Haven't tried it myself but it should work. I would colocate the 2 subs hooked up to the minidsp as close as possible to each so they act like a point source.I'm thinking of running 7.4.6 or 9.4.4 and want to use Dirac ART, but my processor is 16 channel only. Is it a bad idea to use a minidsp 2x4hd to eq 2 of the subs together, then have Dirac see 3 subs (2 individual, 1 pair)?
Should I just eq delay and gain or run the whole MSO workflow?Haven't tried it myself but it should work. I would colocate the 2 subs hooked up to the minidsp as close as possible to each so they act like a point source.
Doesn't sound worth it then tbh. I'll probably just connect all 4 subs to processor directly to cover 4 corners of the room. That leaves me at 7.4.4, not sure what to do with that extra 16th channelI don't know for sure, my experience with ART is that it is very sensitive to sub timing issues. I had to move 2 support subs closer to the LP, when further away ART created nonsensical delays that sounded terrible but it did not indicate any errors. I would colocate the subs and use the minidsp to make them act like one single point source. Any other way and I would guess it would mess up ART.
You might consider setting up ART initially with two subs. I suspect that you will conclude that with the power of Dirac ART you have no need for four subs, which would then give you two more channels, allowing you add front wides, far more important than the extra two subs, giving you a 9.2.4 system.Doesn't sound worth it then tbh. I'll probably just connect all 4 subs to processor directly to cover 4 corners of the room. That leaves me at 7.4.4, not sure what to do with that extra 16th channel
It is not possible to get valid Dirac Live ART filters if there is a second device with other subs connected.I would say this depends a lot on your surrounds - can they extend low enough to take over some of the subs' individual contribution?
In any case, I would 100% go for a 2x4HD rather than just omitting two subs. To be honest, if your subs have phase control, I would just rotate the phase in the other sub until they sum reasonably well together at MLP and some nearby positions
No one has suggested anything like this. Just dial in the subs together and then run ART with them as a "single" sub. There are zero issues with this approachOne thing is certain, it is not possible to get valid filters from ART if speakers are added outside of the ART measurements and calibration. In that case, purchasing an ART license would be a waste of money.
It won't work. You need to better familiarize yourself with ART. The physical position of each speaker is critical to the ART calculations.No one has suggested anything like this. Just dial in the subs together and then run ART with them as a "single" sub. There are zero issues with this approach
So line arrays or large subs with multiple drivers wouldn't work either? Do you have a citation for that?It won't work. You need to better familiarize yourself with ART. The physical position of each speaker is critical to the ART calculations.
No one has suggested anything like this. Just dial in the subs together and then run ART with them as a "single" sub. There are zero issues with this approach
In my opinion, I think the «truth» is somewhere in the middle. You can add multiple subs together with a miniDSP and hand them over to ART, which sees them as a single sub. This might work OK if you know what you are doing. However, it somewhat defeats the purpose if ART, who will probably achieve a more optimal result when it can use all the available subs.It won't work. You need to better familiarize yourself with ART. The physical position of each speaker is critical to the ART calculations.
I mean, of course having ART handle all four subs individually would be better, but to suggest that two subs would be better than two subs plus two subs combined into one seems silly, let alone it not working at allIn my opinion, I think the «truth» is somewhere in the middle. You can add multiple subs together with a miniDSP and hand them over to ART, which sees them as a single sub. This might work OK if you know what you are doing. However, it somewhat defeats the purpose if ART, who will probably achieve a more optimal result when it can use all the available subs.
I'm not so sure about that, in my case when ART didn't like where I had positioned 2 support subs (which were in addition to 2 other collocated subs), even though they were independently controlled, it went haywire with the delays and sounded terrible without any warning messages that there was a problem. When I moved the subs closer (a suggestion I found online) and remeasured, everything worked as expected. I think it is worth a try to combine the 2 subs but I would verify carefully that the timing makes sense. The "safest / most reliable" would be to use 3 subs independently controlled by ART.to suggest that two subs would be better than two subs plus two subs combined into one seems silly, let alone it not working at all
I like this approach, I may try this approach myself and co-locate subs to speakers.I think a better choice might be to instead use that miniDSP as a crossover to add those subs to the surround channels that are closest, and then ART will use them appropriately. It's not as effective as a full sub since you won't get the sub above the crossover, but in the sub-range it should do the trick. This would also require using the AVR pre-outs and external amps for the chosen speakers, but you can get plenty of cheap class-d amps that would handle that workload just fine.