Maybe @amirm can verify itMy experience contradicts my/our theoretical knowledge but it is what it is. What do I gain by publicly defending an issue that goes against what most people experience? And that also I can not show with measurements. It is frustratingly and irritating to me and others.
When disqualification is used as an argument, whoever disqualifies is the author. As I have written, it is irritating that my theoretical knowledge does not match with my sighted listening experience. Having written it so recently, that image is not funny.
The root of the issue is that the concept of cognitive biases is not a part of your theoretical knowledge as you have demonstrated time and time again.As I have written, it is irritating that my theoretical knowledge does not match with my listening experience.
But UFO is real. You don't believe me?that image is not funny
The placebo effect is powerful and real. If you believe you can hear a difference, you will, even when there is none.My experience contradicts my/our theoretical knowledge but it is what it is. What do I gain by publicly defending an issue that goes against what most people experience? And that also I can not show with measurements. It is frustratingly and irritating to me and others.
I don't want to be rude or anything but if you can't measure it somehow and we have plenty of instruments to measure audio gear and so on now then I remain skeptical.My experience contradicts my/our theoretical knowledge but it is what it is. What do I gain by publicly defending an issue that goes against what most people experience? And that also I can not show with measurements. It is frustratingly and irritating to me and others.
Maybe he is able to spot differences in BMP and PNG images alsoHi Maty
Just a little bit more FLAK
You claim is “ that I am able to differentiate between different degrees of compression”
You also claim “WAV vs FLAC 0 I am unable to differentiate, as expected”
WAV compresses 0%, FLAC 0 compresses approximately 70%, FLAC 5 approximately 65%
https://web.archive.org/web/20090202063734/http://synthetic-soul.co.uk:80/comparison/lossless/index.asp
I would say that if you are able to hear the difference between 70% and 65%, you must be able to hear the difference between 0% (WAV) and FLAC 0 (70%) as well
Or do you belong to those who mistake FLAC 0 for zero compression?
Ever tried FLAC without compression?
-0 --disable-fixed-subframes --disable-constant-subframes
With transparency layer I can spot the differencedifferences in BMP and PNG
Moreover, the effort required to parse the compressed bitstream is roughly proportional to the bit rate regardless of what happens afterwards. A file compressed to a higher ratio can easily be cheaper to decode than a less compressed equivalent.FLAC uses linear prediction.
The advantage is that the prediction can be written as a couple of coefficients. They can be stored using very little space. The bad news is that there is nothing linear about audio. Hence there will be a residue. Store the coefficients + residue in a file and the decoder can reconstruct the original signal.
The “compression” level of FLAC is the amount of resources FLAC is allowed to spend on finding the best possible linear prediction. Obvious, the better this prediction, the smaller the residue.
However this will affect most of all the amount of CPU used when encoding.
At decoding time (playback), there is no search needed for an optimal solution. The decoder simply calculates the linear prediction using the coefficients and add the residue to it.
As FLAC uses FIR Linear prediction for its highest compression level, there is still a small performance penalty at playback time compared with e.g. level 0.
So a higher compression level will most of all affect encoding time and to a far lesser extend affect decoding time.
On todays CPU’s you will probably have a hard time to measure the difference between level 0 and level 8 even when encoding.
I/O I expect to be the limiting factor, not the CPU.
Ahahah. And if that is serious tho (because you could considering that indeed BMP hasn't it)With transparency layer I can spot the difference![]()
If decoding a flac file is such a demanding task, then all Amir's measurements are invalid, just imagine how the AP software suite running complex FFT and such during measurement.Maybe @amirm can verify it![]()
Almost all compression formats include the option to store a chunk of data verbatim. The reason for this is that there will always exists inputs that the chosen algorithm can't compress. When such a block is encountered, the most efficient action is to simply store it unaltered since applying the coding method would actually make it larger. This is an unavoidable mathematical fact in any lossless compression scheme.@Vincent Kars why did they implement a non compression option on FLAC? What is the point in doing it? Just from a studying point of view?
Plus we have to consider that the measurements provided by @Vincent Kars are on a prehistoric Athlon XP 2400+ (it doesn't even have SSE2 instuctions set support!) and its single core performance are way behind the ones of a modern processor in our systems and maybe even the storage system (see mechanical HD) was a bottle neck for the actual performance of it...If decoding a flac file is such a demanding task, then all Amir's measurements are invalid, just imagine how the AP software suite running complex FFT and such during measurement.
Hi Maty
Just a little bit more FLAK
You claim is “ that I am able to differentiate between different degrees of compression”
You also claim “WAV vs FLAC 0 I am unable to differentiate, as expected”
WAV compresses 0%, FLAC 0 compresses approximately 70%, FLAC 5 approximately 65%
https://web.archive.org/web/20090202063734/http://synthetic-soul.co.uk:80/comparison/lossless/index.asp
I would say that if you are able to hear the difference between 70% and 65%, you must be able to hear the difference between 0% (WAV) and FLAC 0 (70%) as well
Or do you belong to those who mistake FLAC 0 for zero compression?
Ever tried FLAC without compression?
-0 --disable-fixed-subframes --disable-constant-subframes
Yep, there are reasons why Josh Coalson added this "compression" effort parameteron a prehistoric Athlon XP 2400+
Spot on.Almost all compression formats include the option to store a chunk of data verbatim. etc