That’s a VERY strange situation tbh.
How did you know how to design an FIR filter and design crossovers in general but never explored room correction before.
Genuinely interested! Very unusual ‘order’ to learn things in this hobby.
Thanks for your interest !
Long story short...well, kinda short i hope...
after decades of being into electrostats and acoustical treatments of normal sized rooms, I built a large audio room (about 13 x 8 x 4m) that doubled as a playroom for my kids.
I built the room's dimensions to a golden ratio, and worked hard to dial in acoustic treatments. Wonderful sounding room, truly
The room needed speakers stronger than any of my stats, so I bought some high quality PA speakers from Meyersound. I was amazed at how good they sounded, while providing realistic SPL and bass extension. Loved them.
Then one day i took them outside for a party, and that event changed my audio life.
Never had heard such clarity, such purity, ........and quickly concluded the very best of rooms.......are still gonna suck compared to outdoors....
Built some Labhorn subs designed by Tom Danley, to give the extra bass needed to match up outdoors with the Meyers.
Then I needed more mains SPL lol.
Saw a great PA DIY design by peter Morris on Soundforums, that could challenge the Meyers SQ, and run louder (which obviously helps outdoors).
The designer gave xover points, but said we should work out driver sections EQs per our own builds.
Somehow I stumbled onto miniDSP and FIR...and ended up with a bank of four OpenDRCs..
After those super positive experiences, i got the DIY design and build bug....been busy ever since, along with continually upgrading my processing platforms and FIR capability.
All my work has been to make the best sound I can make...
.outdoors! Because for me, it's so damn much better than indoors !!!
Hope that explains what seems like an unusual path.
Oh, and must say, what works great outdoors....sure works great indoors too (just not quite as well lol)