Sokel
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All the answers you want are probably here, along with test files and music with stereo bass:Forgive the intrusion, but would really appreciate your input. I am working on creating a multi-channel multi-subs system, with Schiit SYN in the chain.
The core is a pair of LS50 as main front / high, with one pair of "basstand MBM" bandpassed to extend / reinforce the LF content in stereo. Setting aside their top crossover for now, I'm thinking / hoping they will also deliver decent SPL down below 80-90Hz
I am also skeptical of that content being fully non-directional at an arbitrary hard-edged bright-line frequency
Therefore, I am considering also using a third **stereo pair** designed for "true subwoofer" bandwidth content*
I may also add one or more **mono-fed** sub boxen with placement flexibility to help with room modes.
So finally, my questions, for anyone, including any feedback welcome on the above
1. Where in the spectrum do YOU think the crossover should be between the stereo sub pair, and the mono "true sub" lower down?
In order for me to test listen and measure to make my own decision on the above in my listening spaces (including outdoors)
2. Can you recommend vanilla 2-channel source content (prefer music, but maybe also films) with plenty of LF recorded **in stereo** well below where most engineers sum to mono?
Synthesized test signals too I suppose.
*down to ~20Hz or even lower if possible, for films and also subsonic content in music, say from pipe organ, big drums and cello / double bass.
Bass and subwoofers
This is the second in a series of follow-up posts to https://www.audiosciencereview.com/...-of-lokki-bech-toole-et-al.27540/#post-950580, this time focussing on bass perception with a brief digression on subwoofers, since there's relevance to (reproduction of) concert hall acoustics. I’ve...
www.audiosciencereview.com