To try to keep my "Budget tall mid-bass to sub speaker, to act as stand for LS50s" thread
limited to OTS products like Rythmik FM8, or on the DIY side, driver selection and enclosure issues.
As pointed out there, my Outlaw ICBM will let me set a "high" crossover of 120Hz between the LS50s and these stereo bass stands, which is OK I guess so long as placement happens to work out wrt room modes.
If not, I will really want to bandpass the bass stands and use mono sub(s) for the lower ranges that can be placed to suit, making the bass stands pretty much "mid bass" only.
The SYN 80Hz fixed LFE is fine for the mono sub(s) but Outlaw ICBM can only do "one side" of the bass stands.
I also wanted to maybe experiment with HPFing the LS50s a bit higher than 120Hz so using the Outlaw ICBM for the bottom side of the stereo bass stands might be better?
Can you suggest reasonably priced (not miniDSP) methods for accomplishing bandpassing or a more flexible "top side" crossover?
Ideally passive or at least DC powered?
analog filters?
car audio something like SOUNDSTREAM PROX4.1 ?
Rolls SX21 / SX45 ?
i won't let such solutions touch the LS50s unless advised SQ is not compromised, leave the Outlaw ICBM for all the "full-range" SYN channels.
Sorry for the brain dump
The HF version makes tradeoffs that will give lower distortion, but IIRC requires a larger cabinet. Both are good drivers which will be a step up from the TB 6.5" mini-sub.
"Boomy" bass is a function of speaker + room combined: if the room has a big 50Hz peak, anything that reaches down to 50Hz will sound boomy. People often blame bass-reflex designs for "boomy" bass, but that's because they tend to be designed to be approximately flat into the LF, which means any room modes are strongly activated. A sealed box might sound "tight" because it's -12dB@50Hz, so that peak might get the LF...
"Boomy" bass is a function of speaker + room combined: if the room has a big 50Hz peak, anything that reaches down to 50Hz will sound boomy. People often blame bass-reflex designs for "boomy" bass, but that's because they tend to be designed to be approximately flat into the LF, which means any room modes are strongly activated. A sealed box might sound "tight" because it's -12dB@50Hz, so that peak might get the LF...
limited to OTS products like Rythmik FM8, or on the DIY side, driver selection and enclosure issues.
As pointed out there, my Outlaw ICBM will let me set a "high" crossover of 120Hz between the LS50s and these stereo bass stands, which is OK I guess so long as placement happens to work out wrt room modes.
If not, I will really want to bandpass the bass stands and use mono sub(s) for the lower ranges that can be placed to suit, making the bass stands pretty much "mid bass" only.
The SYN 80Hz fixed LFE is fine for the mono sub(s) but Outlaw ICBM can only do "one side" of the bass stands.
I also wanted to maybe experiment with HPFing the LS50s a bit higher than 120Hz so using the Outlaw ICBM for the bottom side of the stereo bass stands might be better?
Can you suggest reasonably priced (not miniDSP) methods for accomplishing bandpassing or a more flexible "top side" crossover?
Ideally passive or at least DC powered?
analog filters?
car audio something like SOUNDSTREAM PROX4.1 ?
Rolls SX21 / SX45 ?
i won't let such solutions touch the LS50s unless advised SQ is not compromised, leave the Outlaw ICBM for all the "full-range" SYN channels.
Sorry for the brain dump