audiobasha
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correct. The CSS Typhon is on sale for $3K -- $2.5K cheaper than the built 3TD-X. I wonder how they compare...
correct. The CSS Typhon is on sale for $3K -- $2.5K cheaper than the built 3TD-X. I wonder how they compare...
You have a fairly typical amount of directivity error for a naked 1"+6/6.5".I'm not sure why you are saying it's not possible.
Granted it's a 5.5" cone and the crossover is around 2200 Hz, but the Ascend Sierra V2 looks pretty smooth for just a 1" dome and concave woofer in a rectangular box.It is not possible to have smooth directivity between a dome 1" driver and a concave 6" driver crossed @2700hrz on a rectangular baffle without waveguides. The physics does not allow for it.
The 1" dome tweeters dispersion will be much wider vs the 6" concave woofer without waveguides or highly shaped baffles. Again you did well given your chosen drivers and box, but less so in the context of what is possible when using other drivers and waveguides and box shapes in other designs.
correct. The CSS Typhon is on sale for $3K -- $2.5K cheaper than the built 3TD-X. I wonder how they compare...
Done with a mouse.Finest hand writing I've ever seen.
Yes, that speaker and a couple others by Ascend are textbook examples of that particular design style pushed to the limit. It still has minor directivity error from 2-4.5k where the tweeter is wider than the mid and somewhat out of phase. They mitigated it by creating an on axis dip and aiming for smoth steady state in-room output/PIR. A small well designed wave guide could solve that by focusing the beam and setting the tweeter back a little for slightly better time alighnment. That time alighning could be done even better/easier with DSP in an active version as well.Granted it's a 5.5" cone and the crossover is around 2200 Hz, but the Ascend Sierra V2 looks pretty smooth for just a 1" dome and concave woofer in a rectangular box.
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We never stated we have perfect horizontal polars. We know how to achieve this and have done it in other designs we have built. We stated that we have a very wide response with an even directivity. Amir's measurements show this. We are wider than a typical speaker and have a smooth directivity and almost ideal in-room response. As seen in the directivity index, it is almost identical to the Philharmonic HT Tower.You have a fairly typical amount of directivity error for a naked 1"+6/6.5".
The tweeter is wide while it hands off to the beaming mid in the 2-5k zone.
You did very fine given the constraint of a naked 1" and 6" driver but with other designs it is possible to have much smoother horizontal directivity.
It is not possible to have smooth directivity between a dome 1" driver and a concave 6" driver crossed @2700hrz on a rectangular baffle without waveguides. The physics does not allow for it.
The 1" dome tweeters dispersion will be much wider vs the 6" concave woofer without waveguides or highly shaped baffles. Again you did well given your chosen drivers and box, but less so in the context of what is possible when using other drivers and waveguides and box shapes in other designs.
1st I think it is amazing that as the manufacturer you sent this unit in and have been a part of the discussion. 5/5 for that. It is a big risk, hope it is fun/useful for you in meaningful ways. I also do like your speaker reviewed here.We never stated we have perfect horizontal polars. We know how to achieve this and have done it in other designs we have built. We stated that we have a very wide response with an even directivity. Amir's measurements show this. We are wider than a typical speaker and have a smooth directivity and almost ideal in-room response. As seen in the directivity index, it is almost identical to the Philharmonic HT Tower.
I also want to point out that bunching will be reduced significantly between 2-5 kHz in "most" standard tweeter designs by the use of larger edge treatments. That is why we are testing ways to send out faceted baffles that are easy to finish. Additionally, Dennis uses a broad elevation across the midrange on most of his designs to counteract the off-axis response dip in that region. We feel this makes the speaker sound too forward and typically avoid this type of compensation, instead opting for a small dip on-axis in areas that might have peaking off-axis. We feel this is a better compromise and creates a more enjoyable sound across a broader range of music.
I'm sure some people will like the Philharmonic better and some people will like our speaker better and that is totally fine. We aren't trying to twist anyone's arm and tell you our speaker is the best ever and definitely not saying it measures the best ever. As Amir stated: "Objectively, the 3TD-X comes close to our target for frequency response and aces distortion measurements... Subjective listening tests impressed me more than objective data, putting a smile on my face on track after track," and that's exactly what we are targeting. If you are ever in the Detroit area, come by for a listen and hear them in person for yourself.
Thanks for your feedback and I do appreciate it and the debate. I also hope my tone didn't come off harsh either as it definitely can in frank online discussion where tone can be lost. I do think Dennis's stuff is a great value and a really goo sounding speaker but personal preferences are why this "hobby" exists in the first place. Ours is just slightly different than his. And yes, Dennis is a total outlier who has consistently under-priced his speakers.1st I think it is amazing that as the manufacturer you sent this unit in and have been a part of the discussion. 5/5 for that. It is a big risk, hope it is fun/useful for you in meaningful ways. I also do like your speaker reviewed here.
Again I did vote 'great', (well I suppose I'd vote 3.5/4 but in this case I rounded up).
I do think the speaker is very nice from what I can see here on paper(I have never heard it) and I really appreciate you offering both finished and DIY Kit options. I think that is very important to the hobby and hard to find... and actually I value that very, very much. (not with those $500/1300 caps though) I really hope you are enjoying your company and making money and staying in biz. Certainly if I visit Detroit I will stop in, I'd love to and so would my wife who loves this stuff now. (My wife and I drive to Toronto from Minneapolis from time to time, yet I've actually never been to Detroit. Was a huge Barry Sanders fan as a kid. I'll have to make a couple days for the city next time. How is the coffee there? I like my urban cafe scene. Yah, I'm kind of a near 50yr old former hipster. Sorry.)
Per your points here, I do understand. As a hobbyist I am enjoying the nerdy conversation and the in-depth discussion.
Tone is weird in forums and other text only situations so to be clear all of my points made that are critical and/or examine the design in this thread fall under 'constructive criticism', purely. I enjoy dissection and analysis, and maybe somethings said will help make even better/additional future offerings. Directivity and waveguides came up so I dove in a bit, I myself was not focused on contrasting with the Philharmonic speaker, rather naked tweeters vs designs with larger waveguides. I wanted to show how some well made waveguides can overcome most of the horizontal directivity issues, even in a sharp edged box.
I do own the BMR monitor and love the set, FWIIW that model is not forward sounding here. I have 25+ pairs of speakers. That said Philharmonic pricing is special and an outlier. Really no typical manufacturer could make it happen without greater margins. Saying that so folks comparing the prices can see that your prices are still a good value even if the Phil costs less. I think for $2500 DIY or $5500 nicely finished the Criton 3TD-X is a sweet deal and great value proposition... and supports a small business to boot. HiFi is filled with poor value products (Børresen X3 anyone?), yours is a high value one.
Yes it is. It shares a compartment with the tweeter and it uses the front half of the box. Meaning the woofers compartment goes all the way to the top of the tower behind the mids compartment.For anybody who has built these or knows the internal construction, is the midrange driver in its own sealed compartment?
So these speakers are $5000+ and you have to build them yourself and the measurements are even that amazing. Earlier I compared these to pairs going for less than $2300 and found some that were absolutely a better deal. I really do not believe anyone would buy these unless they were only interested in having a fancy wood grain that cost a lot of money. I'd rather have KEF R7 Meta.correct. The CSS Typhon is on sale for $3K -- $2.5K cheaper than the built 3TD-X. I wonder how they compare...
No, the prebuilt 3TD-X is $5,500So these speakers are $5000+ and you have to build them yourself and the measurements are even that amazing. Earlier I compared these to pairs going for less than $2300 and found some that were absolutely a better deal. I really do not believe anyone would buy these unless they were only interested in having a fancy wood grain that cost a lot of money. I'd rather have KEF R7 Meta.
Edit: or Monitor Audio Silver 300 7G which is half the price.
No. $5,000 is pre-built in custom cabinets.So these speakers are $5000+ and you have to build them yourself
No, the speakers for DIY are typically 2000 ( for standard crossovers) $5500 is for a pair of pre-built speakers.So these speakers are $5000+ and you have to build them yourself and the measurements are even that amazing. Earlier I compared these to pairs going for less than $2300 and found some that were absolutely a better deal. I really do not believe anyone would buy these unless they were only interested in having a fancy wood grain that cost a lot of money. I'd rather have KEF R7 Meta.
Edit: or Monitor Audio Silver 300 7G which is half the price.
No, the speakers for DIY are typically 2000 ( for standard crossovers) $5500 is for a pair of pre-built speakers.
I believe right now they're giving a extra 10% sale so knock off another $200. Much better to DIY than buy off a shelf.
I'm thinking of building the 3TD-X and the XC soon (and might attempt to design and build a custom surround/ceiling speaker using the LDW6 driver). I'd build the enclosures myself though; using solid wood for at least the front baffle (so laminating the edges isn't a concern).We never stated we have perfect horizontal polars. We know how to achieve this and have done it in other designs we have built. We stated that we have a very wide response with an even directivity. Amir's measurements show this. We are wider than a typical speaker and have a smooth directivity and almost ideal in-room response. As seen in the directivity index, it is almost identical to the Philharmonic HT Tower.
I also want to point out that bunching will be reduced significantly between 2-5 kHz in "most" standard tweeter designs by the use of larger edge treatments. That is why we are testing ways to send out faceted baffles that are easy to finish. Additionally, Dennis uses a broad elevation across the midrange on most of his designs to counteract the off-axis response dip in that region. We feel this makes the speaker sound too forward and typically avoid this type of compensation, instead opting for a small dip on-axis in areas that might have peaking off-axis. We feel this is a better compromise and creates a more enjoyable sound across a broader range of music.
I'm sure some people will like the Philharmonic better and some people will like our speaker better and that is totally fine. We aren't trying to twist anyone's arm and tell you our speaker is the best ever and definitely not saying it measures the best ever. As Amir stated: "Objectively, the 3TD-X comes close to our target for frequency response and aces distortion measurements... Subjective listening tests impressed me more than objective data, putting a smile on my face on track after track," and that's exactly what we are targeting. If you are ever in the Detroit area, come by for a listen and hear them in person for yourself.
I'm thinking of building the 3TD-X and the XC soon (and might attempt to design and build a custom surround/ceiling speaker using the LDW6 driver). I'd build the enclosures myself though; using solid wood for at least the front baffle (so laminating the edges isn't a concern).
Do you have any prototype designs/CAD with these edge treatments available to share?