HARS?Good news! Any link for donation to help HARS project?
Thinking aloud: wouldn't it be great to cooperate with REW team to integrate HARS into REW?
HALS - from #553. Integration into REW might raise patent issues in its paid version.HARS?
But it is a thought to connect REW somehow.
REW consists of almost two decades of software interface development and it's capabilities are beyond commercial acoustic measurement softwares according to my limited experience. I use Clio from Audiomatica and it is a nice measurement tool but I always export graphs as *.csv into REW to do merge/subtract/compare graphs and REW is the most user-friendly and versatile and graphically sophisticated software I've ever used.What does that mean, integrate with REW? What function could REW perform for us or what could we do for REW?
The post processing exports the files as frd according to how you want them on whatever grid you choose. If you want to import them to REW you already can. REW doesn't offer anything to benefit the measuring mechanism, in fact it would just make everything more complicated.I always export graphs as *.csv into REW to do merge/subtract/compare graphs and REW is the most user-friendly and versatile and graphically sophisticated software I've ever used.
Just imagine REW will be compatible by an Acoustic scanner robot like HALS to do all the communications between a software and hardware and do all the mathematical calculation and including all the standards like CTA-2034, Spinorama, you name it....
Just saying...
I like REW, it is good for viewing response. It also has good audio capture system.REW consists of almost two decades of software interface development and it's capabilities are beyond commercial acoustic measurement softwares according to my limited experience. I use Clio from Audiomatica and it is a nice measurement tool but I always export graphs as *.csv into REW to do merge/subtract/compare graphs and REW is the most user-friendly and versatile and graphically sophisticated software I've ever used.
Just imagine REW will be compatible by an Acoustic scanner robot like HALS to do all the communications between a software and hardware and do all the mathematical calculation and including all the standards like CTA-2034, Spinorama, you name it....
Just saying...
Can you explain a little more about your thinking please?I will go through all of this at some point in time, as I want to do the Klippel NFS in COMSOL Multiphysics (if possible). Then we can easily see which effect the room has, and how close the sound field from the decomposed sources comes to the real output from loudspeaker.
How? You do realise that 10% difference is no longer a copy of a current patented design. And you can't patent spinning on a central point with a microphone. The software is bespoke, arguably more advanced in some ways than Klippel NFS. And the design for the stand is easily 40% different than the Klippel NFS.HALS - from #553. Integration into REW might raise patent issues in its paid version.
This will be interesting. May raise many questions. But will certainly be interesting.I will go through all of this at some point in time, as I want to do the Klippel NFS in COMSOL Multiphysics (if possible). Then we can easily see which effect the room has, and how close the sound field from the decomposed sources comes to the real output from loudspeaker.
If you have a finite element setup with a loudspeaker, you will know the 'true' output from the loudspeaker. If you then on top of this implement the NFS system, you will also get the output from its fitted sources. You can now remove the room, add the room, change the room, and see if you get the same results from the NFS regardsless of the acoustic environment (which I doubt, looking at @NKTs brilliant work here). Perhaps it is close, but then you will still be able to compare the free-field FEM field with the NFS results.Can you explain a little more about your thinking please?
Is that not already done in the pa world, so to use a 3D sound radiation in a large hall? It is not my business but i remember having read something.I will go through all of this at some point in time, as I want to do the Klippel NFS in COMSOL Multiphysics (if possible). Then we can easily see which effect the room has, and how close the sound field from the decomposed sources comes to the real output from loudspeaker.
My memory was that at some point @NTK had referred to a Klippel patent when investigating the analysis side, but that was several years ago now and my memory of those threads may be wrong. If there's no patent then great - no problem. If I were the author of commercial software attempting to implement the functionality, I would first want to check what patents may cover the area, and exactly what their claims were. It's the claims that matter, at least in my non-lawyer understanding. Sometimes it's easy to sidestep a claim by avoiding one of its necessary elements. Sometimes it's not. It doesn't matter how different your product is if you're implementing all the necessary elements of a claim. There are of course international variations, particularly around whether or to what degree you can patent software.How? You do realise that 10% difference is no longer a copy of a current design. And you can't patent spinning on a central point with a microphone. The software is bespoke, arguably more advanced in some ways. And the design for the stand is easily 40% different.
If you are going to try and raise fears, try to understand first patent law, and secondly both designs.
Mark
Field separation will never be perfect, that is sure. Already there are contradicting requirement for the measurement points grid. Pure SHE can use a Lebedev pattern to maintain orthogonality to a defined harmonic degree (order_N) . For sound field separation we MUST have various radius points to capture field decay, it can not be a surface of a sphere. Now we loose orthogonality and we are struggling with spatial aliasing, mode leakage, radial-nulls and ill-conditioning. It is not analytic integration it is an inverse problem.If you have a finite element setup with a loudspeaker, you will know the 'true' output from the loudspeaker. If you then on top of this implement the NFS system, you will also get the output from its fitted sources. You can now remove the room, add the room, change the room, and see if you get the same results from the NFS regardsless of the acoustic environment (which I doubt, looking at @NKTs brilliant work here). Perhaps it is close, but then you will still be able to compare the free-field FEM field with the NFS results.
Yes you areI want to say I am not an expert.
Ahem. I agree with Tom.Yes you are