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Do vibrations have an impact on solid-state amplifiers' sound quality?

Do you know what he did for a living before he started making loudspeakers? He was an engineer in the aerospace industry specializing in vibration control. So yeah, if there is one guy who knows how to rattle the bejesus out of something and test the outcome, it's going to be him.

While he (Alan) measured vibration, I am not convinced that that makes him an expert in EE stuff, or some savant in general engineering,
It may make him an expert in instrumentation and vibration.


Alan March now of March Audio did this maybe ten years or more ago. He subjected a DAC and a solid state amp to increasingly high levels of vibration and measured the outputs. No change at all. That satisfied my curiosity on this topic.

I don't know if he ever published those results on this forum though.

However it does say that that particular DAC and that particular solid-state amp did NOT have a dependence on vibration.
I don’t think that Alan is on ASR anymore, so back to my original programming here…
“Does it make sense for ASR to have some testing methodology when evaluating equipment?”
Or is Amir deferring Alan’s expertise here? ;)



In any case a fellow on another forum send me these link in the presence of some text I am not sharing:

Stress Induced Outbursts Part 1: https://e2e.ti.com/blogs_/archives/...sts-microphonics-in-ceramic-capacitors-part-1

Stress Induced Outbursts Part 2: https://e2e.ti.com/blogs_/archives/...sts-microphonics-in-ceramic-capacitors-part-2
 
While he (Alan) measured vibration, I am not convinced that that makes him an expert in EE stuff, or some savant in general engineering,
It may make him an expert in instrumentation and vibration.




However it does say that that particular DAC and that particular solid-state amp did NOT have a dependence on vibration.
I don’t think that Alan is on ASR anymore, so back to my original programming here…
“Does it make sense for ASR to have some testing methodology when evaluating equipment?”
Or is Amir deferring Alan’s expertise here? ;)



In any case a fellow on another forum send me these link in the presence of some text I am not sharing:

Stress Induced Outbursts Part 1: https://e2e.ti.com/blogs_/archives/...sts-microphonics-in-ceramic-capacitors-part-1

Stress Induced Outbursts Part 2: https://e2e.ti.com/blogs_/archives/...sts-microphonics-in-ceramic-capacitors-part-2
If you are suggesting that Amir is somehow negligent in not testing for vibration vulnerability, then you must have a pair of balls made of titanium ;)
 
Many years ago I build the same amp in different configurations, also for some good friends. Normaly used standard aluminum cases which looked quite good and neutral. For my self I then build a case from 5mm aluminum cuts and did not expect better sound, just different looks.
For a reason I don't remember we compared it to an identical amp, with anything similar inside. The heavy aluminum cased amp sounded audible better if pushed hard. I never figured out why, but this was not subjective.
What I see today, the amps in active speakers and subs fail much more often than extrnal amps, this sure has to do with vibration and cooling,
 
:D :D :D MEMORY FLASHBACK -

The "vibration" from the 1989 "World Series Earthquake" knocked one of my floor-standing speakers over on its face. No damage. The floor was carpet. If a record had been playing it would have skipped, and probably would have been scratched.
5:04 PM.
I was in Sunnyvale at a traffic light, in my car, sittin' and shakin'.
When the shakin' stopped -- all (all!) of the radio stations on my car radio presets were silent.
It was a very long and weird evening from there on out...
 
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If you are suggesting that Amir is somehow negligent in not testing for vibration vulnerability, then you must have a pair of balls made of titanium ;)

I have a bicycle frame made of titanium, if that counts?

It has been brought up a few times, and I am under the impression that he does not specifically test for that.
(Does he?)
 
Anyhow here…
Yes, some components can be microphonic, particularly capacitors with soft dielectric materials, or capacitors with high-kappa dielectrics. Most don't create any effect unless you actually tap them. It's not that hard to minimize the effect, and in any case it's easy to avoid the problem with respect to sound energy either by construction methods or by choice of components.

Rick "can sometimes hear the effect when tapping around in active circuits" Denney

And Rick points out the similar things that the Texas Instruments fellow pointed out.
I would suspect a DAC on a bench using the cheap caps to perform well.
But if the same thing is sitting on a rack and the speakers are playing, then it could be a horse of a different colour.

Which is why I am asking the question.
And a low SINAD sort of can get lost if the components are microphonic.
Since I don’t know if the components are microphonic or not, then it seems more thorough to specifically test for it.
 
In a previous life of developing industrial electronics, vibration was a standard part of our type approval tests. One of the tests applied vibration up to 15g (yes, that is a sinusoidal vibration at 10Hz up to 500Hz (searching for mechanical resonance) with the peak acceleration being 15 times the force of gravity). The vibration test bed howled.

However, the testing was basically about physical robustness. Though we operated the UUT during the test, the only time there was a functional problem was when it was literally shaken apart - component legs breaking - or mating connectors losing connection due to the vibration, etc. Not once did we experience an issue resulting from the operation of the electronic components themselves being disrupted by the vibration.

Solid-state components - even if microphonic at all - are simply insufficiently so to create audible issues in home audio gear. If I am wrong, it should be trivially easy to demonstrate by measuring some cheap device while hitting it repeatedly with a hammer. Though again, I'd take you back to my post #56 of this thread:

If hitting it with a hammer causes an audible issue, the solution is simple: Don't hit it with a hammer.
 
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In a previous life of developing industrial electronics, vibration was a standard part of our type approval tests. One of the tests applied vibration up to 15g (yes, that is a sinusoidal vibration at 10Hz up to 500Hz (searching for mechanical resonance) with the peak acceleration being 15 times the force of gravity). The vibration test bed howled.

However, the testing was basically about physical robustness. Though we operated the UUT during the test, the only time there was a functional problem was when it was literally shaken apart - component legs breaking - or mating connectors losing connection due to the vibration, etc. Not once did we experience an issue resulting from the operation of the electronic components themselves being disrupted by the vibration.

Solid-state components - even if microphonic at all - are simply insufficiently so to create audible issues in home audio gear. If I am wrong, it should be trivially easy to demonstrate by measuring some cheap device while hitting it repeatedly with a hammer. Though again, I'd take you back to my post #56 of this thread:

If hitting it with a hammer causes an audible issue, the solution is simple: Don't hit it with a hammer.

How does that explain the TI links from post #61?
 
In a previous life of developing industrial electronics, vibration was a standard part of our type approval tests. One of the tests applied vibration up to 15g (yes, that is a sinusoidal vibration at 10Hz up to 500Hz (searching for mechanical resonance) with the peak acceleration being 15 times the force of gravity). The vibration test bed howled.

However, the testing was basically about physical robustness. Though we operated the UUT during the test, the only time there was a functional problem was when it was literally shaken apart - component legs breaking - or mating connectors losing connection due to the vibration, etc. Not once did we experience an issue resulting from the operation of the electronic components themselves being disrupted by the vibration.

Solid-state components - even if microphonic at all - are simply insufficiently so to create audible issues in home audio gear. If I am wrong, it should be trivially easy to demonstrate by measuring some cheap device while hitting it repeatedly with a hammer. Though again, I'd take you back to my post #56 of this thread:

If hitting it with a hammer causes an audible issue, the solution is simple: Don't hit it with a hammer.
I have already demonstrated that :


1767096401272.png
Left in peace

1767096433425.png
Tapping on it (more at the link, not with the hammer though, just light taps with fingers)

Cheap is cheap (DUT here is E-MU), and as far as I can isolate it it's probably the crystal, that's one of the most sensitive components.
Tapping it directly (each one of the crystals) with a plastic tip can create mayhem at some directions.

In general, I think vibration test against physical damage is the norm, here's from my icepower modules:




vibration.PNG


I expect all modules destined for active speakers amongst other uses, etc to demonstrate such.
 
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As far as I can see - only a nasa video in #61

Part1
(It loads for me)

Then change the last “1” to a “2’ for part #2.
 
I have already demonstrated that :


View attachment 500747
Left in peace

View attachment 500748
Tapping on it (more at the link, not with the hammer though, just light taps with fingers)

Cheap is cheap (DUT here is E-MU), and as far as I can isolate it it's probably the crystal, that's one of the most sensitive components.
Tapping it directly (each one of the crystals) with a plastic tip can create mayhem at some directions.

In general, I think vibration test against physical damage is the norm, here's from my icepower modules:





View attachment 500749

I expect all modules destined for active speakers amongst other uses, etc to demonstrate such.
None of that at audible levels though - in particular, THD figure is the same in all plots (excepting run to run variations)



Part1
(It loads for me)

Then change the last “1” to a “2’ for part #2.
Similarly - microphonics of ceramic capacitors is understood. Though I've never seen any demonstration of audible effects in audio gear.


And again all these examples involve tapping the equipment - resulting in effect very much higher than you will get with any audio device sat on your shelf at home.

At risk of repeating my self - if you are worried about audible microphonics from tapping your gear, don't do it.
 
None of that at audible levels though - in particular, THD figure is the same in all plots (excepting run to run variations)




Similarly - microphonics of ceramic capacitors is understood. Though I've never seen any demonstration of audible effects in audio gear.


And again all these examples involve tapping the equipment - resulting in effect very much higher than you will get with any audio device sat on your shelf at home.

At risk of repeating my self - if you are worried about audible microphonics from tapping your gear, don't do it.
You know I won't fall for when a measured result turns to audibility argument.
It's there, whether we hear it or not, as any other metric.

But yes, I'm far more interested at the practical side, the structural integrity for example. I like to see such tests at nice products.

Edit: for example, vibration tests could reveal the failure of this small PCB inadequate mounting at this later Topping amps.
 
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You know I won't fall for when a measured result turns to audibility argument.
It's there, whether we hear it or not, as any other metric.

But yes, I'm far more interested at the practical side, the structural integrity for example. I like to see such specs at nice products.
The problem with your "measured" result, is the stimulus vibration (tapping) is completely unspecified/arbitrary. We have no idea what level (frequency, amplitude/acceleration) that is at the component - nor how that compares with the level that component might experience in real world use.

This is the problem with anyone suggesting @amirm should test this. You have to specifiy what level of vibration is to be applied - and relate that to real world use cases. Then Amir has to buy a test rig that can accurately and repeatedly apply that vibration.


Absent this - all that can happen is we look at the measured result from arbitrary tapping and ask : "Does it matter" and receive the answer "Dunno"

It's not going to happen, absent someone demonstrating vibration is a problem that should worry users of audio gear.
 
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The problem with your "measured" result, is the stimulus vibration (tapping) is completely unspecified/arbitrary. We have no idea what level that is at the component - nor how that compares with the level that component might experience in real world use.

This is the problem with anyone suggesting @amirm should test this. You have to specifiy what level of vibration is to be applied - and relate that to real world use cases. Then Amir has to buy a test rig that can accurately and repeatedly apply that vibration.

It's not going to happen, absent someone demonstrating vibration is a problem that should worry users of audio gear.
I'm not suggesting Amir to do that, as I'm not suggesting reliability tests, ever.
They are highly specialized and time-consuming, almost impractical to the purpose of the engineering glimpse we get here.

That's for companies to perform and this HALT test I posted seems standardized.

(see the edit)
 
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It's safe to say that vibrations in the range of 2 to 40G rms will cause all stereo gear to spontaneously deconstruct. It isn't designed for aerospace blackbox duty.

OTOH, if *acoustic* vibrations affect the audio processing above -100 dBc, the design is clearly deficient. You can test this in any commercial environmental test lab with a vibration table for a few (or several) thousand dollars. This involves attaching (typically using CA glue) a few dozen accelerometers to internal points designated by an engineer to be susceptible to acoustic resonances. So it is an invasive process. The test amplitude is swept up at each test frequency until the maximum accelerometer reading matches the test rating.

At my former aerospace job they had a vibe table powered by a 250kW linear amp, capable of shaking a 50 lb UUT up to 20 Gs. One night a tech played Stairway To Heaven through it. The box under test did not function well as a speaker, but you could clearly hear it...
 
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Similarly - microphonics of ceramic capacitors is understood. Though I've never seen any demonstration of audible effects in audio gear.

And again all these examples involve tapping the equipment - resulting in effect very much higher than you will get with any audio device sat on your shelf at home.

At risk of repeating my self - if you are worried about audible microphonics from tapping your gear, don't do it.

That is all well and good advice, but if I have the choice between a device that is microphonic and one that is not, I’d pick the later device…

The problem with your "measured" result, is the stimulus vibration (tapping) is completely unspecified/arbitrary. We have no idea what level (frequency, amplitude/acceleration) that is at the component - nor how that compares with the level that component might experience in real world use.

The TI fellow used a known mass from a known distance.



This is the problem with anyone suggesting @amirm should test this. You have to specifiy what level of vibration is to be applied - and relate that to real world use cases. Then Amir has to buy a test rig that can accurately and repeatedly apply that vibration.

Maybe or maybe not.
He could use the battery and the triangular ruler.



Absent this - all that can happen is we look at the measured result from arbitrary tapping and ask : "Does it matter" and receive the answer "Dunno"
...

But ^That^ is sort of the science part of “is it an audio problem:.



It's not going to happen, absent someone demonstrating vibration is a problem that should worry users of audio gear.

It clear seems to be.
Amir has stated something to the effect of people spending ridiculous amounts of money on bad performing gear, as well as threads on snake oil.

There are all sort of products that magically float a speaker off of the floor to get rid of vibration from below.
And all sort of footers/feet/spkes to place gear on.
And engineered “masses” with anti vibration layer to put onto boxes with the intent of stopping the shaking.
And then there are stereo racks designed to stop the shaking.

So it seems like if I have a choice between a device that is not microphonic and one that is… then I at least know I am saving some $ on the anti vibration gear with the boxes that don’t use say the microphonic caps.
 
How does that explain the TI links from post #6 81?
It was post 81. :cool:
Yes, all sorts of vibration-sensitive nonlinearities and odd effects exist in audio devices. Doing things like tapping on semiconductors and passive components causes varying degrees of artifacts. Lightly tapping on a mechanical relay in a preamp with headphones is an example of a seemingly mundane component that is sensitive to vibration. In some high-vibration applications the artifacts from hammering and pounding matter. Home audio can't be considered high-vibration.

Similarly - microphonics of ceramic capacitors is understood. Though I've never seen any demonstration of audible effects in audio gear.

And again all these examples involve tapping the equipment - resulting in effect very much higher than you will get with any audio device sat on your shelf at home.

At risk of repeating my self - if you are worried about audible microphonics from tapping your gear, don't do it.
I couldn't agree more.:) Tapping until you get an audible response is completely unrepresentative of actual use.

So at the risk of opening a can of worms, how about trying with sound?
I have a QA403. It's made of the same stuff as a typical audio device, with the ability to self-test, and a very low noise floor.

I configured the left channel in loopback mode. I grounded the inputs of the right channel. This way if I see artifacts due to vibration, I can maybe isolate them to input vs. output circuitry.

I used three sources of excitation. A Genelec 8361A, a JBL M2, and a Technics 11" woofer that I had lying around. I tried a number of signals, including multitone. I tried a number of volumes all the way up to eleven:cool:, and a number of distances including point-blank and sitting-on-top:
1767158014425.png

More on the sitting-on-top configuration later.:cool:

First, here is the noise spectra of the QA403 with no audio playing, only the background sound of the room.
In all of the graphs, L channel is blue and is measured in IO loopback, R channel is red and is measured with inputs grounded.
1767199444313.png

1767158207244.png

It's clean with no input to the speaker. The loopback measurement being slightly higher floor than with inputs grounded.

I mounted the QA403 on a mic stand and put it 5 cm in front of the front baffle of the 8361A and blasted the analyzer with music at maximum volume while measuring the spectra of the QA403 as it was vibrated by the speaker's output:
1767158497047.png

That was loud. The QA403 is unaffected by the vibrations, even at only 5 cm from the speaker playing it's limit lights flickering amber.

I did the same with a JBL M2, in this case I put it in front of the woofer which should excite it up to 800 Hz or so.
1767158859901.png

No effect, despite being terrifyingly loud at ridiculously close range.

This is good news. I assume that the QA403 doesn't have any dodgy or cost-saving applications, like ceramic capacitors with well-known piezoelectric properties in circuit applications that are sensitive to capacitance changes. The Genelec have amps built into them, so this is also good news.

I wanted to try multitone excitation. I used an 11" flat woofer from an old Technics speaker. It allows me to place the QA403 directly on top of the driver's planar surface.

Here is the QA403 at 5 cm above the flat surface of the woofer:
1767159649978.png

Nothing, to see. This woofer doesn't play as loud as the other speakers, but I thought it would be interesting to directly excite the analyzer by putting it on top of the woofer like the photo above.

I placed it directly on top of the woofer and repeated the experiment, feeding it well over 100 Watt multitone signal, the limit of what the woofer can do.
1767160209510.png

Interesting. You can see evidence of the multitone signal at 40 Hz, 50 Hz, 64 Hz, 80 Hz, etc. at -140dB, rising above the floor by ~10 dB. Also interesting, I can get the same or worse by holding the analyzer just above the speaker, or holding the cables I use for the IO-loopback measurement on the left channel just above the speaker. The question, is it the vibrations or the stray field from the Voice-Coil making all of this -140dB noise???

To investigate this, I repeated the above test of the analyzer sitting on top of the woofer, but physically pushed the driver deep into the magnet until the voice coil was no longer in the gap. At this point, the driver barely vibrates because the VC is no longer in the motor. Here is the noise spectra with the same high-power signal but with no significant vibration:
1767160723992.png

It got worse, even though the woofer is no longer vibrating. This isn't vibration causing the measured noise, it's the oscillating field from the woofer's voice coil inducing noise in the analyzer's inputs - note that it shows up in the left channel loopback test but not in the right channel with the grounded inputs. It gets worse when I push the woofer in because the analyzer is closer to the motor's core.

It also made the woofer's voice coil very hot, enough I could smell it. It's also extremely unrealistic stress, not representative of audio. It's also something we already know, inductors couple to each other and their surroundings. The old speaker-building advice is don't mount large-bore inductors near each other since they will couple, which is also another audio-overstatement; the effect exists but is minor except in extreme cases.

Where does that leave us?
Even absurd volume at point-blank range has no measurable effect on the circuity of a high-resolution audio analyzer.
By the time you get close enough to a driver to observe a signal, the field from the voice coil has a comparable or larger effect than the vibration caused by a speaker. Likely much larger. Even if the signal was vibration (it isn't), -140 dB isn't audible.
So aside from not tapping on our audio gear, keep it away from large electric motors.;)

Of course some devices may have higher levels of vibrational susceptibility than this analyzer. Especially if they use components like ceramic capacitors with piezoelectric properties in the feedback loop of a high gain device.:facepalm: A cheap example from AliExpress was recently tested on ASR. I bet it is also vibration-sensitive, but certainly not the worst of it's problems.

edit: typos and added a legend to the graphs of the left and right channel measurements
 
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Thanks for doing this! This makes complete sense, too. Given how capacitors work it's not hard to believe thumping one might affect it, but that does not translate into a generalized "microphonics" from any and all vibration. So much audio woo comes from starting from a genuine effect and exaggerating it past all reason, especially if you can claim to ward off something unseen.
 
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