe it is OK for secondary use but you owe it to yourself to apply some EQ. A DAC with some EQ would nicely finish this system to a respectable level.
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As always, questions, comments, recommendations, etc. are welcome.

Appreciate any donations using: https://www.audiosciencereview.com/forum/index.php?threads/how-to-support-audio-science-review.8150/
 

Attachments

Additional information
Woofer
3.5" composite cone

Tweeter
0.8" silk dome tweeter

Frequency response
80Hz-22kHz (+/- 3db)

Crossover frequency
4.2kHz

Amplifier Power
2 x 32 watts (64W total)

Max SPL
TBD

Mains Voltage Input
85 VAC to 265 VAC universal

Protection
RF interference, output current limiting
Over temperature
Turn-on/off transient
Subsonic filter
External mains fuse

Cabinet
Vinyl-laminated MDF

Size (single monitor)
7.28" x 4.92" x 5.9" , 185mm x 125mm x 150mm

Weight (pair)
9.96 lbs / 4.52kg
 
Fluid Audio C35BT
Thanks Amir for another thorough NFS speaker measurement review.

Some more info from the manufacturer website;
Balanced TRS inputs for pro-level audio interfaces
Unbalanced RCA inputs for consumer electronics
Front-panel AUX input for quick and easy device connection
BT5.0 for wireless streaming without compromise

Class D Amplification: Delivering 32W per speaker, the C35BT provides clean, distortion-free sound even at high volumes.
3.5” Composite Woofer + Silk Dome Tweeter: This combination ensures detailed mids, tight bass, and smooth high-frequency response.


JSmith
 
Last edited:
Here is my take on the EQ.
Please report your findings, positive or negative!

For the score rational your journey starts here
Explanation for the sub score
The following EQs are “anechoic” EQs to get the speaker right before room integration.
If you able to implement these EQs you must add EQ at LF for room integration, that is usually not optional… see hints there.

The raw data with corrected ER and PIR:

Score no EQ: 2.5
With Sub: 5.5

Spinorama with no EQ:
  • Port
  • Resonances
  • Typical two monitor type of response ( eg JBL 305)
FLuid C35BT No EQ Spinorama.png


Directivity:

Better stay at tweeter height
Horizontally, better toe-in the speakers by 10/15deg and have the axis crossing in front of the listening location, might help dosing the upper range. explanation here
FLuid C35BT 2D surface Directivity Contour Only Data.png


EQ design:
I have generated two EQs. The APO config files are attached.
  • The first one, labelled, LW is targeted at making the LW flat
  • The second, labelled Score, starts with the first one and adds the score as an optimization variable.
  • The EQs are designed in the context of regular stereo use i.e. domestic environment, no warranty is provided for a near field use in a studio environment although the LW might be better suited for this purpose.
Score EQ LW: 4.0
with sub: 6.9

Score EQ Score: 4.7
with sub: 7.5

Code:
FLuid C35BT APO LW EQ 96000Hz
October302025-152745

Preamp: -1.40 dB

Filter 1: ON HPQ Fc 62.2 Hz Gain 0.00 dB Q 1.36
Filter 2: ON PK Fc 114.1 Hz Gain -5.44 dB Q 1.29
Filter 3: ON PK Fc 346.5 Hz Gain 1.21 dB Q 1.35
Filter 4: ON PK Fc 1316.7 Hz Gain -3.50 dB Q 3.10
Filter 5: ON PK Fc 4526.8 Hz Gain -2.68 dB Q 0.72
Filter 6: ON PK Fc 15003.1 Hz Gain -4.32 dB Q 4.13

FLuid C35BT APO Score EQ 96000Hz
October302025-152745

Preamp: -1.10 dB

Filter 1: ON HPQ Fc 59.2 Hz Gain 0.00 dB Q 1.36
Filter 2: ON PK Fc 107.6 Hz Gain -4.87 dB Q 0.99
Filter 3: ON PK Fc 318.6 Hz Gain 1.51 dB Q 1.48
Filter 4: ON PK Fc 1275.5 Hz Gain -6.44 dB Q 5.22
Filter 5: ON PK Fc 1661.8 Hz Gain -2.08 dB Q 5.99
Filter 6: ON PK Fc 5602.1 Hz Gain -3.62 dB Q 0.60
Filter 7: ON PK Fc 15148.3 Hz Gain -5.25 dB Q 4.65


FLuid C35BT EQ Design.png

Spinorama EQ LW
FLuid C35BT LW EQ Spinorama.png


Spinorama EQ Score
FLuid C35BT Score EQ Spinorama.png


Zoom PIR-LW-ON
FLuid C35BT Zoom.png


Regression - Tonal
FLuid C35BT Regression.png


Radar no EQ vs EQ score
Some improvements?
FLuid C35BT Radar.png


The rest of the plots is attached.
 

Attachments

  • FLuid C35BT APO Score EQ 96000Hz.txt
    FLuid C35BT APO Score EQ 96000Hz.txt
    419 bytes · Views: 28
  • FLuid C35BT APO LW EQ 96000Hz.txt
    FLuid C35BT APO LW EQ 96000Hz.txt
    366 bytes · Views: 25
  • FLuid C35BT 2D surface Directivity Contour Data.png
    FLuid C35BT 2D surface Directivity Contour Data.png
    385.7 KB · Views: 36
  • FLuid C35BT 3D surface Vertical Directivity Data.png
    FLuid C35BT 3D surface Vertical Directivity Data.png
    395.3 KB · Views: 37
  • FLuid C35BT 3D surface Horizontal Directivity Data.png
    FLuid C35BT 3D surface Horizontal Directivity Data.png
    412.8 KB · Views: 33
  • FLuid C35BT Normalized Directivity data.png
    FLuid C35BT Normalized Directivity data.png
    1.2 MB · Views: 35
  • FLuid C35BT Reflexion data.png
    FLuid C35BT Reflexion data.png
    711.7 KB · Views: 37
  • FLuid C35BT Raw Directivity data.png
    FLuid C35BT Raw Directivity data.png
    1.6 MB · Views: 36
  • FLuid C35BT LW data.png
    FLuid C35BT LW data.png
    665.4 KB · Views: 40
Last edited:
Nice, the reso is a artefact of the BR port?
Why not simply convert it into a fully damped close box?
You need a subwoofer anyway ...
 
Lovers of the eternal LS3/5A, especially mid 1980s and earlier Falcon ones as tested by Stereophile, will find an excellent compatriot here, with scooped mids (the bass 'bump' makes for a psychologically/subjectively 'bigger' sound) and a not so nice 1.5kHz peak, which many (KEF/Falcon) B110 drivers also exhibited (see the 1985 HiFi Choice speaker book as confirmation). Same with the slightly 'fizzed up' tweeter response.

if that resonance can be tamed (in the box or in the driver?), I suspect a pleasant inexpensive desktop/bedroom/kitchen speaker, but arguably too timid for more than that.
 
Thanks for the review Amirm, always appreciated.

Not all that bad, especially for the money. Not great, can't do loud, but not too bad.

I was also wondering about the dip in FR, illustrated by @staticV3 but called out by others. The average (normal) buyer won't know about EQ so presumably it's a design decision. An attempt to allow for 'average' rooms (desk bounce, proximity to walls?), or a perceived bass boost to make them sound bigger - a sort of crude DSP?
 
An attempt to allow for 'average' rooms (desk bounce, proximity to walls?), or a perceived bass boost to make them sound bigger - a sort of crude DSP?
Or just a cost-cut Xover that lacks crucial woofer filters. :D

After all, none of the more advanced desktop speakers like the Adam D3V and iLoud Micro Pro have that dip.
 
At the price for two speakers, I guess pretty much anything that puts out sound would be almost acceptable. Great speakers for young kids (10 to 14 age?) Or for background music say in a house kitchen. Price is everything with this speaker.
 
Or just a cost-cut Xover that lacks crucial woofer filters. :D

After all, none of the more advanced desktop speakers like the Adam D3V and iLoud Micro Pro have that dip.
I do agree - but buyers of Adam / iLoud are more likely to be EQ savvy, looking for flatness and correcting for the room (I'm assuming)
 
Ok for the price, but I generally lean toward performance. +1 on the kids room idea (as noted by @Spkrdctr).

Thanks Amir! At least these aren’t too hefty to lug around. ;)
 
Thanks for the nice review, Amir.

For $139/pr, I think these are fine. If you use them with your PC, EAPO is available for free to fix their glaring problem at 1.5 Khz. and a cheap dac bought used with a volume control gets you a hi-fi system for your bedroom/dorm for around $200-250. They make a lot of sense for someone on a tiny budget.
 
For that price I decided to give it a fine. $139 for a pair of powered computer speakers sounds more than reasonable to me. I soon need some new computer desktop speakers. It is a category I have not really delved into. Someone please tell me what performs better at this price point?
 
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