• Welcome to ASR. There are many reviews of audio hardware and expert members to help answer your questions. Click here to have your audio equipment measured for free!

Eversolo T8 Digital Transport!

If you use analog outputs on A8 or A10, you cannot bypass any of the capabilities of the analogue preamps (selector, buffer, gain and attenuation) which the signal goes through. You can hear the relay clicking when changing volume, whatever source you're listening to, digital or analog...
 
Last edited:
T8 and Z10 together at last,
IMG_0152.jpeg

IMG_0151.jpeg
 
Imagine someone came out with such a DAC that included (full stereo) bass management and DIRAC Live room correction (possibly with full DIRAC Live Bass Control) integrated? Just add power amps (for the speakers)! Closest thing is Zidoo's own Luxsin X9, but it lacks DIRAC.
Marantz M1
 
Imagine someone came out with such a DAC that included (full stereo) bass management and DIRAC Live room correction (possibly with full DIRAC Live Bass Control) integrated? Just add power amps (for the speakers)! Closest thing is Zidoo's own Luxsin X9, but it lacks DIRAC.
You don’t have to imagine there are an increasing number of active loudspeakers that have all that.
Keith
 
Marantz M1
I have an M1! It is a digital amplifier (straight PCM->PWM, no analog stage whatsoever), and the bass management, though it is sufficient for my use, is extremely lacking in functionality (can't set crossover in proper increments, only options for my system are 80Hz and 40Hz, so I use 80Hz because my subwoofer behaves better in my room in the 40-80Hz band than my speakers do, but I would prefer 70Hz if Marantz would just add that through firmware or something). I am extremely happy with its performance, especially once DIRAC calibrated, but I cannot find any proper objective test results on its performance. I went for it primarily because I did at least read that they utilized global feedback to achieve neutral response (similar to the PFFB circuit on TPA3225-based amps), unlike older digital amp designs like the VTV or Peachtree GAN-1 amps where they even tout the lack of feedback like some sort of an advantage (ridiculous!).

You don’t have to imagine there are an increasing number of active loudspeakers that have all that.
Keith
Certainly, but I am happy with my speakers and would not want to change them (MoFi SourcePoint 8, which got great results with Erin from his audio corner). Same goes for my subwoofer (Rythmik L12, which Amir himself has tested to good results). The system sounds stellar to me in my highly suboptimal room.
 
Last edited:
My humble and modest dream would be a T8 spacecraft that works as intended, without glitches...
 
T8 works perfectly here, I find that glitches are often an rtfm issue.
Keith
 
My humble and modest dream would be a T8 spacecraft that works as intended, without glitches...
I've had exactly one and only one, "issue," with T8, and that is that, with one of my NVMe drives, I am neither able to delete/modify files on it in the UI itself or over SMB, nor am I able to format the drive within the unit/UI (in an attempt to fix the issues with the drive). Yet, on my second NVMe drive, everything works perfectly. So one could potentially argue that it is potentially an issue with the drive and not the T8. I did not get a chance to compare the partition format between the two drives and the unit is not in my hands at this point (gave it to my dad).
 
I wrote an extremely short piece on the T8/Dac-Z10 combination.
Keith
 
I wrote an extremely short piece on the T8/Dac-Z10 combination.
Contemporary active bi/tri-amped speakers like Genelec with GLM room correction, all have DSP inside witch implies sample rate conversion to the fixed resolution of that DSP. Even if you don't use room correction, DSP is active for digital crossover duties.
DSP in Eversolo has also a fixed working resolution (like any DSP in the industry) and if you activate it, every signal (hi-res or red book) will be converted to let's say 32bit/48khz (DMP-A8) to be processed...
I'm not saying it's wrong or audible, but certainly a blasphemy for the audiophile world you're proposing to...
 
Last edited:
Colourless dry transparent with no flavour. Sounds exactly like a 200$ Topping or SMSL... :)
As usual a wine analogy done wrong.

The wine is not the gear, it is the music (the thing we enjoy). The bottle/box and or glass is the thing that delivers the wine to our lips, just as our reproduction gear delivers the music to our ears. We can measure the cleanliness of the glass, or the chemical composition of the plastic in boxed wine, and find out if it is going to contaminate the wine, and if so by how much and are we likely to be able to taste the contamination.

Generally we want neither the bottle, nor the glass to add any contamination to the wine. Colourless, dry, transparent and with no flavour is exactly how we want the glass - just as we do our reproduction gear.

:p
 
will be converted to let's say 16bit/48khz

Much more likely to be converted to 32bit or 64 bit float for DSP. I'm not aware of any current dsp that operates at 16bit fixed point - results would be horrendous.
 
Colourless dry transparent with no flavour. Sounds exactly like a 200$ Topping or SMSL... :)
It sounds to me that you have grown accustomed to being lied to and now actually enjoy it.
Worth remembering that a digital signal is purely a variable voltage above or below a designated threshold.
Use the excellent resources here to choose a transparent design which has the features you need.
Keith
 
You could use your laptop, same SQ and free, presuming you already have a laptop.

Keith
 
Much more likely to be converted to 32bit or 64 bit float for DSP. I'm not aware of any current dsp that operates at 16bit fixed point - results would be horrendous.
16bit value (just an example) was a mistake and it's corrected now. But there were some, even professional DSP processors working at 24/96...
Dynaudio LYD series monitors (contemporary actives) are in production and Thomann says something about an internal DSP at 24/96, with no digital input though. So there will be ADC-DSP-DAC, from analog inputs to those LF/HF class-D amps...
 
Back
Top Bottom