Frequency response is just one variable, though acoustically probably the most important. That said, things like soundstage vary hugely among designs, particularly for closed headphones. There’s of course also distortion and time domain performance, which vary a lot, and qualitative differences in how bass is damped, or not, etc that change the feel.I see @Dan Clark has posted on this thread so I would like to ask Mr Clark what he thinks makes his headphones worth their price when other cheaper headphones can be made to follow very closely the target curve it seems he his trying to conform to.
Do not take this as making mischief or doing down DC's products. I can see and have read a bit about the efforts DC has gone to to design and produce the headphones he makes and I think they look lovely and probably sound excellent. I have yet to hear a pair because the two headphones of the range I was interested in just aren't easily available in the UK.
Then of course is build quality, aesthetics, ergonomics, support, and all the other stuff that makes a product what it is… a BMW is more than 0-60 in a straight line.
Looks neat but the new headband relies on elastic to provide suspension, to make your design work you’d need to come up with a replacement for that… TBH a a few people don’t like the strap but the vast majority do, it’s in use on all our high end headphones and is very rarely an issue for people.Ive now heard from a few people that they dont love the comfort of the stitched leather straps, even though they look great. Mainly from the customers that buy my Aeon replacement strap who also own higher end DCA headphones. I will design one of my stretchy, breathable replacement strap for them like the one below, will help people that have comfort issues with the stock one. I just need to get my hands on a model with the stitched leather strap locally (Toronto), I only own the Drop X Closed and old Noir.
Mr Clark, any chance to get some assistance from you for my design?
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