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Digital Coax Cable

Yorkshire Mouth

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Sorry if this is in the wrong section.

I’m soon to be running digital coax RCA out from my WiiM Ultra to my Topping EX5 DAC/HP amp, RCA in, but the two are a few meters apart, so I need a long-run cable.

I already have an RCA to RCA subwoofer cable which is long enough.

Will this do the job, or might there be issues, either with a sub cable not being suitable for digital, or with it being a long run, or both?

Many thanks.
 
Sorry if this is in the wrong section.

I’m soon to be running digital coax RCA out from my WiiM Ultra to my Topping EX5 DAC/HP amp, RCA in, but the two are a few meters apart, so I need a long-run cable.

I already have an RCA to RCA subwoofer cable which is long enough.

Will this do the job, or might there be issues, either with a sub cable not being suitable for digital, or with it being a long run, or both?

Many thanks.
Why don't you just try it? If it doesn't work, you'll definitely hear it, or nothing at all.
Some companies use exactly the same cable material for their subwoofers and digital coax cables.
 
Due to normal coax construction, pretty much any screened coax cable has an impedance near enough to 75 ohms not to matter for domestic lengths. A few metres is short, it starts mattering when cable lengths get to tens or hundreds of metres. If you really want to keep more strictly to the 75 impedance, just use a length of ordinary TV antenna cable.

S.
 
It will almost certainly work, I've used random RCAs (the kind with molded red/white plugs) and they are fine.

For super nice cables, a 75 ohm coax with Canare connectors is a good choice.

 
Yes any cable will work. Only because of the crazy Hi Tech receiver chips used for the application. A good cable for your application is less than $10.00 US.

Read this please to a similar question. Gets a bit technical. Live and learn.

I will present the facts of this in a a punch list format.

1. S/PDIF Bit rate Clock rate demands

Here's how the maximum sample rates relate to the required bandwidth for S/PDIF:

  • For 2 channels at 48 kHz: requires a minimum frequency of 6.144 MHz. The receiver needs at least 3 MHz bandwidth to detect the signal properly.
  • For 2 channels at 96 kHz: the data bit rate is about 6 Mbit/s, and requires a receiver bandwidth of about 6 MHz.
  • For 2 channels at 192 kHz: the highest fundamental frequency is 24.576 MHz. For this rate, the external clock (for a transmitter) has to run at 24.576 MHz.
2. Impedance Matching: The 75 Ohm impedance of coaxial S/PDIF cables is crucial for maintaining signal integrity. Mismatched impedance can lead to signal reflections, jitter, and compromised audio quality.

3. A quality cable must have a foil and braid shield. Metal RCA connectors. Plated with the same material like Gold as the mating connectors. This first step helps to avoid parasitic thermionic noise currents. The double shielding of braid and foil in a well constructed cable. Keep in mind this cable has to shield AC line noise, computers switching power supply noise, Wall warts switching supply noise, AM broadcast noise and even the CB radio noise!!!!

4. Rules to follow.
Keep S/PDIF cables short as possible for each application. But long enough to shift equipment around for accessibility of new plans. Also long enough to pay some attention to routing them away from the power cords of your equipment.

Avoid humidity contamination that could change the Er of the internal dielectric or oxidation of conductors. Store any unused cables in zip lock bags.

I hope this answered some questions and made clear many the technical facts. Some of which I was surprised by! Turns out S/PDIF Clock recovery encoding effective doubles the audio data rate. Preamble ID code, Stop code, start, stop hand shaking! Some old ID protocols make this bit-stream much more than just our musical whims.
 
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