Your next HiFi purchase should be a calibrated microphone. It’ll help you navigate and understand the differences you hear. And since you like to tinker and audition things to hear differences it’s a logical step. I recommend the Omnimic. It’s what I use and if my whole theater burnt down, and I had to restart it’s the very first thing I’d buy. It helped me learn so much about the hobby. Armed with this experimentation myself, I challenge you to a small experiment to see how different your Denon and Marantz sound in the meantime.
Use the same single Audyssey mic to recalibrate both Marantz and Denon (with the same exact mic positions) and report back. Your bass will sound the same. Anything else is most likely placebo (or different settings - (IE unintentional setting differences in tone, channels trims, restorer, or dynamic EQ controls, cinema mode on one - but not the other, etc)
The Audyssey mics have a states allowed tolerance of +-2.5dB. That’s a five dB swing within allowed spec. Unacceptable, (but a mass manufacturing necessity/causality to fit the given price points) and almost certainly accounts for the bass difference you are hearing. I know it did for me between my AVRs.
Link here to reference:
https://www.avsforum.com/threads/a-brief-comparison-between-two-audyssey-multi-eq-xt32-mics.1764065/
Next thing... The Emotiva amps will sound identical to the Denon internal AVR amps in a controlled blind test, of which my local enthusiast friends and I have done three times now. If they don’t sound identical when level matched and played within their means on typical loudspeakers (then one of the two is broken). The only human audible difference in amplifier sound, to my experimentation and about 15 other enthusiasts we’ve tested so far) is when one amp is played beyond its means (too loud to the point of source or output clipping, or paired with speakers that are exceptionally low impedance, or if an amplifier intentionally “colors” the sound - think tube amp ). A calibrated omnimic will help in these experiments too. We compared a $800 Emotiva stereo amplifier to the internal amp on a Pioneer Elite AVR, and several other amplifiers (Behringer EP4000, Crown XLS 202, Behringer iNuke 3000 DSP, and even a Lepai T-amp and when level matched and played within their means on typical speakers at normal living room listening volumes - all amps we’ve tested so far sounded identical and differences could not be detected in a fast switching A/B/C/D blind test. To put a point in this test the Emotiva owner sold his Emotiva amps after particpating in that first blind test and went back to just using his AVR. He had very sensitive Klipsch pro audio cinema speakers and did not need the power (for his intended listening levels) and after we verified he couldn’t tell the difference in sound quality at those listening levels - he put some money back in his pocket.
These amps do show quality differences on the test bench, but that quality difference seems to have surpassed what our human hears could detect in a typical real world use situation.
We have not had the chance to blind test a Marantz AVR yet, to see how HDAM affects blind testing. I’m interested in doing so. In our most recent test we did use a Marantz 8805 prepro as the source with it’s HDAM module, but since it was the source whatever difference it makes was applied to all amps downstream.
link here: post 8989.
https://www.avsforum.com/threads/ka...e-night-events.1496367/page-450#post-60198218
As to the HDAM module, you would be able to see what it does with a frequency response sweep (maybe) or harmonic distortion sweep, as compared to your Denon without.
Here’s and example of objectively figuring why Auro 2D sounds pleasing to some by using a calibrated mic, free sweeps and distortion testing. This takes very little time but leads to an objective level of understanding even many of the audio review “pros” don’t have, or perhaps choose not to disemanate. This same test could be done between your Denon and Marantz after you use the same Audyssey mic to recalibrate. The results would be interesting!
https://www.avsforum.com/threads/wh...g-what-is-going-on-behind-the-scenes.3169754/
There are several calibrated mic choices. REW with the calibrated mic of your choice (Umic) is one option. I prefer Omnimic over REW, but either path gets the job done. Good luck testing!
https://www.parts-express.com/dayton-audio-omnimic-v2-acoustic-measurement-system--390-792?