Reading the latest posts there, now it all makes sense. (to translate - the result must have been what it was)Josh on the other hand, got paid for article/testing by his boss at AS
Reading the latest posts there, now it all makes sense. (to translate - the result must have been what it was)Josh on the other hand, got paid for article/testing by his boss at AS
That’s correct, though that has never been confirmed in my tests, like those in the parallel thread. Only one of four tests posted there uses a preamp (with multiple inputs) between the DAC under test and the Cosmos.So in no case the Cosmos was ever connected to the output of the ABX box (which would be an incorrect load asking for trouble).
There's definitely also the multitone recordings he talked about which, as far as I remember, were done before he even started ABX testing. He may have deleted them later, but they did exist.Also AFAIK the only recordings that were made were done after the turmoil started and he wanted to null A and B difference.
I don't see that as much of an issue (DAC-> Cosmos) which in worst case could possibly increase distortion a little as DACs usually have a low output resistance and will have no issue driving 2kohm loads.That’s correct, though that has never been confirmed in my tests, like those in the parallel thread. Only one of four tests posted there uses a preamp (with multiple inputs) between the DAC under test and the Cosmos.
Was the SA7001 analog or digital output used? If analog, what was the wav recorder?Online test Original data vs. Marantz SA7001 output
Marantz SA7001 CD player output vs. original CD data · FunkyABX
abx.funkybits.fr
This is an online test that I prepared in March 2026. Wav files. Anyone can try it online, the test interface avoids cheating.
View attachment 551188
Analog, of course. More in this post. Together with files. So you can try online test or download the files. Online test avoids any kind of cheating and the files are the same 44.1/16 wav format. One of the files is the CD rip and the other one is recorded via my special (active balanced) preamp with DACT stepped attenuator inside + Cosmos ADC. It is all unimportant, the results you or me or anyone gets are important. Remember one of the files is an original rip. If you want to check the setup, so you see it below. The power amp was of course not used.Was the SA7001 analog or digital output used? If analog, what was the wav recorder?

Personally, I found it very odd that Josh didn't support other users conducting the test themselves—for example, using the recordings.Assuming this is the case then one could argue the DACs can be told apart in certain conditions with specific recordings and with a lot of training.
That does not mean that 'well measuring, performing and not 'defective' DACS do not all sound different 99.99% of the time but only that in specific conditions/recordings it is still possible to tell them apart.
For that reason a recording of both DACs (direct or via the ABX box) is pretty essential as the ABX box (very likely) applies the exact same distortion via A and B input (see Josh's null at -100dB).
For me the most likely scenario is that Josh could reliably tell the compared DACs apart and that it is not caused by the ABX box nor level matching ... but this can't be ruled out until measured.
The best thing is that when the exact same recordings are used (they are known), the same DACs are 'recorded' directly (thus NO AB box), level matched and prepared for Foobar ABX comparator and @Josh83 could hint which recording and time stamp he was able to tell them apart then all interested parties can do this at home.
Of course with their DAC (that may or may not reproduce the files equally well) on their transducers with their ears.
Would be fun if more people could pass the test... no ABX box needed.
Just proper level matched recordings (say at 1kHz -3dB) and a Foobar comparator.
When no one can pass the test and Josh also cannot pass the test 19/20 or 20/20 then most likely there was a circumstance that remains unknown.
That's a turn-around for this thread. Are you preparing for the eventuality that Amir finds nothing wrong with the AVA box?Assuming this is the case then one could argue the DACs can be told apart in certain conditions with specific recordings and with a lot of training.
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For me the most likely scenario is that Josh could reliably tell the compared DACs apart and that it is not caused by the ABX box nor level matching ... but this can't be ruled out until measured.
From what I got from his article is that the attempt was mostly to satisfy his own curiosity and to prove or disprove (to himself) his idea that he could hear differences between DACs using the ABX box in a more scientific way without the help of others.Personally, I found it very odd that Josh didn't support other users conducting the test themselves—for example, using the recordings.
Amir will find increased distortion that may or may not reach audible levels.That's a turn-around for this thread. Are you preparing for the eventuality that Amir finds nothing wrong with the AVA box?
Thank you for the considered response (one of many). I agree. We need to see how distortion varies with different attenuations, and between channels. If the AVA looks good, I hope people will accept that Josh wasn't just listening to a comparator drowning out the differences between sources. Then I hope that Josh might re-enter the discussion and we can take it forwards and actually learn something.Amir will find increased distortion that may or may not reach audible levels.
The real question, however, is whether or not there is a noticeable difference between A and B input (including L-R matching) that may be attenuation and or frequency dependent for different attenuation levels.
As Josh reported not seeing numbers below 90 (-1dB attenuation difference) between DACs it would be interesting to see if there are audible 'tells' with different attenuation.
Personally I do not expect to see much of a difference between A and B input which basically is the only thing that matters, not so much the inevitable added distortion from the volume control IC. But... the box could have issues that might explain what Josh heard.
If so a recording with music could be posted so people can replicate.
In such a case AB files could be prepared and uploaded (without AB box) which folks (including) Josh could test.
So not a turnaround for my part. This has always been my position.
There are many aspects. Source files, DACs, AB box differences between A and B (unlikely) and above all the listener.
Mine isn't. I turned off email post notifications aprox 1 day after joining ASR.You know what's really funny? my inbox, and probably most of ours, is filled with hundreds of emails with this title. Maybe that was the goal
DAC audible differences are finally proven with ABX?
Special thanks to Flo!I’m happy to confirm we worked out the details, and we have a deal with Josh![]()
People who express any doubts about some of the agreed upon assumptions at this site are relentlessy attacked or ridiculed. For instance, there is actual science showing issues with using SINAD as a one stop shop for judging audio equipment. SINAD isn't flawless. Why is it important if it's in the "inaudible" range among various pieces of equipment? Your certainly know this, but the hidden assumption here is that it is the be and end all of rating equipment. I assume you will deny this, but that's what comes thru here and what many people take away. It's reflected in many posts here.
Bingo!Instead of testing thousands of random people, why don’t the people that claim they can hear the differences back up their claims by doing the tests. Seems like a much faster and more efficient way to come at the desired results.