Propheticus
Senior Member
It's all relative, do you have a suck-out or is it a low area compared to the peaks/room-modes in the rest of bass range?
Fixing those peaks and then raising the overall (sub) trim for bass, can indeed sound a lot better.
As you've noticed, the results depend on placement. So be careful in your mic placement and match it with your seating.
Conversely: if you can't move your speakers/sub you might be able to move your listening position to a spot without the 'suck'.
Lastly you can look at timing (phase) between your subs and main speakers to make sure they are not cancelling each other out in the crossover range.
Audyssey measures and compensates for distance differences (and processing delays, because what it actually measures is delay which it then turns into distance). Again accuracy depends on accurate mic placement. (The calculation in Denon AVRs that turns the saved distances back into relative delay compensation between channels is of by a factor 300/343 > manually correct distances by multiplying them by 0.875)
Fixing those peaks and then raising the overall (sub) trim for bass, can indeed sound a lot better.
As you've noticed, the results depend on placement. So be careful in your mic placement and match it with your seating.
Conversely: if you can't move your speakers/sub you might be able to move your listening position to a spot without the 'suck'.
Lastly you can look at timing (phase) between your subs and main speakers to make sure they are not cancelling each other out in the crossover range.
Audyssey measures and compensates for distance differences (and processing delays, because what it actually measures is delay which it then turns into distance). Again accuracy depends on accurate mic placement. (The calculation in Denon AVRs that turns the saved distances back into relative delay compensation between channels is of by a factor 300/343 > manually correct distances by multiplying them by 0.875)
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