Cutting off everything below and above that is still high fidelity and will sound great?
Who was speaking about cutting off? Was the comment not rather calling for focussing relevant properties of sound quality in frequency bands for which our ears are overly sensitive?
Related to constant directivity and subjective transparency, I wholeheartedly agree that midrange (and lower treble up to 8K) is of critical importance. That is where many planar ESL deliver and a surprising number of multi-way dynamic speakers do not.
