I just reread your article with a focus on the OPA1612, and I noticed something. You wrote: “The low voltage noise density for the OPA1612 is notable.” That is quite confusing. In the context of “rolling,” it doesn’t really matter—but what exactly is “notable,” and under what conditions could it, if at all, cross the threshold from being merely measurable to being audible?
I also feel like I missed a scenario: “very sensitive headphones or IEMs.” Is that still only a measurable difference, or does it become relevant when the volume is turned up but no signal is present (similar to track switching)?
Mainly I mean this case: "In a very bad circuit, the op-amp doesn’t define quality—it only sets how badly things fail." and could then it be an audible influence of rolling Op-amps when: power supply noise leaking through, oscillation or ringing, input noise heavily amplified, overload/clipping, EMI pickup sensitivity, etc... ?
If anyone could prove that there are inexplicable audible differences between op-amps in a circuit would this not be known by people in the know ?
Wouldn't scientists not be all over it figuring that out ?
Would there not be peer reviewed papers on it with listening tests and links to properties.
If audio is not about waveform shapes what else is it about ?
Is there a missing signal other than the amplitude over time ?
Have you ever heard of null tests ?
Sure when noise levels become audible this is an issue and VERY measurable.
There has been many research done on audibility of distortion with test tones and music.
With music 0.1 to 1% is usually inaudible.
With test tones 0.01% is already inaudible (well depends on the type of distortion).
Why would 0.00003 percent distortion sound any better than 0.006 % ?
It doesn't.
When do op-amps matter for audio ?
In high gain circuits (phone/mic pre-amps, instrumentation amplifiers, sensor amplifiers etc.) or when used to drive loads they are not intended to drive (low impedance headphones for instance) or when certain op-amps are used in circuits where the op-amp choice matters and specific specs matter, for instance input current/slew rate for sample-hold etc.
For instance using high BW or op-amps that require minimal gain of 5 are used in such circuits the PCB layout and local decoupling of the power rails and feedback as well as input capacitance starts to matter. Using those in circuits that are low gain or do not have the proper layout/decoupling you are asking for problems like oscillations etc. This can be in the MHz region or higher.
Fact is in line level stages (pre-amps, DAC filters, power amplifiers) usually the demands aren't high and all of the cheap op-amps 5532/34 will work just as well as the 'audio grade' ones.
EVERY one that swaps op-amps hears differences. The issue is that even when you tell people you swapped in an expensive audio-grade op-amp they will hear differences even if there aren't any.
Try that on an unsuspecting audiophile friend... just open something up and pretend to swap (don't let them see you not changing anything) and let them listen.
I can practically guarantee you they WILL hear a difference.
Never tell them you tested them... let them continue to believe they heard a difference and you did not trick them... if you want to keep them as friends.
Happy experimenting ... I have done a few of those on others... and accidentally fooled myself a couple of time too. Very enlightening... have fun.