Vini darko
Major Contributor
To bad I guess , It has begunI would rather not start a flame war.
To bad I guess , It has begunI would rather not start a flame war.
Oh? So I rob banks all the day long but if I give $10 to charity I am good to go? No, we are not here to entertain people who think no measurement could ever show a device is transparent. It doesn't get more wrong than that. It also makes his entire endeavor on MQA a farce if objective analysis doesn't answer audibility questions. Test signals are good in one argument but not another?While I disagree with most things @GoldenOne said in the post above: I beg to differ.
Some of his publications, such as his recent MQA deep dive are quite valuable to this forum, IMHO.
I've been quite open with my approach to reviews and my view on things.
I think that the polarisation between objectivist and subjectivist is getting worse and it isn't good for anyone.
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I also do not think that just because something measures very well that it is guaranteed to sound excellent or the same as any other well measuring product.
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(Though it's important to note a blind test cannot confirm if two things are the same/no difference as you can expectation bias yourself into not hearing one. Swimming teacher can't make you float but that doesn't prove that humans can't swim.
It can however confirm or suggest to a statistically significant degree that a difference is present)
There are no formal courses that I know of. I can do a video but I have to create the material for it which will be time consuming. And due to copyright issues, challenging.@amirm
Is there potential for a video on the particulars about "trained listening", or what such training actually constitutes? I hear it takes a few months or something, and is always constantly alluded to when "trained listeners" are able to ABX things like 320 mp3 and FLAC by using certain tells. Is this like some course?
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I'd be quite happy to make a video doing some blind tests on some of this stuff. To be honest the only reason I haven't is because I just assumed that anyone who disagreed that whatever I was comparing could make a difference would simply claim I'd faked it somehow so there wouldn't be all that much point.
Great. Start a camera rolling, then run a blind test 10 times in a row and show us that you can hear such 8 out of 10 times. Not hard. Dead easy for a youtuber. Yet it is not done and we are told to just believe.a) We listen to a reproduction chain, and the interaction among equally well measuring components may have an audible effect.
Same as (a) above. Show that stuff that has nothing to do with this effect show this effect nevertheless. You would be more famous than discovering sasquatch is real.b) Measures do not fully describe the stereo presentation. I know very well that it is room dependent and recording dependent, but in the same room two tonally equivalent chains may have a very different presentation. If you are anything like me, you can tolerate tonal uncertainties but definitely you cannot tolerate that the guitar is not sounding in a place different from the keyboards.
We are not discussing differences between speakers where differences exist. We are discussing things that are shown to be fully transparent in objective measurement and have the poster say, "well, it sounds different to me even though distortion+noise is -120 dB." No, we don't know that it sounds different to you. We know you think that but we are not interested in what you think. We are interested in fidelity differences that are reliable.c) What measures well is not necessarily what we like. I like the Klipsch sound, despite the fact that I know very well that their frequency response is far from ideal. I have a hybrid tube amplifier that I use for Jazz and classic because it sounds a bit on the warm side.
I know that statistically we all tend to like the same type of sound, but if I am an outlier, then I may want to use different equipment.
I appreciated that but backhanded compliments are not going to get us there. We are here because we believe in audio engineering and research over decades on what equipment fidelity is about. We are NOT here to live on made up, lay audiophile rules of this and that. Oh I changed my outlet on the wall and vail was removed. Oh I changed my cable and bass became so much faster. Oh I listened to this headphone and it is the best headphone in the world.I want to stress that what I said above doesn't detract at all from the work Amir is doing. I believe he is helping to make a lot of badly needed clarity and he deserves and enormous credit for that.
a) We listen to a reproduction chain, and the interaction among equally well measuring components may have an audible effect.
b) Measures do not fully describe the stereo presentation. I know very well that it is room dependent and recording dependent, but in the same room two tonally equivalent chains may have a very different presentation. If you are anything like me, you can tolerate tonal uncertainties but definitely you cannot tolerate that the guitar is not sounding in a place different from the keyboards.
(I let you imagine how I feel when I hear interesting pop/rock/indie music being butchered by the mix engineers..in that case you can't even start thinking to spatial reconstruction, but I digress)
c) What measures well is not necessarily what we like. I like the Klipsch sound, despite the fact that I know very well that their frequency response is far from ideal. I have a hybrid tube amplifier that I use for Jazz and classic because it sounds a bit on the warm side.
I know that statistically we all tend to like the same type of sound, but if I am an outlier, then I may want to use different equipment.
This is why I want to put a stop to those kind of posts. Musicians? You think they have super special hearing when it comes to hearing differences in amplifiers? No they don't. They have been tested in many blind tests and other than hearing reflections better, have no special hearing ability.Additionally many studies were conducted with just normal people rather than musicians or experienced listeners who in various other studies have repeatedly shown to have much better audibility thresholds in various areas.
I think that the polarisation between objectivist and subjectivist is getting worse and it isn't good for anyone.
No, we know how to deal with that. We repeat your experiment. Ask first how you should run your test so that we can tell you the proper protocol. That way, there will be a lot less pushback.I'd be quite happy to make a video doing some blind tests on some of this stuff. To be honest the only reason I haven't is because I just assumed that anyone who disagreed that whatever I was comparing could make a difference would simply claim I'd faked it somehow so there wouldn't be all that much point.
@Gene DellaSala has some great objective videos. Among others, he recently did an excellent cable video with lots of measurements.
Ethan Winer also has some good videos and information too, though he uses null testimg where an AP analyzer is better.
And subjectivists can still entertain with stories, show you features, comment on style, fashion, recommend great recordings, etc., so are not worthless.
I'd be quite happy to make a video doing some blind tests on some of this stuff. To be honest the only reason I haven't is because I just assumed that anyone who disagreed that whatever I was comparing could make a difference would simply claim I'd faked it somehow so there wouldn't be all that much point.
It isn't actually. I am seeing a large transformation toward audio science, engineering and objectivity. Our growth is great proof of that:I think that the polarisation between objectivist and subjectivist is getting worse and it isn't good for anyone.