Just for the record, I think Josh’s test is great, but I also think he should make his methods and equipment as transparent as possible. It’s still a massive outlier and deserves scrutiny.
With normal competent design seen in nowadays DACs and preamps such interactions are no issue and non-existent. They are rather seen in exotic designs (tube output stage). You guys sometimes care too much about unimportant things.
Oh do tell me how forum discussion works, good sirrahI've actually read enough audio studies to know the tragic numbers of listener participants in most of them (vs. medical standards), and the scarcity of studies focusing specifically on this issue of coloration/FR-non-flatness detection ability. Reminder also, for the hard of hearing at the back of the class: when I see ASR bullies repeatedly skipping the step of showing what studies their bullying is based on, I am perfectly justified in saying "there are insufficient studies to support such bullying". Basic logic should've told you that's an unassailable inference, but it seems nature has not endowed all of us with the superpower of basic logic.
Just like every sentence you posted was "made up", yet curiously you expect people to understand it based on a preexisting familiarity with each separate word in it, and with how words in human language work together to encode meaning. Not only that, but if you suspected your readers of any intelligence at all, you might even go so far as to expect them to recognize the same concept in different writings available in other places even if it's named with different words! Crazy stuff, human language and reasoning - it can be shocking to the uninitiated.
First place I saw any information on it was here: https://www.audiosciencereview.com/...-of-amp-and-dac-measurements.5734/post-127757
It was called "frequency response deviation", but also quoted from Floyd Toole as "spectral tilt". Zero studies cited.
Then from the current thread I got this: https://www.audiosciencereview.com/...re-finally-proven-with-abx.72444/post-2650711
Here it's called "audibility of resonances" or of "modifications of timbre". Reported tests set up by Toole & Olive seemed to have used - hold on to something - two, four, and a whopping six participants for separate test conditions and endpoints.
Multiple preexisting studies are cited in there, most even older and near-impossible to find, some just paywalled. What I could dig up was a '75 Fryer write-up where he reports using "several" listeners, and since he splits them into skilled/unskilled and female/male, I guess he must've used at least 4 people. :')) A Moulana '75 paper thanks a total of nine subjects by name right in the preamble.
Moulana, BTW, calls their study's focus "tonal colouration" - obviously "jibberish" and "trolling", right? Just like Toole's Loudspeaker Measurements and Their Relationship to Listener Preferences, 1986, going on and on with these "made-up terms" and obvious "trolling" about "audible colorations":
Well-known "troll" Floyd Toole, ladies and gentlemen.
And to finish up, later still in this thread I got this link: https://www.audiosciencereview.com/forum/index.php?threads/“human-ears-are-better-than-measurements-”-“humans-can-hear-things-we-can’t-even-measure-”.72288/post-2651009
These are not strictly on coloration audibility but rather focus on JNDs, but I'll accept them for now considering the scarcity of direct evidence, and for the sake of my point on typical numbers of participants in audio studies:
Yost & Nielsen 1985 - can't find it, unkown number of participants
Jestead 1977 - three participants
Johnson 1993 - paywalled
Norcross et al. 2003 - paywalled, but seems to have had fifteen participants for at least one of the tests, based on the reposted figure (mis-cited in discussions so far as "Scott et al."! CC: @RandomEar )
Same thread you're replying to without even reading it already showed you where I got it:
https://www.audiosciencereview.com/...re-finally-proven-with-abx.72444/post-2651081
(Toole & Olive 1988 study, if assuming correlated resonances when doing the decibel arithmetic, but also seems to be corroborated by Norcross et al. 2003 if we assume JNDs are directly translatable to coloration detection ability at normal/high listening volumes.)
I wholeheartedly approve of your change of avatar, you may proceed with my full blessing.
That's not how forum discussions work. You either know for sure if that text answers my explicitly described concerns - but in that case you could directly quote the two numbers needed for that: lowest amplitude difference detectable by the best listener under the best conditions, and number of participating listeners in the study - OR you have no idea what the text says that is relevant to this specific discussion, in which case you're just using that link as a bludgeon and not as a proper argument, like so many others love to do around here.
Thread locked for maintenance per my previous post…
Maintenance complete and thread unlocked. Please remember to make productive posts and avoid personal comments!
Interesting. Did not know that.Josh on the other hand, got paid for article/testing by his boss at AS
Ok, that’s credibility-damaging.Interesting. Did not know that.
I see the site has ads for a $15,000 streaming dac (that "presents all aspects of a recording - from individual sounds to the subtle timing and spatial cues that bring us a sense of space and depth") and some $82,000 speaker cables. I guess I live in a different world.
In that case, I simply cannot understand @Josh83 entire approach to discussing and defending the matter. It just doesn't square with the idea that he did it primarily for himself.From what I got from his article is that the attempt was mostly to satisfy his own curiosity and to prove or disprove (to himself) his idea that he could hear differences between DACs using the ABX box in a more scientific way without the help of others.
I think Amir’s first post in this thread is still very valid:In that case, I simply cannot understand @Josh83 entire approach to discussing and defending the matter. It just doesn't square with the idea that he did it primarily for himself.
However, if we accept that perspective, then all of us—those discussing it, questioning the results, and wanting to verify everything—have made a huge mistake and completely misjudged the situation.
After all, the value of that statement and the results posted by @Josh83 would then be no greater than that of any other statement on this or any other forum.
If it is true that @Josh83 possesses records or data that would allow anyone to verify this, then the whole thing becomes even less credible to me—and certainly isn't worth a dedicated thread.
A way would be to record the excerpts Josh used from different DACs.But now the matter may never be resolved. If the box tests as transparent on both channels and nobody using it hears any differences, that still doesn’t prove Josh wasn’t able to do so. It makes it improbable, maybe incredibly improbable, but not impossible.
The only way to settle this (if the box is transparent) would be to have Josh repeat the tests in a properly supervised, recorded, environment, etc.
I doubt that will happen given the angst apparent on the AS thread, which contains significant gaslighting IMHO.
My sentiments exactly.I think Amir’s first post in this thread is still very valid:..................
Completely agree, and that's what I suggested on AS yesterday.Post the files and ask Josh if he can Foobar ABX them.
Post the files and ask Josh if he can Foobar ABX them.
This happens to be a bit of a party trick, as Amir explained himself here. Nonetheless, he is a trained listener and I would equally be interested in seeing him test the box "as intended" after measuring it. Or maybe even before doing so, to listen for tells and define a couple of additional measurements which might be helpful.@amirm can I assume that once you get the ABX comparator, you will also use it to do ABX yourself? I trust your critical listening abilities, after all you are able to differentiate different bitrates (Something members here gave you a lot of crap about).
You are right.In that case it will still depend on the willingness of Josh to participate and post ABX reports.
A witnessed AB using the box again is not ever going to happen.
Indeed!This happens to be a bit of a party trick, as Amir explained himself here. Nonetheless, he is a trained listener and I would equally be interested in seeing him test the box "as intended" after measuring it. Or maybe even before doing so, to listen for tells and define a couple of additional measurements which might be helpful.
Came across some interesting research today during my day job whilst reading into Low Frequency Noise. Pantev et al. 1998, found greater cortical reorganisation in skilled musicians and that this was enhanced the younger the age at which the learning began. The relevance for Josh is that he started ‘listening’ with focus from a young age (14 yrs i think) and that and other evidence suggests where someone has spent a great deal of time listening to and listening for their particular noise (or sound) it is possible that they may have developed enhanced sensitivity or susceptibility to this noise. Just some light reading for those with an interest in the human side of all of this. https://pubmed.ncbi.nlm.nih.gov/9572139/This happens to be a bit of a party trick, as Amir explained himself here. Nonetheless, he is a trained listener and I would equally be interested in seeing him test the box "as intended" after measuring it. Or maybe even before doing so, to listen for tells and define a couple of additional measurements which might be helpful.
That's perfectly fine, but the question remains: what is it about the different DACs that sounds different if they all measured transparent to human hearing? Josh may have "greater cortical reorganization" which is enhanced at a young age, but Josh is still human nevertheless.Came across some interesting research today during my day job whilst reading into Low Frequency Noise. Pantev et al. 1998, found greater cortical reorganisation in skilled musicians and that this was enhanced the younger the age at which the learning began. The relevance for Josh is that he started ‘listening’ with focus from a young age (14 yrs i think) and that and other evidence suggests where someone has spent a great deal of time listening to and listening for their particular noise (or sound) it is possible that they may have developed enhanced sensitivity or susceptibility to this noise. Just some light reading for those with an interest in the human side of all of this. https://pubmed.ncbi.nlm.nih.gov/9572139/
As far as I can tell from the abstract of that article, it is only an investigation to how the areas of the brain devoted to audio stimulation are larger in muscians trained from an early age. There was no mention about what abilities this larger size might give to the musician.Came across some interesting research today during my day job whilst reading into Low Frequency Noise. Pantev et al. 1998, found greater cortical reorganisation in skilled musicians and that this was enhanced the younger the age at which the learning began. The relevance for Josh is that he started ‘listening’ with focus from a young age (14 yrs i think) and that and other evidence suggests where someone has spent a great deal of time listening to and listening for their particular noise (or sound) it is possible that they may have developed enhanced sensitivity or susceptibility to this noise. Just some light reading for those with an interest in the human side of all of this. https://pubmed.ncbi.nlm.nih.gov/9572139/