I’ve been using DEQX since 2003, and over the years I’ve tried just about every crossover and room correction platform out there: MiniDSP, Hypex DSP, Audioweaver, Audiolense, Ekio, RePhase, and Dirac, either for full crossover duties or room correction experiments. With my loudspeaker system, DEQX and Audiolense have consistently delivered the best sound: clean, coherent, and musically engaging. Nothing else has matched that level of naturalness and time alignment.
At the other end of the spectrum, the Hypex DSP was the worst in my setup. It made everything sound like a 128 kbps MP3, thin, flat, and lacking in life. In hindsight, that probably comes down to the fixed-point internal architecture, limited headroom, and basic crossover topologies togehter with just basic hardware. The Hypex units are great for convenience, but their DSP implementation simply isn’t transparent enough for high-resolution systems.
The MiniDSP offerings were a bit better, but they also suffer from low-cost analog stages, jittery internal clocking, and budget-grade DSP chips. You can modify the hardware to make it sound decent, especially the output stages but they’re not in the same sonic league as DEQX.
By contrast, the Danville DSPMusik running Audioweaver sounded fantastic and was actually the most flexible of all the systems I tried. It’s a serious platform with extremely capable software, but it demands a fair bit of engineering knowledge to really take advantage of its potential.
Ekio offers roughly the same functional scope as MiniDSP, but since it runs on your own hardware, you can choose much higher-quality DACs and interfaces, which immediately puts it a few steps ahead sonically.
RePhase is a nice companion tool rather than a full solution. I’ve used it together with Audioweaver to generate phase-correction filters for my IIR crossovers, a subtle but worthwhile improvement in coherence and imaging. It’s not night and day, but it adds polish.
As for Dirac, I never really liked it. It does some clever optimization, but in my system it sucked the life out of the music. It’s too focused on achieving a mathematically perfect target curve, and in doing so, it tends to flatten dynamics and make everything sound a bit sterile. At first I thought it was just me not capable of configuring it right but I heard it in other systems as well so I gave up on it.
After four or five years of looking for a true DEQX replacement, I eventually gave up and bought another DEQX. I still wish it were more flexible, that’s been my wish for 20 years, but it just works and it sounds right. My old DEQX still plays very nice in my bedroom system, which says a lot about how solid its core design has always been and it says a lot about the hardware reliability. In the end, I didn’t replace DEQX because it sounded bad, I just couldn’t find anything that sounded much better and offered the same convenience. The next best in my experience was Audiolense, and probably Acourate too, though I haven’t tested Acourate myself.
If you’re aiming for DEQX-level results on a smaller budget, I’d recommend getting an Audiolense license, a dedicated fanless PC, and a high-quality eight-channel DAC with proper volume control. With some careful configuration, that setup can come remarkably close to, or even surpass, DEQX performance, as long as you can live with the latency inherent in software-based convolution systems. If I could have integrated it more neatly, I probably would have been perfectly happy with Audiolense. The only real downside in my case was the hardware complexity, a separate source switcher, a separate PC, a separate streamer, and a separate AES-to-USB converter. It all worked, but it wasn’t exactly elegant.
As for my experience with the Pre-8, it’s still in Beta. A significantly updated user interface is supposed to be released sometime this month. To be honest, I don’t expect a revolution, the underlying processing engine will remain the same. What I’d really like to see is more clarity about what each stage in the setup process actually does, which would make it much easier to make informed adjustments. That said, the learning curve isn’t nearly as steep as with Audioweaver or Audiolense.
So no, I’m not going to tell anyone it’s a “must buy,” because I don't want to be responsible for your marriage but for me, it has definitely been worth it.