svart-hvitt
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If we are to have good discussions on audio gear, both their pros and cons should be highlighted. Needless to say, the discussion should be fact based; listening impressions and personal experiences could also count, but subjectivism is only of interest if the writer knows how to balance his review.
When a professional dealer manages to get only 40-45 Hz out of a speaker which is specified below 30 Hz, it is certainly of interest; because the dealer is then either incompetent or he is misrepresenting.
Everyone has the right to get a bit "enthusiastic". Even @Floyd Toole gets a bit enthusiastic (about his research) sometimes, but he has every right to be enthusiastic given his great contributions to our understanding of audio in practice, in our daily lives! And I sort of like Floyd's perspective on speakers: If the specifications are trustworthy (some producers detail specs that are trustworthy, some don't), you can read - more or less - out of the specifications what a speaker will sound like. Boring, but true in my book.
To my astonishment - because that is not what you are led to believe by many reviewers - competently designed speakers with similar specifications sound about the same. Dispersion characteristics may be the biggest source of "different sound"? So I don't understand the excitement of some reviewers. One of the more interesting specifications in speaker design is, in my view, its volume (in litres, for example). My experience tells me that bigger volume sounds different than a smaller volume speaker. And when you think about it, why should a competent engineer be able to produce significantly better sound if he has only 1/3 or 1/4 of the volume to play with? Volume of a competently designed speaker may be its most important constraint, right?
Sometimes, a new design heralds a new paradigm. But there are more news of paradigms than real paradigms. So a science-oriented audio enthusiast will always be a bit skeptical to claims of a paradigm shift.
We have just recently had one such example, where news of a paradigm shift was replaced by more down-to-earth news (literally speaking). The Kii Three speakers were marketed as "small size, big sound", as an alternative to existing full-range bigger speakers etc. Marketing was used to make people believe that the laws of physics were defied. And people jumped on. Despite the fact that Kii themselves, suddenly, changed the specifications to 30 Hz low frequency capacity from 20 Hz capacity in the low frequencies. 10 Hz disappeared over night. Internet forums were still full of praise, and it was almost impossible to find balanced reports and reviews. Despite the fact that, for example, the Kii cabinet was clearly vibrating/resonating (easily felt by anyone who placed his hand on the cabinet), which cannot be a positive for speakers to produce neutral sound.
Fast forward to May 2018 and Kii come to the market with a bass tower for the Kii Threes to be placed on. Suddenly, the small speakers triple in size. And nobody questions the previous rhetoric of Kii. The lack of memory and critical reasoning on internet forums make you think of the sheep of "Nineteen Eighty-Four". Why triple the footprint and more than doubling the price of the product if the Kiis were "big sound", "full-range" all the time?
And I still haven't seen any documentation that the Kiis manage a frequency response accuracy of +/- 0.5 dB. Has anyone ever seen documentation of a speaker with a 0.5 dB accuracy (or lower)?
This was not meant to be a Kii report, just a reflection on the need to report about both positives and deficiencies of products. Science is always balanced, per definition. Because marketing is good at focusing on the positives, I think - subjectively! - that ASR members should be good at discussing the weaknesses of a design as well, in order to have a good grasp on which problems were solved in a new product and which problems that still are to be resolved in the future.
DSP and computer assisted design mean that the audio enthusiast of modern times faces a bright future. But we don't need to exaggerate the positives and downplay the negatives on the way to a better audio future.
Just my 2 cents. I am sorry the text got so long.
When a professional dealer manages to get only 40-45 Hz out of a speaker which is specified below 30 Hz, it is certainly of interest; because the dealer is then either incompetent or he is misrepresenting.
Everyone has the right to get a bit "enthusiastic". Even @Floyd Toole gets a bit enthusiastic (about his research) sometimes, but he has every right to be enthusiastic given his great contributions to our understanding of audio in practice, in our daily lives! And I sort of like Floyd's perspective on speakers: If the specifications are trustworthy (some producers detail specs that are trustworthy, some don't), you can read - more or less - out of the specifications what a speaker will sound like. Boring, but true in my book.
To my astonishment - because that is not what you are led to believe by many reviewers - competently designed speakers with similar specifications sound about the same. Dispersion characteristics may be the biggest source of "different sound"? So I don't understand the excitement of some reviewers. One of the more interesting specifications in speaker design is, in my view, its volume (in litres, for example). My experience tells me that bigger volume sounds different than a smaller volume speaker. And when you think about it, why should a competent engineer be able to produce significantly better sound if he has only 1/3 or 1/4 of the volume to play with? Volume of a competently designed speaker may be its most important constraint, right?
Sometimes, a new design heralds a new paradigm. But there are more news of paradigms than real paradigms. So a science-oriented audio enthusiast will always be a bit skeptical to claims of a paradigm shift.
We have just recently had one such example, where news of a paradigm shift was replaced by more down-to-earth news (literally speaking). The Kii Three speakers were marketed as "small size, big sound", as an alternative to existing full-range bigger speakers etc. Marketing was used to make people believe that the laws of physics were defied. And people jumped on. Despite the fact that Kii themselves, suddenly, changed the specifications to 30 Hz low frequency capacity from 20 Hz capacity in the low frequencies. 10 Hz disappeared over night. Internet forums were still full of praise, and it was almost impossible to find balanced reports and reviews. Despite the fact that, for example, the Kii cabinet was clearly vibrating/resonating (easily felt by anyone who placed his hand on the cabinet), which cannot be a positive for speakers to produce neutral sound.
Fast forward to May 2018 and Kii come to the market with a bass tower for the Kii Threes to be placed on. Suddenly, the small speakers triple in size. And nobody questions the previous rhetoric of Kii. The lack of memory and critical reasoning on internet forums make you think of the sheep of "Nineteen Eighty-Four". Why triple the footprint and more than doubling the price of the product if the Kiis were "big sound", "full-range" all the time?
And I still haven't seen any documentation that the Kiis manage a frequency response accuracy of +/- 0.5 dB. Has anyone ever seen documentation of a speaker with a 0.5 dB accuracy (or lower)?
This was not meant to be a Kii report, just a reflection on the need to report about both positives and deficiencies of products. Science is always balanced, per definition. Because marketing is good at focusing on the positives, I think - subjectively! - that ASR members should be good at discussing the weaknesses of a design as well, in order to have a good grasp on which problems were solved in a new product and which problems that still are to be resolved in the future.
DSP and computer assisted design mean that the audio enthusiast of modern times faces a bright future. But we don't need to exaggerate the positives and downplay the negatives on the way to a better audio future.
Just my 2 cents. I am sorry the text got so long.