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Meaning what exactly?both sound great for what they are
Meaning what exactly?both sound great for what they are
Did u get the Fiio PL50 to go with the K11 R2R? If so, appreciate how it improves the dac/amp... thanks.Why so? I like R2R sound (well warm, smooth and wide sound signatures, none of this sterile analytical nonsense like with the DX5 II which I also bought), had the K11 R2R and now the K13 and both sound great for what they are (especially with a power supply upgrade on the K11 R2R). This sound very much suits my headphones, speakers and preference toward how music sounds most enjoyable.
DX5 II is a transparent sounding device. If something sounds sterile with it then it is your headphones.none of this sterile analytical nonsense like with the DX5 II which I also bought
The only nonsense is this post.I like R2R sound (well warm, smooth and wide sound signatures, none of this sterile analytical nonsense like with the DX5 II which I also bought)
No it was the iFi, PL50 was out of UK stock for so long I gave up on it at the time. Even so, the soundstage got a little wider and the top end spaced out a bit as well which was noticeable with most but not all music. The cheap switching power supply the K11 comes with likely isn't all that great hence the room for improvement, K13 R2R internal PSU on the other hand is all new and silent anyway so I don't know if there will be any noticeable benefits going linear on that, although I am being sent the new LPS anyway so will test it out when that time comes, December is the estimate of when that model comes out. Edit* It has no official model number yet lol.Did u get the Fiio PL50 to go with the K11 R2R? If so, appreciate how it improves the dac/amp... thanks.
So you're saying that what it is is cheap?It's exactly what it reads like, I did not mince words. Both sound excellent given their respective prices and specs and sit up there fairly easily with more expensive amps.
What camera are you using? The pictures look quite lovelyView attachment 491635
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Thoughts:
It's great, so much high-end sound packed into such a compact package. The instrument layering and placement is quite incredible through my speakers especially, seems it pairs very nicely with the rest of my setup.
Canon 5D4 with the 35mm 1.4 L II lens - The RAW colour grading is my own signature though.What camera are you using? The pictures look quite lovely
That is a nice setup, i love Triangle Speakers. Also waiting for my Warmer unit, can't wait to connect it to my K17 and FT7.View attachment 491635
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Thoughts:
It's great, so much high-end sound packed into such a compact package. The instrument layering and placement is quite incredible through my speakers especially, seems it pairs very nicely with the rest of my setup.
It looks like they have gone fully balanced with the 4 tubes I am presuming. I do find this variation between the likes of the K15/K17 and their R2Rs interesting also.I think this Warmer DAC is really not for ASR , but I must admit I do love how it looks and I sort of get the idea also.
I feel it is like a 'new' vintage car (my neighbor has one) but for Audio. It is not about the transparent 'performance' it is about giving the owner the feel that they are using something traditional (yet 'new'), I imagine paired with a nice turnable it will sound 'perfect' to many people. But as I said I don't think those chasing perfect transparent performance will appreciate it. If you are going to do R2R and Tubes why not double down on that side of the market.
I do think its clever what FiiO are doing both with this and the new K13R2R (and the K11/K15/K17) basically covering all aspects of the market with different gear that should appeal to either objective and subjective users (depending on the device).
Is a "starved-plate trick" a way of just using the valves for a certain kind of distortion? This is really my question here.That's a whole lot of marketing fluff for what’s basically a starved-plate trick. Plus minus 28V on an E88CC? That tube is meant to see around 90 to 100V at the very least, and it’s normally run well over 150 to 200V in proper audio gear. At 28 volts you’re not getting sweet, organic tube richness, you’re getting a tube that’s working miles outside its intended range.
At those voltages you end up with tiny headroom, extra distortion, and pretty much none of the real linearity the E88CC is known for. It’s more of a glowing decoration than a tube actually doing what it was designed to do.
And hyping up imported JJ valves doesn’t change the fact that the circuit isn’t giving them the voltage they need to perform properly. If they wanted a real tube buffer, they’d use a proper high-voltage supply, not this low-voltage gimmick dressed up as audio magic.
to see the stack of reviews coming (elsewhere) about tube warmth! Why can't they talk about compression and dynamics instead! I'm interested to understand more about the correct voltage for the E88CC.Practically speaking, yes, that is generally why it's done (in an instrument amplifier).Is a "starved-plate trick" a way of just using the valves for a certain kind of distortion? This is really my question here.