DSJR
Master Contributor
It's like this and since the brand has appeared to largely stand still for some decades, I think the following still applies-----Thanks both.
Perhaps I need to refocus my question a little.
These are the ATC SCM40, and these speakers have been on my 'to audition' list for a while.
SCM40 - ATC Loudspeakers
Overview New ATC designed and built 25mm soft dome HF unit with precision alloy wave guide. ATC 164mm bass driver. Massive optimised motor assembly. ATC Soft Dome mid-range driver. Flat impedance curve allowing easy load for amplifiers. Veneered Finish Options - Cherry, Black Ash. Painted Finish...atc.audio
These are the ATC SCM40A, the active versions of the ones above:
SCM40A - ATC Loudspeakers
3-way, tri-amplified, active, floor standing sealed box loudspeaker featuring hand made drive units and amplifiersatc.audio
They passive 40s cost on average 6500 Euros, whereas the actives cost about 11000 Euros.
Can I get close to, or match, or even improve on, the performance of the ATC SCM40 actives by buying the SCM40 passives instead, and by spending less than (11000-6500)=4500 Euro on good quality, third party (e.g. Chinese) power amplification?
I suppose the only answer to this is to do a blind test comparing the two and the setup I have in mind, but this is currently very difficult for me, so I wonder if someone had any strong opinions about this due to personal experience already.
The ATC mid dome is used almost wide open with very little available at the extremes for crossover overlap. This means the applied doping to the mid domes has to be done exactly right as too much or too little affects the top and bottom regions of the dome's response (this from ATC themselves). The active crossovers (used to) have phase matching as well as level matching in the bass to mid crossover at least, to make the transition as seamless as possible - certainly in the 50/100/150 amp packs and hopefully in the 40A as well. The passives don't have this, so all other things considered, it's more than a bit of a compromised fudge. Billy W himself told me at the time that the three-way passives were only primarily offered to the audiophile domestic market and he didn't particulay recommend them. Now he's gone, who knows...
Subjectively and irrespective of the driving amp, the 40, 50 and 100 I've compared in passive and active versions (sometimes the same speaker upgraded to active) have always favoured the active version...
To @tokyo_blues - I'd happily suggest you upgrade your Focus 110 to the Focus 50 if you can (I've not heard the dinky floor-stander in between). The stand-mount Focus has what I call small-box 'stunt bass' which isn't particularly truthful in my opinion. the Focus 50 can appear to disappear from the soundstage and on a suitable good recording that's not been messed with too much in the mix or mastering, the perceived soundfield can be holographic in a way that conventional domestic systems simply don't do. I believe the '50 measures pretty well also from what little I've seen.