TLDR: This post reports the effect of current driving speaker drivers on a large number of samples. I also show that a driver on current drive performs on par with drivers that are 6x more expensive in terms of odd order HD.
Back Story
~2 years years ago I came across a paper showing the benefits of current drive and then I discovered Esa Meriläinen's book.
I tested the idea on a few drivers and saw significant improvements in odd order harmonic distortions (HD).
This prompted me to seriously consider developing a proper current drive amplifier that I can use in my projects
But before spending too much effort I wanted to make sure that current drive is effective on most drivers, not just a few that I happened to try it on.
So I developed a measurement method (software, hardware, protocol) and tested >30 drivers.
That was a major rabbit hole and took a few months. This is the result of that effort. Hope you find it interesting
The Measurement Method
I don't have a fancy Klippel setup or access to anechoic room, so the measurements had to be very near field.
This means SPL will be high. Most measurement microphones have higher distortion than drivers at high SPL. After going through many mics, I settled on NTI M2010.
All drivers are mounted on a 16x16 baffle. The mic is placed 1 inch from the panel co-centric with the driver.
I measured harmonic distortion using exponential sweeps i.e. Farina method.
All measurements are pre-compensated. Meaning the sweeps are adjusted such that the acoustic output is all flat from 200Hz to 4kHz at 105±0.1dB at the microphone.
105dB at 1 inch roughly translates to ~76dB at 1 meter which I thought is reasonable listening level in the bandwidth I'm testing at.
All the measurement where done with QA403 using its Python API to automate the process and I did the necessary signal processing to pre-compensate the sweeps using the Scipy library.
Each driver was measured with the voltage drive (VD) and with the current drive (CD).
The Amplifier
A Texas Instruments TPA3255 amplifier board (in BTL configuration) with post-filter feedback (PFFB) was used to power the drivers. One channel was modified to incorporate current feedback. The current feedback channel achieved an output impedance of 60 ohms and transconductance of 1.75 A/V.
Each driver was measured once with the voltage drive (VD) channel and once with the current drive (CD) channel.
The Drivers
There are > 30 drivers in total.
side note: My sample of W8-1808 had a buzzing issue, hence the large peak in distortion.
Results
I have attached all the harmonic distortion (HD) sweeps. As an example you can see the SB Acoustics' SB12PAC25-4 plots below.
Dotted lines are voltage drive and solid lines are current drive. This driver shows very significant improvement on CD.
On average drivers showed an 11dB drop in H3 and 6dB drop in H5.
Analysis
Most drivers see significant improvements in odd order harmonics, but for most people these dB values are meaningless.
So I decided to do a simple and crude analysis to relate the improvements to dollar values. This is the plot below. Let me explain:
First let's ignore the orange dots/lines and focus on blue. Each blue dot represent a driver's measurement on VD.
We have three plots for H2, H3, and H5. The y-axis is the relative (to fundamental) distortion.
The x-axis is the price divided by weight and then normalized so the cheapest driver sits at one. x-axis is in log scale so that distances correspond to price multiples.
Yes, dividing by weight is a very crude way of eliminating size as a confounding factor ...
But it is good enough to show us a clear trend: More expensive drivers tend to have lower distortion and we should all be glad!
This trend can be seen by the blue trend line.
Now the interesting bit.
The orange dots are the measurements for those same drivers on current drive.
We see the CD trend line has shifted down significantly. Furthermore the horizontal distance between CD and VD trend lines corresponds to a ~6x price multiple!
This means a driver on current drive performs on par with drivers that are 6x more expensive in terms of odd order HD - on average.
I know this is very crude but I believe this puts an educated dollar value on the improvement you get from current driving speakers.
Conclusion
I think by showing the efficacy of CD on a variety of drivers, this data strengthens the case for current driving speakers significantly.
Back Story
~2 years years ago I came across a paper showing the benefits of current drive and then I discovered Esa Meriläinen's book.
I tested the idea on a few drivers and saw significant improvements in odd order harmonic distortions (HD).
This prompted me to seriously consider developing a proper current drive amplifier that I can use in my projects
But before spending too much effort I wanted to make sure that current drive is effective on most drivers, not just a few that I happened to try it on.
So I developed a measurement method (software, hardware, protocol) and tested >30 drivers.
That was a major rabbit hole and took a few months. This is the result of that effort. Hope you find it interesting
The Measurement Method
I don't have a fancy Klippel setup or access to anechoic room, so the measurements had to be very near field.
This means SPL will be high. Most measurement microphones have higher distortion than drivers at high SPL. After going through many mics, I settled on NTI M2010.
All drivers are mounted on a 16x16 baffle. The mic is placed 1 inch from the panel co-centric with the driver.
I measured harmonic distortion using exponential sweeps i.e. Farina method.
All measurements are pre-compensated. Meaning the sweeps are adjusted such that the acoustic output is all flat from 200Hz to 4kHz at 105±0.1dB at the microphone.
105dB at 1 inch roughly translates to ~76dB at 1 meter which I thought is reasonable listening level in the bandwidth I'm testing at.
Side note | I know this deviates significantly from how speakers are measured typically. Here is the justification: As you'll see in my sample set I have drivers of different sizes, but I still like to be able to compare them "fairly". A small driver needs to work a lot harder to produce the same SPL than a larger driver in the far field, because it is less acoustically efficient. But the small drivers are not expected compete with large drivers at SPL. The goal of my measurement is to measure motor distortion at the (far field) SPL values that are can be expected from each driver given its size. By moving the mic very close, I even out the playing field to a large extent which makes the comparisons across different sizes more fair. |
Each driver was measured with the voltage drive (VD) and with the current drive (CD).
The Amplifier
A Texas Instruments TPA3255 amplifier board (in BTL configuration) with post-filter feedback (PFFB) was used to power the drivers. One channel was modified to incorporate current feedback. The current feedback channel achieved an output impedance of 60 ohms and transconductance of 1.75 A/V.
Each driver was measured once with the voltage drive (VD) channel and once with the current drive (CD) channel.
The Drivers
There are > 30 drivers in total.
| Brand | Models |
| Tang Band | W8-1808, W4-1757SB, W4-1720, W3-881SJ |
| Purifi | PTT4.0X |
| Fostex | FF105WK, FE126En |
| Visaton | B100, GF200, B200 |
| SB Acoustics | SB20FRPC30-8, SB20PFCR30-8, SB12NRX, SB12PAC25-4, SB12PFC25-4 |
| Vifa | NE95W-04 |
| Fountek | FR88EX, FR88, FW135F, FW100B |
| Peerless | TC9FD-18-08, TG9FD10-04, 830656 |
| Seas | MU10RB-SL |
| Dayton | RS100-8, LW150, RS125S-8 |
| FaitalPro | 6FE100 |
| Polk | T15 woofer |
| Klipsch | Quintet MidWoofer |
| Wave Core | WF090WA01-01 |
| Multicomp Pro | 55-5650, 55-5670 |
side note: My sample of W8-1808 had a buzzing issue, hence the large peak in distortion.
Results
I have attached all the harmonic distortion (HD) sweeps. As an example you can see the SB Acoustics' SB12PAC25-4 plots below.
Dotted lines are voltage drive and solid lines are current drive. This driver shows very significant improvement on CD.
On average drivers showed an 11dB drop in H3 and 6dB drop in H5.
Analysis
Most drivers see significant improvements in odd order harmonics, but for most people these dB values are meaningless.
So I decided to do a simple and crude analysis to relate the improvements to dollar values. This is the plot below. Let me explain:
First let's ignore the orange dots/lines and focus on blue. Each blue dot represent a driver's measurement on VD.
We have three plots for H2, H3, and H5. The y-axis is the relative (to fundamental) distortion.
The x-axis is the price divided by weight and then normalized so the cheapest driver sits at one. x-axis is in log scale so that distances correspond to price multiples.
Yes, dividing by weight is a very crude way of eliminating size as a confounding factor ...
But it is good enough to show us a clear trend: More expensive drivers tend to have lower distortion and we should all be glad!
Now the interesting bit.
The orange dots are the measurements for those same drivers on current drive.
We see the CD trend line has shifted down significantly. Furthermore the horizontal distance between CD and VD trend lines corresponds to a ~6x price multiple!
This means a driver on current drive performs on par with drivers that are 6x more expensive in terms of odd order HD - on average.
I know this is very crude but I believe this puts an educated dollar value on the improvement you get from current driving speakers.
Conclusion
I think by showing the efficacy of CD on a variety of drivers, this data strengthens the case for current driving speakers significantly.
Attachments
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Visaton_GB200_HD_now.png308.4 KB · Views: 115 -
TB_W4-1720_HD_now.png286.5 KB · Views: 106 -
TB_W8-1808_HD_now.png323.2 KB · Views: 99 -
Dayton_RS100-8_HD_now.png240.3 KB · Views: 110 -
Fountek_FR88EX_HD_now.png276.8 KB · Views: 101 -
Fountek_FW135F_HD_now.png277.4 KB · Views: 96 -
Fostex_FF105WK_HD_now.png292.2 KB · Views: 87 -
Visaton_B200_HD_now.png310.9 KB · Views: 90 -
Fountek_FR88_HD_now.png273.9 KB · Views: 92 -
TB_W4-1757SB_HD_now.png275.6 KB · Views: 86 -
Vifa_NE95W-04_HD_now.png267.5 KB · Views: 90 -
Fountek_FW100B_HD_now.png265.7 KB · Views: 89 -
SBA_SB20FRPC30-8_HD_now.png321.1 KB · Views: 114 -
Purifi_PTT4.0X_HD_now.png276.2 KB · Views: 132 -
SBA_SB12PFC25-4_HD_now.png269.9 KB · Views: 133 -
Peerless_TC9FD-18-08_HD_now.png262.4 KB · Views: 103 -
Visaton_B100_HD_now.png294.3 KB · Views: 97 -
MulticompPro_55-5670_HD_now.png299.9 KB · Views: 90 -
MulticompPro_55-5650_HD_now.png279.7 KB · Views: 88 -
SBA_SB20PFCR30-8_HD_now.png299.5 KB · Views: 86 -
Dayton_LW150_HD_now.png306.5 KB · Views: 81 -
WC_WF090WA01-01_HD_now.png269.9 KB · Views: 68 -
SBA_SB12NRX_HD_now.png270.1 KB · Views: 76 -
FaitalPro_6FE100_HD_now.png292.1 KB · Views: 82 -
Peerless_830656_HD_now.png269.1 KB · Views: 82 -
Polk_T15_woofer_HD_now.png283.2 KB · Views: 81 -
Dayton_RS125S-8_HD_now.png285 KB · Views: 72 -
Fostex_FE126En_HD_now.png294.4 KB · Views: 66 -
Visaton_GF200_HD_now.png308 KB · Views: 68 -
TB_W3-881SJ_HD_now.png285.1 KB · Views: 70 -
klipsch_Quintet_MidWoofer_HD_now.png272.4 KB · Views: 79 -
Peerless_TG9FD10-04_HD_now.png252.1 KB · Views: 89 -
Seas_MU10RB-SL_HD_now.png241.8 KB · Views: 95
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