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Eversolo AMP F2 Amplifier Review

Rate this amplifier:

  • 1. Poor (headless panther)

    Votes: 72 27.7%
  • 2. Not terrible (postman panther)

    Votes: 166 63.8%
  • 3. Fine (happy panther)

    Votes: 20 7.7%
  • 4. Great (golfing panther)

    Votes: 2 0.8%

  • Total voters
    260

amirm

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This is a review and detailed measurements of the Eversolo AMP F2 balanced amplifier. It is on kind loan from a member and is on sale for US $750.
Eversolo AMP F2 stereo balanced amplifier Stark Fiera4 review.jpg

While simple, the amp looks attractive enough for its price category. Despite being class D, it has fair amount of heft to it.
Eversolo AMP F2 stereo balanced amplifier Stark Fiera4 back panel review.jpg


If you look above the power switch, you see a reference to Starke. It seems that they have designed and built this amp as it is very similar to their Fiera4. Connectors look and feel high quality. There is no gain switch.

I have slightly abbreviated my testing.

Eversolo AMP F2 Measurements
We start with our usual dashboard using XLR input:
Eversolo AMP F2 stereo balanced amplifier XLR measurement.png

Despite pronounced spray of harmonics, overall noise+distortion figure is above average:
Best class D amplifier review bridging 2025.png

Best class D amplifier review bridging zoomed 2025.png


Using RCA input brings more power supply noise and such (which I tried to minimize):
Eversolo AMP F2 stereo balanced amplifier RCA measurement.png


We see that cost in SNR measurements:

Eversolo AMP F2 stereo balanced amplifier RCA SNR measurement.png


Eversolo AMP F2 stereo balanced amplifier XLR SNR measurement.png


I was disappointed to see output load dependency at this price level:
Eversolo AMP F2 stereo balanced amplifier XLR frequency response measurement.png


Crosstalk is OK:
Eversolo AMP F2 stereo balanced amplifier XLR channel separation measurement.png


Multitone shows rising distortion with frequency (typical):
Eversolo AMP F2 stereo balanced amplifier XLR Multitone measurement.png


Power measurements shows early onset of distortion (taking over noise):
Eversolo AMP F2 stereo balanced amplifier XLR Power 4 ohm measurement.png

Eversolo AMP F2 stereo balanced amplifier XLR Power 8 ohm measurement.png


Nice to see it meeting its power specification:
Eversolo AMP F2 stereo balanced amplifier XLR Max and Peak Power 4 ohm measurement.png


There is some power drop at 40 Hz:
Most powerful stereo amplifier review.png


The amp was difficult to measure in these tests as it would shut down its output without the front indicator changing color. So I did not try to run my "FTC like" test. Good approximation is my power vs frequency sweeps:
Eversolo AMP F2 stereo balanced amplifier XLR Power 4 ohm vs frequency measurement.png

The rise in distortion with frequency is quite substantial above lower treble. SINAD drops to lower than 60 dB at 15 kHz.

There is likely power on/off noise even when using standby switch:
Eversolo AMP F2 stereo balanced amplifier XLR Power on off noise measurement.png


The F2 is stable on power up:
Eversolo AMP F2 stereo balanced amplifier warm up measurement.png


Conclusions
The F2 turns in decent numbers across the board except in one key area: frequency response. In this day and age, we can get load independent class D implementation at a third of its price. I feel like some companies are unaware of the development in this area, and continue to produce amplifiers with this issue. The upshot is that the amp can sound slightly brighter or duller depending on what speaker you use with it.

Distortion also rises quite rapidly at higher frequencies -- again something that is not competitive anymore for this price class.

For above reasons, I can't recommend the Eversolo AMP F2 amplifier. It is not remotely in the same class leading DACs and streamers the company produces.
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As always, questions, comments, recommendations, etc. are welcome.

Any donations are much appreciated using: https://www.audiosciencereview.com/forum/index.php?threads/how-to-support-audio-science-review.8150/
 
I think this is a good example of why your continued testing is important. It would be very easy to judge this product on previous Eversolo product performance when tested here, and incorrectly assume you are buying another state of the art product.
 
Thanks Amir.
A bit of class D nostalgia there - it reminded me of ICEPower amplifiers.
Not what we've come to expect from Eversolo these days.
Yes, I could have sworn that is an old icepower in there (new ones have nothing to do with it) .

Well, load depended, can't keep up down low, etc.
As poor as it can be.

Thanks Amir!
 
While everybody is raving about this amplifier on the internet, it takes someone like you to reveal the technical issues: thank you (again), Amir!

By the way: this unit seems to be bridgeable. Any chance to add measurements in bridged mode?
 
Any chance to add measurements in bridged mode?
Do we really need to do that? I hate to spend the time when we have a significant issue with load dependency.
 
Another instance where I wish I better understood the difference between voting options 'not terrible' and 'fine'. They seem identical to me.
You choose what it means to you. To me, "fine" would get a recommendation. "not terrible" doesn't. Ask yourself if you would buy it and recommend to others. If so, it is fine. If not, then it is not so terrible.
 
Thanks for the review, again.

A necessary reminder that every product must be considered on its own merit.
Eversolo make demonstrably lovely streaming DACs (so far!)
This is just Meh, and poor value. Looks nice.
 
Eversolo should stick to streamers, thanks Amir.
Keith
 
Every single measurement reminds me strongly on the Fosi V3 (not the Monos).
But the Eversolo AMP F2 has 30% more power output (at least at 4 Ohm Speakers).
So if you like the look and feel (and if you have the money)- why not? Consider also the very decent gain of 27.5 dB (with RCA).
I could not decide between the fine and the „not bad“ Pink Panther, so I skipped the vote ;).

@amirm: because there are just two or three measurements of nice new amps per month, it would be so kind of you, to bring back the demanding 19 kHz & 20 kHz intermodulation measuring in the near future.
Perhaps that would not be to much of work for you?
Perhaps also the one or another stereophile measuring, which would make it easier to compare.
You did that many times before.

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Let's not lie to ourselves, but €790 for an amp based on a TPA3255 chipset and without PFFB implementation is a steep price!
When icepower was using TPA3255 (before ditching them and make its own chips* ) 10-12 years ago with similar results (and without PFFB) it was dead cheap.
Eversolo's attempt to include it after its renewed popularity is a rather major fail.

*some low tier modules may still use it.
 
Funny to learn from the silkscreen of the back panel that though assembled in China, this stuff has been designed in California... Though I am not sure that chinese designers have still anything to learn from colleagues of the rest of the world... ;)
 
Funny to learn from the silkscreen of the back panel that though assembled in China, this stuff has been designed in California... Though I am not sure that chinese designers have still anything to learn from colleagues of the rest of the world... ;)
Regardless, Eversolo needs to learn how to make nice AB ones if they want to sell gear like their bigger one which is disappointing.
Main (measured) strength of AB's is that their THD can be freq invariant, and they messed this up big time.

McIntosh is their neighbor, they can ask a thing or two.
 
Funny to learn from the silkscreen of the back panel that though assembled in China, this stuff has been designed in California... Though I am not sure that chinese designers have still anything to learn from colleagues of the rest of the world... ;)
And this review is another proof that place of engineering is irrelevant anyway. ;)
 
The 8 ohm take-off at >10khz is a killer I feel. Why? Because all the often-popular/trendy tweeters already have a 10dB sting up there (30 - 40kHz) and vinyl and maybe some digital sources already have noise and other not-desirable 'stuff' going on at these frequencies. I appreciate that there's no way we can hear it, but these days I'd say it's poor design for the high price asked for what it is...
 
moreover this F2 amp is reminiscent of the Starke Sound AD4.320 which uses the same PSU and almost same design
ASR measurments :
 
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