Been waiting for this one. I think I'm more interested in the Q7 Meta, which I hope is similarly good.
How close can you get the front drivers from the front wall and do you plan to use sub(s)?I don't think I can get them as close to the front wall as he recommends.
So, I'm going to be using a wide entertainment console, the front of which will probably end up being about 25 inches from the wall and I want to have the front of the speakers end up an inch or two beyond the plane of the front of the console. So, I'm not sure where that would put the back of the speakers.How close can you get the front drivers from the front wall and do you plan to use sub(s)?
If you have your fronts woofers more than 24 inches from the front wall your SBIR dip from that wall reflection gets unfortunately quite high where it can quite take out the subjective "energy" of the bass:So, I'm going to be using a wide entertainment console, the front of which will probably end up being about 25 inches from the wall and I want to have the front of the speakers end up an inch or two beyond the plane of the front of the console. So, I'm not sure where that would put the back of the speakers.
![]()
Corridor Media Media Console 8179
Award-winning design makes the Corridor 8179 a stylish entertainment center, but it’s the array of useful and innovative features that make it a must-own media console. Perfectly sized for home theater systems with a large television, this modern TV stand packs a ton of innovative features...www.bdiusa.com
I've not yet used subs for two-channel music. I have about 50/50 movies/music listening mix. I run my front L/R towers as large for movies, use a sub for the LFE channel. I have tower speakers for surrounds and also run them as large. Lol, I know this is not the "proper" way, but I like the rumble from the towers during action movies. Yes, I can localize the bass rumble from the surround towers behind me.
See my comments here:I got the Q7 Meta, owned them for just over 2 weeks now. Replaced the Revel M106. I had the ordinary R3 in 2023 as well. I think they are better than them both, and I loved the wide dispersion on the Revels. I think Kef have nailed it. Maybe made them too good - should be easier and smoother to listen to than the R Meta series. They've removed the extended treble whilst making the dispersion wider. The two things that bugged me about the R3 are now gone. It's like having an easier to listen to M106, which could be harsh on certain recordings (i'm an indie guy, so listen to a lot of poorly recorded material). I wouldn't say the soundstage is as impressive as the M106 though (or the M16, or even the DBR62 - which I also had) - and that's probably the biggest compromise. I have the drivers around 40cm from the wall, and they go down flat to 28hz in my room. But I wouldn't take too much from that, my room is just under 15 m2.
Marc, why don't you want them closer to the front wall - reflections? aesthetics? I'm considering moving them closer, the SBIR is pretty ordinary - loss of dynamics, though that's not the speaker.
What amplifier and sources are you using with them?I got the Q7 Meta, owned them for just over 2 weeks now. Replaced the Revel M106. I had the ordinary R3 in 2023 as well. I think they are better than them both, and I loved the wide dispersion on the Revels. I think Kef have nailed it. Maybe made them too good - should be easier and smoother to listen to than the R Meta series. They've removed the extended treble whilst making the dispersion wider. The two things that bugged me about the R3 are now gone. It's like having an easier to listen to M106, which could be harsh on certain recordings (i'm an indie guy, so listen to a lot of poorly recorded material). I wouldn't say the soundstage is as impressive as the M106 though (or the M16, or even the DBR62 - which I also had) - and that's probably the biggest compromise. I have the drivers around 40cm from the wall, and they go down flat to 28hz in my room. But I wouldn't take too much from that, my room is just under 15 m2.
Marc, why don't you want them closer to the front wall - reflections? aesthetics? I'm considering moving them closer, the SBIR is pretty ordinary - loss of dynamics, though that's not the speaker.
It's in my sigWhat amplifier and sources are you using with them?
Well, I think KEF knows that the average audio enthusiast(non ASR type) who walks into an audio store will pick the brighter R Meta sound over that of the "softer" Q Meta series. Perhaps that is part of their calculus to entice people to their higher series.I'm curious if there's any explanation for the "excessive" treble downtilt on this asides from a desire to differentiate with the R series.
I also had asked myself the same exact questions and even made an EQ for flat LW based on the KEF paper data but didn't like it on my Q7. Guess the truth is somewhere in between that we hear both direct sound and reflected sound power (of course which one more depending on the listening distance, directivity and reverberation) so a good compromise of both might be the way to go.Not to long ago Dr. Toole reiterated with humble emphasis, think it was yesterday, that the in-room frequency response is a consequence of good flat on-axis response married to smooth directivity. Which explains why a certain tilt rate isn‘t crucial in preference calculation. Go for a flat on-axis, and look for smooth directives, he says.
The KEFs depart from that deliberately, Erin says. One could equalize to flat anyway, one may argue. For some that may become bothersome, though.
Don't understand why they did that? Q3 and Concerto don't have a tilt to that degree...might be a problem if doing surround with Q meta range.They look quite solid for the money, but tend to agree the downward tilt is a little much.
This makes me wonder if KEF may at some point tweak this speaker a bit, now that this is becoming more widely known.Don't understand why they did that? Q3 and Concerto don't have a tilt to that degree...might be a problem if doing surround with Q meta range.