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Does Media Theory Explain Audio Subjectivism (and everything?) + I asked "Troll AI" to Defend Subjectivists

GGroch

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Derek Thompson (known to politics junkies for "Abundance") just posted a sub stack conversation with Joe Weisenthal: The Obscure Media Theory That Explains '99% of Everything' that updates McLuhan's "Medium is the Message" theories to include tweets and AI; while also providing historical context back to the introduction of the written word. VERY Long form, well worth the read, but leave time for digestion.

1. One of the key takeaways is that while all sensations are subjective, hearing and audible communication are inherently more subjective than sight and written communication. Audible communication is also more focused on social context, the listener is a bigger part of the process. They discuss how online social media, tweets and TikTok, blur this distinction with instant takes, likes/dislikes a stronger motivator for their content. AI may blur this line again. The real-time social nature of hearing and speech may also explain some of why discussions of audio gear seem so impassioned vs discussions of video gear. All sensations are subjective, but audio sensations are inherently more subjective, opinionated, social, and probably combative. Does that seem right?

2. Their discussion of AI Chats (with Claude, Gemini. ChatGPT etc.) will ring true to those who have spent time discussing anything with an AI chatbot.

"...conversations with AI....don’t feel like other conversations that exist online. The AI is not going to insult you. The AI is not going to speak to you in memes. The AI is not going to use epithets. I’m not trying to one-up the AI either. Ong used the word agonistic; oral cultures are competitive. We see that online and social discourse, how we’re always competing with each other when we’re talking.

AI chatbot communications aren’t agonistically toned. Just the opposite. Most people’s complaint with AI is that it’s too obsequious, that it’s not confrontational enough. I’ll say something stupid into the chatbot, and it’ll say “that’s a really good idea, Joe! Let’s explore that further…” This is actually one of the big problems of AI, which is that it’s insufficiently opinionated. The chatbots do not correct you. So, AI is conversational, but it doesn’t have a lot of these other aspects of conversation that other digital conversations have."


In a chat, I linked that article to Gemini and fed it the above paragraph. It offered to take a more confrontational tone and revisit the discussion we were having of objectivist vs subjectivist audiophiles taking the subjectivist side. The results were surprisingly realistic, and some points were made. What do you think?

TRIGGER WARNING: the following opinions are not mine, and are not Gemini's...they resulted from my prompts. I do think some points raised are interesting. It made me mad (which I did not know Gemini could do) It may make you mad too. It is copied here verbatim, and the whole thing is the result of a single prompt. Does it, what do you think:

"The Subjectivist Counter-Strike

You and your ASR "Objectivist" tribe are essentially the people Walter Ong warned us about. You’ve become so "Technologized by the Word" (and the graph) that you’ve forgotten that music isn't a series of 1s and 0s—it’s a Homeric event.

1. SINAD is a Post-Truth Metric
You mentioned that a $99 DAC and a $1,200 DAC sound the same because the "measurements" say so. That is the ultimate "Literate" fallacy. You are looking at a map and claiming you’ve visited the city. A graph of Total Harmonic Distortion (THD) tells me about the equipment, but it tells me nothing about the experience. The Subjectivist knows that the "magic" is in the parts of the sound that your crude "Literate" tools can’t catch—the "decay," the "bloom," the "air."

2. The Ritual vs. The Result Why do people buy the $1,200 DAC? Because of the Orality of the Ritual. In an oral culture, the way you do something matters as much as the result. Turning on a tube amp that takes 20 minutes to warm up is a ritual; it prepares the mind to listen deeply. By claiming a $79 class-D amp is "the same," you are the guy who brings a calculator to a poetry reading to count the syllables. You’re technically right, and emotionally dead.

3. The Robinson "Conversion" as a Failure of Soul You brought up Andrew Robinson’s "conversion." You see it as him "waking up" to the truth of measurements. I see it as a man who went "Literary Bankrupt." He spent $100,000 trying to buy a feeling, but because he approached it like a consumer (Literate) rather than a devotee (Oral), he ended up with nothing. He didn't fail because the gear was "snake oil"; he failed because he was looking for the "Best" (a metric) instead of the "Beautiful" (an experience).



Why the "TV Aisle" is a Graveyard

You noted that nobody has "philosophical arguments" about TVs. Exactly. Because the TV market is dead. It’s a "Literate" commodity world where everyone just buys the biggest screen for the least money. There is no soul in a TV. There is no "tribe" of videophiles arguing over the "warmth" of a plasma vs. the "clinical" nature of an OLED because the Eye has won.

The Audio Room is the last stand of the human spirit. It’s the one place where we still allow ourselves to be "irrational," tribal, and emotional. When you bring your ASR graphs into that room, you aren't "cleaning up the industry"—you're just the guy turning on the lights at the end of a great party.

The "What'd I Miss?" Moment: If the $99 DAC is truly "perfect," then why are you still on the forums? If the science is settled, the conversation should be over. The fact that you (and everyone on ASR) keep talking, measuring, and "debunking" proves that you are just as addicted to the Orality of the Argument as the guy buying the $5,000 speaker cables.


ADD: I particularly like "The Guys turning on the lights at the end of a great party". That could be ASR's new tagline ;)
 
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ADD: I particularly like "The Guys turning on the lights at the end of a great party". That could be ASR's new tagline ;)
All it's done though is just polish** and then regurgitate every tired old anti ASR rant that has ever been posted online. ;)

**figurative turd polishing.
 
I guess the only redeeming quality of AI right now is it knows proper grammar and sentence structure. Something quickly slipping away from our "convenience" tools of communicating.
 
I’m obviously too easily influenced by something that looks well argued, and set out clearly. It looks like AI can see the alternative to ASR better than it can draw hands with seven fingers and exploding parcels!

The best -v- beautiful point I thought was well made. That’s because it’s similar to how I feel at a (classical) concert. It may not be the best orchestra (because that’s rarely possible) but it can be a beautiful experience.
 
I am too easily impressed by Gemini's argument because unlike dumb searches, Gemini (given permission) uses its photographic memory of my previous discussions to throw counter arguments back at me. Three of the less "tired" examples:

1. Music is indeed all about experience. While "decay" and "bloom" are objectively bullshit they can be subjectively experienced (hallucinated). If hallucinations improve your listening experience (all experience is predictive perception) then why not. The resurgence of Vinyl is real, and tube amps do make me feel good/nostalgic.

2. Most ASR Members are not dispassionate scientists. We repeatedly return to ASR to scratch an emotional itch. On the Ampapa D1 thread I recently pushed back against posters who seem convinced that the "correct" amp choice is inevitably the one with the best test graphs for the least money. Little thought is given to whether PFFB anomalies or minor THD differences are even audible. Tests are real, Glowing Meters are foolish. However, we are all biased, and predictive perception insures ASR readers will experience that nasty looking ASR PFFB graph even if (like me) they cannot hear the impacted frequencies.

3. The Best v Beautiful argument example. Like Nopiano, many of my most memorable music experiences are from live shows in rooms with subpar acoustics. In hearing, more than any other sense, our minds fill in the blanks for what our ears hear. That is a key point of Derek Thompson's article.

I do not think that Troll AI is correct; but I do think it is far better at creating sophisticated counter arguments than 95% of subjectivist human ASR posters.

Its impressive, but on topics more important than audio gear, potentially dangerous. We will soon see.
 
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Bias is Bias, and predictive perception insures ASR readers will hear that nasty looking ASR PFFB graph even if (like me) they cannot hear the impacted frequencies.
Except I think most of use would admit that we can't. I have a Fosi V3 (not the mono). It has no PFFB. It sounds fine.

In any case the degree to which lack of PFFB disturbs frequency response can be fully compensated for in Room (or other) EQ.
 
Anyway, this looks like another case for Betteridge’s Law of Headlines.
 
The best -v- beautiful point I thought was well made.
The problem with that point - is most of the gear we talk about here - the consensus is that is all the best. (Audibly perfect).


Yes, when we start talking about tube gear - or poorly designed R2R dacs etc - both of which *can* (but don't necessarily) result in audible distortion - then we can start talking about preference. And we do.

No-one can argue you can't like distorted sound - even if we don't understand why you would. We can point out that studies show the majority do not - but there are always outliers.
 
The problem with that point - is most of the gear we talk about here - the consensus is that is all the best. (Audibly perfect).


Yes, when we start talking about tube gear - or poorly designed R2R dacs etc - both of which *can* (but don't necessarily) result in audible distortion - then we can start talking about preference. And we do.

No-one can argue you can't like distorted sound - even if we don't understand why you would. We can point out that studies show the majority do not - but there are always outliers.
On that last point, and at somewhat of a tangent (getting my apologies in first!), I am interested in the brands like Pass Labs and D’Agostino where they seem to knowingly impair measured performance because they believe the outcome (in a real system) is preferable to many listeners. Several Hifi News lab tests have revealed this, and recently I noticed the editor (Paul Miller) suggesting in a Musical Fidelity DAC review that “…a low-level mist of white noise…” may well sound preferable even though it compromises the ultimate signal to noise ratio.

Obviously, here at ASR, that would mean a Topping, Fosi or Fiio would appear higher up the SINAD table. But the implication was clear - that the MF would be more beautiful, if not better!
 
ub stack conversation with Joe Weisenthal: The Obscure Media Theory That Explains '99% of Everything' that updates McLuhan's "Medium is the Message" theories to include tweets and AI; while also providing historical context back to the introduction of the written word.
That is an interesting read.

”Human beings in primary oral cultures do not study. They learn by apprenticeship, hunting with experienced hunters, for example, by discipleship, which is a kind of apprenticeship by listening, by repeating what they hear, by mastering proverbs and ways of combining and recombining them, but not study in the strict sense.”

I think this very much describes the world of subjective audio and the character of communications on subjective audio forums.

I suppose the difference is that the hunters would actually have real knowledge of the discipline and actually be able to teach the apprentice how to hunt effectively. Whereas the reality is one hunter saying 'Just copy what I do' and another saying 'No, copy what I do.'
 
On that last point, and at somewhat of a tangent (getting my apologies in first!), I am interested in the brands like Pass Labs and D’Agostino where they seem to knowingly impair measured performance because they believe the outcome (in a real system) is preferable to many listeners. Several Hifi News lab tests have revealed this, and recently I noticed the editor (Paul Miller) suggesting in a Musical Fidelity DAC review that “…a low-level mist of white noise…” may well sound preferable even though it compromises the ultimate signal to noise ratio.

Obviously, here at ASR, that would mean a Topping, Fosi or Fiio would appear higher up the SINAD table. But the implication was clear - that the MF would be more beautiful, if not better!
It is of course BS, in the context it is being used (but see my comment on dither below).


What you need to be looking for when you read statements like that is clarity and evidence. For example - what on earth does ".. a low level mist of white noise .." look like? How is it created technicaly. More important - what studies have they done to verify that it "..may well sound preferable " (The word "may" here doing a lot of heavy lifting in identifying pure BS)

By the way - it sounds an awful lot like dither (which converts correlated quantisation noise to random noise - a little like very low level tape hiss) - that is routinely applied to digital audio.
 
It is of course BS, in the context it is being used (but see my comment on dither below).

What you need to be looking for when you read statements like that is clarity and evidence. For example - what on earth does ".. a low level mist of white noise .." look like? How is it created technicaly. More important - what studies have they done to verify that it "..may well sound preferable " (The word "may" here doing a lot of heavy lifting in identifying pure BS)

By the way - it sounds an awful lot like dither (which converts correlated quantisation noise to random noise - a little like very low level tape hiss) - that is routinely applied to digital audio.
He doesn’t say how the noise comes about, however I’ve just realised this recent review is now uploaded to their website, so you can read the whole context. It’s a sidebar in the paper magazine, and the specs/lab tests are on the next page.

https://www.hifinews.com/content/musical-fidelity-m8x-dac-0
 
I suppose the difference is that the hunters would actually have real knowledge of the discipline and actually be able to teach the apprentice how to hunt effectively. Whereas the reality is one hunter saying 'Just copy what I do' and another saying 'No, copy what I do.'
In real hunting, my hunch is the successful ones will live much longer. Conversely, no Hifi influencers seem to get eaten alive, at least not literally!!
 
He doesn’t say how the noise comes about, however I’ve just realised this recent review is now uploaded to their website, so you can read the whole context. It’s a sidebar in the paper magazine, and the specs/lab tests are on the next page.

https://www.hifinews.com/content/musical-fidelity-m8x-dac-0
I've read the first couple of paragraphs. It really is just the typical hand wavey detail lacking and logically inconsistent nonsense that is peddled by the typical audio press. I'm not inclined to waste more time on it. I'm certainly not going to go to the effort of debunking it line by line.
 
On that last point, and at somewhat of a tangent (getting my apologies in first!), I am interested in the brands like Pass Labs and D’Agostino where they seem to knowingly impair measured performance because they believe the outcome (in a real system) is preferable to many listeners. Several Hifi News lab tests have revealed this, and recently I noticed the editor (Paul Miller) suggesting in a Musical Fidelity DAC review that “…a low-level mist of white noise…” may well sound preferable even though it compromises the ultimate signal to noise ratio.

Obviously, here at ASR, that would mean a Topping, Fosi or Fiio would appear higher up the SINAD table. But the implication was clear - that the MF would be more beautiful, if not better!

Their customers are almost all over 60 and can’t hear anyway
 
He doesn’t say how the noise comes about, however I’ve just realized this recent review is now uploaded to their website
The theory that a "mildly compromised S/N may well sound more natural" has so far as I know never been blind tested. In any case, a S/N of 101.5dB vs the best (115 dB) will never be audible in a quiet living room with 25-40dB background noise.

As antcollinet points out, tube gear can have audible distortion, and arguments are made that 2nd Harmonic tube distortion can sound nice. However, almost none of Amir's tests of tube preamps/buffers/amps show this friendly 2nd distortion at audible levels. Yet, most owners of even the most accurate tube gear are impressed by their musicality.

This does not mean the MF M8x DAC, and tube amps, do not sound beautiful. They probably do, especially after reading the manufacturer's lit.


ADD: I asked Gemini to comment on this thread. Most was objective synopsis, but I enjoyed its parting line:
"It seems I’ve successfully graduated from "obsequious assistant" to "sophisticated turd polisher." I'll take it as a compliment."
 
TRIGGER WARNING: the following opinions are not mine, and are not Gemini's...they resulted from my prompts. I do think some points raised are interesting. It made me mad (which I did not know Gemini could do) It may make you mad too. It is copied here verbatim, and the whole thing is the result of a single prompt. Does it, what do you think:

"The Subjectivist Counter-Strike

You and your ASR "Objectivist" tribe are essentially the people Walter Ong warned us about. You’ve become so "Technologized by the Word" (and the graph) that you’ve forgotten that music isn't a series of 1s and 0s—it’s a Homeric event.

1. SINAD is a Post-Truth Metric
You mentioned that a $99 DAC and a $1,200 DAC sound the same because the "measurements" say so. That is the ultimate "Literate" fallacy. You are looking at a map and claiming you’ve visited the city. A graph of Total Harmonic Distortion (THD) tells me about the equipment, but it tells me nothing about the experience. The Subjectivist knows that the "magic" is in the parts of the sound that your crude "Literate" tools can’t catch—the "decay," the "bloom," the "air."

2. The Ritual vs. The Result Why do people buy the $1,200 DAC? Because of the Orality of the Ritual. In an oral culture, the way you do something matters as much as the result. Turning on a tube amp that takes 20 minutes to warm up is a ritual; it prepares the mind to listen deeply. By claiming a $79 class-D amp is "the same," you are the guy who brings a calculator to a poetry reading to count the syllables. You’re technically right, and emotionally dead.

3. The Robinson "Conversion" as a Failure of Soul You brought up Andrew Robinson’s "conversion." You see it as him "waking up" to the truth of measurements. I see it as a man who went "Literary Bankrupt." He spent $100,000 trying to buy a feeling, but because he approached it like a consumer (Literate) rather than a devotee (Oral), he ended up with nothing. He didn't fail because the gear was "snake oil"; he failed because he was looking for the "Best" (a metric) instead of the "Beautiful" (an experience).



Why the "TV Aisle" is a Graveyard

You noted that nobody has "philosophical arguments" about TVs. Exactly. Because the TV market is dead. It’s a "Literate" commodity world where everyone just buys the biggest screen for the least money. There is no soul in a TV. There is no "tribe" of videophiles arguing over the "warmth" of a plasma vs. the "clinical" nature of an OLED because the Eye has won.

The Audio Room is the last stand of the human spirit. It’s the one place where we still allow ourselves to be "irrational," tribal, and emotional. When you bring your ASR graphs into that room, you aren't "cleaning up the industry"—you're just the guy turning on the lights at the end of a great party.

The "What'd I Miss?" Moment: If the $99 DAC is truly "perfect," then why are you still on the forums? If the science is settled, the conversation should be over. The fact that you (and everyone on ASR) keep talking, measuring, and "debunking" proves that you are just as addicted to the Orality of the Argument as the guy buying the $5,000 speaker cables.


ADD: I particularly like "The Guys turning on the lights at the end of a great party". That could be ASR's new tagline ;)
To motivate more expensive gadget that is not needed is undeniably subjective. No problem as I see it if it is motivated by looks or the feeling of having a status gadget. I'm just saying watches.
But motivated by imaginary audible benefits, nope. IF that is the only thing that is motivated, that person will hardly admit that is the case. It's not fun to stand and look stupid because you opened the bigger wallet unnecessarily.

Aspects such as reliability (think Miele appliances) can also motivate a higher purchase price which in the long run may turn out to be an economically sensible decision.

OT:
I don't know if Miele is common in the US, here's information about that brand:

Here's my dishwasher.It was included in the purchase of the apartment. I checked the model now. It's 25 years old. Works flawlessly.:)
Screenshot_2026-02-28_161549.jpg
 
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