This one's simple, uncontroversial.Like all subjective comments it has little to no meaning.
And a German lessonConvenient for a coffee then.
Keith
They were shoved in huge room corner .. 1.5 metres apart
I feel it didn’t get the set up it deserved , pointing right ahead
I would have hoped for a a demo without participants talking in the background and people meandering about freely
You know … like a real demo
For what it's worth, in this measurement what you see is the tweeter thermal protection kicking in. That's what causes the extreme compression in the treble. This is triggered by using a high level sine sweep for the measurement. Music signals don't have anything like a white spectrum so don't trigger the protection in the same extreme way. To trigger it on music you have to be playing at max output on content with extreme levels of treble energy. Our go to test track for this is by Metallica.
While I'd concur in the abstract, in the present case -- heck, even I know what an LS60 is!Should put the brand name in the topic title.
Alternatively, you protect them with subwoofers.At the low end you do indeed see DSP limiting to protect the bass drivers from over excursion.
hi guys
Can someone shed some light on Erin’s comment
“ the ls60 sound much bigger then it is “
This part intrigues me after my lacklustre ls60 demos no matter how I tried
Thanks
Erin actually remarks on this very feature: if you´re listening from 2 meters away or less, you´re probably at the most optimal distance; beyond that, the speakers start running out of gas.As stated, extremely difficult to comment when we don't really know what the issue you experienced was. Could have been the room setup. It could be due to the fact that the LS60 compresses in the bass and treble regions when listening at elevated SPLs:
View attachment 465403
There was a thread from someone who tried out the LS60s and found them unsatisfying and it was most likely due to this behavior. The LS60s are incredible speakers, but they aren't really suitable for listening far-field at elevated volumes.
After reading a bit on the new VECO and looking at your comments, I wonder, would a design like the LS60 (or LS50, or LSX) benefit from the implementation? I would guess thermal limitations are still there, but with permanent monitorization, it may be extended a little bit depending on the signal needing to reproduce high frequencies.For what it's worth, in this measurement what you see is the tweeter thermal protection kicking in. That's what causes the extreme compression in the treble. This is triggered by using a high level sine sweep for the measurement. Music signals don't have anything like a white spectrum so don't trigger the protection in the same extreme way. To trigger it on music you have to be playing at max output on content with extreme levels of treble energy. Our go to test track for this is by Metallica.
At the low end you do indeed see DSP limiting to protect the bass drivers from over excursion.
He actually says 10ft, so about 3 metres.Erin actually remarks on this very feature: if you´re listening from 2 meters away or less, you´re probably at the most optimal distance; beyond that, the speakers start running out of gas.
After reading a bit on the new VECO and looking at your comments, I wonder, would a design like the LS60 (or LS50, or LSX) benefit from the implementation? I would guess thermal limitations are still there, but with permanent monitorization, it may be extended a little bit depending on the signal needing to reproduce high frequencies.