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Nothing wrong with that at all! Keep enjoying it.The Marantz and Mcintosh gear are part of my collection which friends in professional circles come to enjoy and reminisce about 'the good old days'.
Nothing wrong with that at all! Keep enjoying it.The Marantz and Mcintosh gear are part of my collection which friends in professional circles come to enjoy and reminisce about 'the good old days'.
Thank you.Nothing wrong with that at all! Keep enjoying it.
Actualy its easy to blind test stereo gear by doing mods only on one channel first and listening. But nobody does that because they think a mod always improves things.I'm also pointing out there is no way to know for sure, because the only real way to know is to carry out blind testing, and that is not possible with this type of modification.
LM201 has a slew rate of only .5V/us which is only good for about a 4 volt output at 20khz. Depending on the application, that might cause some slew limiting distortion, which can be nasty. Not all opamps are built the same, there designed for different applications. Its the job of the designer to choose the best one for the application. This means most other opamps are not the best for that application. And thats why opamp rolling is almost always a waste of time. Using your ears to pick opamps is also a waste of time.I replaced the LM201 in the front end with newer Burr Brown/TI devices and the apparent difference was noticeable.
Please dont modify other peoples posts. Dont understand what your saying. Did you mod one amp and compare it to the other?That really is half a thumbs up! Perhaps not everyone. The Model 15 and 16s are two separate mono chassis amplifiers and that is how it was done, while friends wer over and enjoying some Buffalo Trace. Over the years you learn to pick up what is important, what the ear considers good and not all the specsmanship.
You might even go nuts while doing it!Using your ears to pick opamps is also a waste of time.
But surely the clipping of a power amp has (should have if properly designed) nothing to do with the clipping point of any op amp in the circuit - but is caused by the power amp running out of volts or amps from the power supply. It seems particularly unlikely that an op amp circuit clipping point (which will be defined by the op amp power supply) is going to be anywhere near coincident with the power amp clipping point.op-amps do differ more near their clipping points.
This is not entirely surprising.You might even go nuts while doing it!
Not joking, most of those people have no idea about the absurdity of what they are actually doing and activly try to find/imagine those alleged audible diffences because a bunch of snake oil sellers and fanatic believers keep the snowball rolling.
If you do the swapping long enough, you will eventually lose track and those op-amps will just start to sound all the same.
Btw. here are some nice test results made by e3 on their A5 amp showing how some of the widley used op-amps are performing on the device. You can see that the OPA1656/1612 are performing best in this specific test and application while the NE5532 is clearly beaten in THD+N and power reserves before clipping sets in.
View attachment 524009
While the noise floor/distortion might be ignored as inaudible at those levels anyways, the values of the output power seem not to be insignificant - i see at least >10W more power comming from the OPAs, so in that case its around +10% clean power gain only from swapping the "right" op-amps.
Im not talking about sound improvments as in "moister bass" or "bigger soundstage", its not that simple in this case.Not many people will compare the 'sound' of amplifiers near or at the clipping points anyway.
To get the idea of a device sounding a bit louder than another device you need a few dB more power, not just half a dB.
That would be interesting to investigate and try to replicate e3 A5 data shown on the graph.Though it is also interesting that there seem to be two distinct clipping points which don't match the different levels of distortion variation. Which might indicate slight test setup variations between two groups of tests.
Im not talking about sound improvments as in "moister bass" or "bigger soundstage", its not that simple in this case.
There is clearly a total power performance gain thru the op-amps which in the end will be measured and land on the spec sheet of the device and this is an important one!
It does matter when you compare device A with ~95W and device B with ~110W of total clean power output at similar price point. Considering the fact that all the feauters are similar, as a customer you will go for the better performing one 99% of the time.
So in case of the A5 with higher performing OPA16xx you actually get an "better" device compared to the NE5532s.
The buffer circuit with op amp runs at much lower voltage that output rail. So that is not an issue at all.Experts
So are there any other plausible reasons for the slightly better results of the OPA15xx besides some change of the testing conditions possible?The buffer circuit with op amp runs at much lower voltage that output rail. So that is not an issue at all.