Bass reflex loudspeakers have the characteristic that the diaphragm movement increases drastically below the tuning frequency. This not only produces harmonic distortion, but also intermodulation. In extreme cases, a loudspeaker can destroy itself. Also the ineffective pumping of air back and forth through the port also produces clearly perceptible wind noise.
In passing, I have seen that modern content quite often has components of relevance below 40Hz. These are mostly exceptions, such as thumping noises, but now also regularly recurring 'musical' parts.
Speakers are getting smaller these days, are mostly vented but then show tuning frequencies well above 40Hz. The consequential distortions create a certain “drama” that replaces the boom from the lowest frequencies to a certain extent, but it would be cleaner to switch off the distortion machine.
What are the simplest means of limiting the signal bandwidth downwards?
Tuning at 50Hz, output @-10dB in that register, though, still 5%HD (86db median):
www.audiosciencereview.com
Tuning at 70Hz (!), on the verge of unusable at least for EDM:
www.audiosciencereview.com
Tuning at 60Hz, output @-15dB (!) in that register, 100%HD (!) at 40Hz (86db median):
www.audiosciencereview.com
In passing, I have seen that modern content quite often has components of relevance below 40Hz. These are mostly exceptions, such as thumping noises, but now also regularly recurring 'musical' parts.
Speakers are getting smaller these days, are mostly vented but then show tuning frequencies well above 40Hz. The consequential distortions create a certain “drama” that replaces the boom from the lowest frequencies to a certain extent, but it would be cleaner to switch off the distortion machine.
What are the simplest means of limiting the signal bandwidth downwards?
Tuning at 50Hz, output @-10dB in that register, though, still 5%HD (86db median):

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