That's one part I do agree with ... revealing of system competence, the recording process has made them extremely finicky about any added distortion in the playback.The violin is very revealing of the recording and of the system. ...Your tweeters, and your amplification. Same with cymbals.
Bad move - you're sweeping the dirt under the carpet, not getting rid of it ...To tame harsh sound I dial the treble control couple notches down. ...And I use cheap interconnects and speaker wires.
Bob, that's what normal, everyday CDs sound like when reproduced well ... there's a big, fat, zero requirement for hi res recordings, to get "better" sound - it's just a band aid to allow average equipment to not sound quite as unpleasant when playing 'difficult' recordings ... .To me what I like most about high-res audio is the sound quality, in general, on the violins, the cellos, the cymbals, their natural attacks and fading, the drums and the piano notes.
No, ... regarding hi-res and normal CD, I've done the experiment many times of subtracting the "extra" information that's on hi res, amplifying that miserly difference to the point of clipping levels, say 60dB boost, and playing that grotesquely amplified hi res information at full volume with my ear against the speaker. And what do I hear? Absolutely ... bloody ... nothing - it's irrelevant, merely a workaround to get audio to sound better when the system is not good enoughDo you also agree with my unfounded and unscientific but experienced listening findings?
Can I be proven right?
Do you have a switch on your laptop that able you to quickly compare low-res with high-res? Well, not on your laptop per se but inside...from a program.
Some apps for your phone will even measure the results.
Frank, how would you define high-res audio? ...HRA
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