Andysu
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just use 2nd hand used behringer dcx2496 to crossover partly eq out resonate peaks and system is ready far cheaper than £750Yes, it is the AFTER eq graph. The graph title does not call this out well, so I updated my post to emphasize.
My point is that the speaker's directivity wis good enough to use eq to remediate and NOT waste money on a ($750) crossover upgrade (that may still leave a bass shelf under 200 Hz).
Hey, I’m allowed to enjoy fiction and comedy!
Well, he's a salesman, I'm not going to say he's great, but he is pretty good, he sure has his following though. He has that easy pitch that most people get along with. He's not confrontational but he does like to tweak what other people build. I'm halfway on board with that.He’s a good salesman for sure. And I am guilty of enjoying his upgrade videos.
I have called Danny out a few times on his YT channel where his crossover upgrade fixes an on-axis dip only to introduce an off-axis trend for a peak in its place, typically caused by baffle diffraction of the tweeter’s response. I believe the on-axis dip at the crossover point (earlier tweeter roll-off) is often deliberate so as to give a smoother in-room response when diffraction effects can’t be managed in other ways. It also improves power handling of the tweeter, useful in budget designs.
Danny is not incompetent by any stretch but he knows enough to convince the uneducated audiophile.
Some of his upgrades are very good and you can see this in the frequency responses, more often though he messes up the off-axis.
He’s a good salesman for sure. And I am guilty of enjoying his upgrade videos.
It is hard to read most ad copy for most audio equipment as it is written by the scammers, ah, I mean marketing people. I like that you can come onto ASR for FREE and get all the data you need from Amir's tests and then buy what fits your personal situation. Plus if you have any questions you can ask and get pages of answers. I need to donate to Amir again, it has been awhile. This site is worth donating too.Danny is hardly the worst offender. ASR has a target rich surface when it comes to audio frauds. He just happens to be a frequent offender that is dangerous as he mixes some fact with his fiction. Eventually there will be enough better alternatives, and GR will go the way of (the original fraud of) AV123.
Until then, expect ASR and others to continue to shine the light to help others know when they are getting scammed.
He has recently developed a fix for the Cerwin Vega 316, priced at 755 USD. For a speaker that can be had for as little as 150.
But here I think Danny has good points and a good solution. On axes, the Wilson Audio Watt Puppy 8's FR is pretty lousy. Especially considering their price.
The solution will probably cost a lot with Danny's expensive crossover parts, but there will be a solution.He'll get to that,in detail,in the next video, so it's not covered in the video below. If you have bought a pair of expensive Wilson Audio Watt Puppy 8, I'm guessing that you can imagine spending a decent amount of money on a better crossover, to fix a good FR. That while swearing at Wilson Audio when you open your wallet.
Danny's measurements (the upper ones in the screenshot) is very similar to Stereophile's results:
View attachment 421805
According to Danny, they dip down to 2.4 Ohm. According to Stereophile : There is a drop to 2.2 ohms at 77Hz (fig.1)
The lack of sub 200Hz measurements just baffles me. I don’t care if he doesn’t splice a nearfield but I do want to see the nearfield. The Stereophile graph shows a high Q peak in the bass and this could be caused by bass low pass filter. But zero analysis from Danny there. That alone could be a reason to go an active because inserting a low pass filter at around 200Hz nearly always messes up the bass alignment.What solution? Perhaps you meant proposed solution. Suggest we should wait for the actual implementation and some measurements before judging. He does do some baselining as you show below but chops off at 200 Hz with his usual excuses. If I just sent my expensive speaker to him, would hope he make some effort to show that he balances the bass output with the midrange output. He whines about the low impedance, but his proposed solution is a dedicated amplifier. Anyone who can afford these speakers, likely owns amplifiers that can drive them. While active bass does offer advantages, low impedance is NOT the reason to implement it. If the owner has cash to burn why not make it a fully active system?
Danny claims a big dip in the vertical off-axis response but does not specify the conditions. This is a big speaker with major spacing between drivers so the dip is to be expected. Later, he measures "lower" (location still unspecified) and it gets much better. You would expect this on most any tower speaker so no major find. Horizontal off-axis appears better but still do not know his measurement axis. Note his baselining against Stereophile stops at on-axis. As his off-axis "improvements" are often not a clear upgrade, let's wait and see what his measurements show.
Notice another major difference from his other videos? This one lacks the usual critique of the binding posts and the crossover parts. Are they good quality for an expensive speaker? How about the cabinet bracing and damping? If I owned these, would expect a more comprehensive exam....
Kudos for doing some baselining but Danny seems to be checking the box as does not carry much further. he does mention impedance curve baselining but kind of pointless if the FR basically matches. Still the FR is only above 200 Hz. Danny's proposes an active bass redesign but nothing more than impedance to justify a major subsystem upgrade? Seems like a pretty weak case at this point. Quality bass is such a key part of any speaker and a key differentiator for a larger one, but he gives it an overly lightweight analysis imo.
P.S. See no evidence in his youtube video that suggest to not be skeptical of Danny’s ability pinpoint real problems and apply objective fixes. Too often he applies crossover changes when straighforward equalization would likely be better and cheaper.
He's mentioned his reasoning on this numerous times and it's on his FAQ page. We can disagree with it.......but this is his stance.The lack of sub 200Hz measurements just baffles me. I don’t care if he doesn’t splice a nearfield but I do want to see the nearfield. The Stereophile graph shows a high Q peak in the bass and this could be caused by bass low pass filter. But zero analysis from Danny there. That alone could be a reason to go an active because inserting a low pass filter at around 200Hz nearly always messes up the bass alignment.
Thank you but I get all this. The excuses are lame if you understand speaker design and measurement. But they sound very clever and justified to those that don’t.He's mentioned his reasoning on this numerous times and it's on his FAQ page. We can disagree with it.......but this is his stance.
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Dave Reite.
Why don't you measure below 200Hz?
There are a few reasons for this:
- We don’t own an anechoic chamber, so we use a gated time window of 4 milliseconds. This removes any & all room reflections from the measurement, giving us an anechoic measurement. However, the primary limitation is that it is only accurate to 200Hz. To accurately measure below 200Hz, you will need to take near-field measurements. Many Anechoic chambers are also limited to 80-100Hz.
- In-Room measuremensts are largely unreliable. and should be taken with a large grain of salt. Your room size/shape, your listening position along the speaker placement within your room will be a big influence on the sound of your speakers, especially below 200Hz, where room modes will dominate the response, creating several dips & peaks. A measurement from the listening position might look very different from even 2-3 feet over. Speaker placement near a the front or side walls in a small room will also cause issues that wont show up in larger rooms with the speakers 3+ feet away from the front/side walls.
Room treatment is the only real means to remedy those kinds of issues.- For our upgrade kits, the bass response is already determined by the manufacturer. Tuning for the bass of a speaker is determined via the driver, box size and the ports used when the manufacturer designed the speaker. We cannot change any of that without changing either the driver, the box or the ports. If there are issues, they were also present in the original speaker, or a room issue. Plus as frequencies get lower, the parts needed to make those adjustments only get larger and more expensive… so there’s no real means to fix them other than building a new box and using a different port, or changing drivers and building new boxes for those new drivers, but at that point, just get a different speaker…
- For our own kits, we use the T/S parameters of the woofer(s) to calculate the necessary box volume and/or port dimensions needed for the desired tuning frequency. These calculations have been standard practice for determining the box size for a long time, ad the effects of an over/undersized boxes are already known. We tune the bass of our kits to be pulled away from the walls.
Your point is taken.......but it's been made many times previously.Thank you but I get all this. The excuses are lame if you understand speaker design and measurement. But they sound very clever and justified to those that don’t.
Danny could even lengthen his measurement time window and provide a room response which would give us an idea of the bass response. If he did this in the same room and position every time we would be able to compare different speakers.
The fact he entirely ignores below 200Hz is lazy and does a disservice to his viewers, many of whom look to him as an educator and guru in speaker design.